Isbn: 9780674726673 - modern archaics: continuity and innovation in the chinese lyric tradition, 1900–1937: 88 (harvard-yenching institute monograph series) (15 resultados)

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condición: As New. Unread book in perfect condition.

Condición: new.

Condición: New.

Hardback. Condición: New. After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, Modern Archaics illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic.…

Condición: New. After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In this book, the author draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 488 pages, Illustrations. BIC Classification: 2GDC; 3JJ; DSBH; DSC. Category: (G) General (US: Trade). Dimension: 233 x 155 x 36. Weight in Grams: 788. . 2014. First Edition. Hardcover. . . . .…

Condición: New. pp. 488.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In this book, the author draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 488 pages, Illustrations. BIC Classification: 2GDC; 3JJ; DSBH; DSC. Category: (G) General (US: Trade). Dimension: 233 x 155 x 36. Weight in Grams: 788. . 2014. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Hardcover. Condición: Brand New. 456 pages. 9.25x6.35x1.35 inches. In Stock.

Condición: New. pp. 488.

Hardback. Condición: New. After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, Modern Archaics illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic.…