Isbn: 9780520282438 - breaching the frame: the rise of contemporary art in brazil and japan (15 resultados)

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: As New. Unread book in perfect condition.

Condición: New. Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. This title shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. Num Pages: 248 pages, 50 b/w scattered, 24 color on 16 page insert. BIC Classification: 1FPJ; 1KLSB; ACXJ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 261 x 183 x 20. Weight in Grams: 820. . 2014. Hardcover. . . . .…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as Helio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for "direct action" here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation.In contrast to the "dematerialization" of the art object promoted by New York - based critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship. …

Condición: As New. Unread book in perfect condition.

Condición: New. Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. This title shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. Num Pages: 248 pages, 50 b/w scattered, 24 color on 16 page insert. BIC Classification: 1FPJ; 1KLSB; ACXJ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 261 x 183 x 20. Weight in Grams: 820. . 2014. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New.

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as Helio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for "direct action" here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation.In contrast to the "dematerialization" of the art object promoted by New York - based critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship. …

Hardcover. Condición: Brand New. 224 pages. 10.50x7.25x1.25 inches. In Stock.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 224 pages. 10.50x7.25x1.25 inches. In Stock. This item is printed on demand.