John Shearman makes a plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space.
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Descripción Condición: New. Nº de ref. del artículo: 224472
Descripción Condición: New. New. In shrink wrap. Looks like an interesting title! 2.5. Nº de ref. del artículo: Q-0691099723