Only Connect: Art and the Spectator in the Italian Renaissance (The A. W. Mellon Lectures in the Fine Arts) - Tapa dura
Libro 24 de 29: The A. W. Mellon Lectures in the Fine Arts
Sinopsis
John Shearman makes a plea for a more engaged reading of art works of the Italian Renaissance, one that recognizes the presuppositions of Renaissance artists about their viewers. This book attempts to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. He takes his lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, reception theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer - that is, relationships conceived and constructed as part of the work's design, making and positioning. Shearman proposes unconventional ways in which works of art may be distinguished one from another, and enlarges the accepted field of artistic invention. Furthermore, his argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intellectual artists.
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Acerca del autor
John Shearman (1931–2003) was the Charles Adams University Professor Emeritus at Harvard University and the author of many books, including Raphael in Early Modern Sources, 1483–1602; The Early Italian Pictures in the Collection of Her Majesty the Queen; and Mannerism.
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Only Connect
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Princeton University Press, 1992
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Only Connect. Art and the Spectator in the Italian Renaissance
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The National Gallery of Art, Washington, 1992
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hardcover. Condición: very good. Estado de la sobrecubierta: very good. Illustrated (color and b/w). 281 pages. 4to., brown cloth (damp-stained at bottom of spine and dust wrapper but internally clean). Washington, D.C.: The National Gallery of Art, (1992). Very good. The A.W. Mellon Lectures in the Fine Arts, 1988. Bollingen Series XXXV. Nº de ref. del artículo: 303536
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Only Connect . . . Art and the Spectator in the Italian Renaissance
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Princeton University Press, Princeton, New Jersey, 1992
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Hardcover. Brown cloth over boards; Color pictorial dj.; 281 pp.; 25 color plates, 201 bw figures. The 37th volume in the A.W. Mellon Lectures in the Fine Arts; From the jacket: ". . . the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning." VG- (Fine interior; Light wear to dj. extremities; fading to dj cover; previous owner's name written on first page; remainder mark on bottom). Nº de ref. del artículo: 118260
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Only Connect. Art & the Spectator in the Italian Renaissance (Bollingen Series XXXV -37) (The A.w.Mellon Lectures in the Fine Arts, 1988)
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Princeton University Press, c.1992,, 1992
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hardcover, Condición: Good, National Gallery of Art, Princeton University Press, c.1992, 1st., 7-3/4"x10-1/4", cloth, 281pp., illusts., ex-lib.- spine label, pocket, stamps, ow VG $. Nº de ref. del artículo: 78159
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Only Connect â" Art & the Spectator in the Italian Renaissance (Bollingen Series)
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Only connect : art and the spectator in the Italian Renaissance (Bollingen series ; 35, 37) (A.W. Mellon lectures in the fine arts ; 1988)
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Princeton University Press, Princeton, N.J., 1992
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ISBN 13: 9780691099729
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. xvii, 281 p., ill., xxv col. plates ; 26 cm. First edition, first impression. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Nº de ref. del artículo: 017039
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Only Connect. : Art and the Spectator in The Italian Renaissance [The A.W. Mellon Lectures in the Fine Arts, 1988]; [Bollingen Series XXXV[
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The National Gallery of Art & Princeton University Press, Washington. D.C., 1992
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Condición: Near Fine. Estado de la sobrecubierta: Very Good+. First Edition, First Printing. A Near Fine Book in a Very Good or Better Dust Jacket, Unclipped (Unpriced). Book is lightly rubbed and sunned to extremities. Text block is bright and fresh excepting a few spots of dust soiling. Text is unmarked. Binding is tight and square. Dust Jacket is lightly bumped to extremities and somewhat toned from sunning. Hardcover. Octavo. [xviii], [3], 4-281pp. Publisher's Brown Cloth, Stamped Gilt Detailing. Nº de ref. del artículo: 1258
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Only Connect: Art and the Spectator in the Italian Renaissance
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Princeton University Press, for the National Gallery of Art, Princeton, New Jersey, 1992
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Hardcover. Estado de la sobrecubierta: Good. The A.W. Mellon Lectures in the Fine Arts - 1988. xvii, 281 pp. The A.W. Mellon Lectures in the Fine Arts, 1977, at the National Gallery of Art in Washington, D.C. Bollingen Series. XXXV: 37. LCC: 9127246 Good condition; some yellow highlighting on page 4 and in Index. Nº de ref. del artículo: CH09140064
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Only Connect
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Princeton University Press, 1992
ISBN 10: 0691099723
ISBN 13: 9780691099729
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