ISBN: 9780691099729 - only connect: art and the spectator in the italian renaissance (princeton legacy library) (12 resultados)

Hardcover. Condición: Fine. Very Good Dust Jacket. First Edition. 4to. 308 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

hardcover. Condición: very good. Estado de la sobrecubierta: very good. Illustrated (color and b/w). 281 pages. 4to., brown cloth (damp-stained at bottom of spine and dust wrapper but internally clean). Washington, D.C.: The National Gallery of Art, (1992). Very good. The A.W. Mellon Lectures in the Fine Arts, 1988. Bollingen Series XXXV.…

Hardcover. Brown cloth over boards; Color pictorial dj.; 281 pp.; 25 color plates, 201 bw figures. The 37th volume in the A.W. Mellon Lectures in the Fine Arts; From the jacket: ". . . the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning." VG- (Fine interior; Light wear to dj. extremities; fading to dj cover; previous owner's name written on first page; remainder mark on bottom).…

hardcover. Condición: Good. National Gallery of Art, Princeton University Press, c.1992, 1st., 7-3/4"x10-1/4", cloth, 281pp., illusts., ex-lib.- spine label, pocket, stamps, ow VG $.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. xvii, 281 p., ill., xxv col. plates ; 26 cm. First edition, first impression. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condición: Near Fine. Estado de la sobrecubierta: Very Good+. First Edition, First Printing. A Near Fine Book in a Very Good or Better Dust Jacket, Unclipped (Unpriced). Book is lightly rubbed and sunned to extremities. Text block is bright and fresh excepting a few spots of dust soiling. Text is unmarked. Binding is tight and square. Dust Jacket is lightly bumped to extremities and somewhat toned from sunning. Hardcover. Octavo. [xviii], [3], 4-281pp. Publisher's Brown Cloth, Stamped Gilt Detailing.…

Hardcover. Estado de la sobrecubierta: Good. The A.W. Mellon Lectures in the Fine Arts - 1988. xvii, 281 pp. The A.W. Mellon Lectures in the Fine Arts, 1977, at the National Gallery of Art in Washington, D.C. Bollingen Series. XXXV: 37. LCC: 9127246 Good condition; some yellow highlighting on page 4 and in Index.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Encuadernación de tapa dura. Condición: Muy bien. Idioma inglés. Ejemplar en muy buen estado. Encuadernación de tapa dura, en plena tela, con sobrecubierta. Dimensiones: 27x20 - 281 pp. Ilustrado.

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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Art and the spectator in the Italian Renaissance The A.W. Mellon Lectures in the fine arts 1988 Bollingen Series XXXV 37 Princeton.

HRD. Condición: Very Good. Hardcover, a few not very noticeable small brownish spots on upper edge of book, otherwise in very good condition, 26.5x20.0cm, 281pp, dust jacket.