Isbn: 9780520275294 - out of time: philip guston and the refiguration of postwar american art: 5 (the phillips collection book prize series) (22 resultados)

Condición: Very Good. Picture Shown is For Illustration Purposes Only : CONDITION : VERY GOOD : HARDBACK :light wear and scuff marks to jacket, to/from inscription inside, pages in nice condition, shipped from the UK.

Hardcover. Condición: VG+. Close to new. Quarto. Hardcover. Black paper boards in matte illustrated jacket. xv, 246 pages, 24 unnumbered pages of plates : illustrations (some color) ; 27 cm. "Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, this book examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Employing a wealth of visual examples, archival materials, and original scholarship, Robert Slifkin situates Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. Through this historical framework, he crafts an interface between the notions of time in art and time in the material world. Lively and edifying, this comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art"--.…

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New. Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this title reconsiders the history of postwar American art and the conception of figuration in modern art history. Series: The Phillips Book Prize Series. Num Pages: 264 pages, 24 color illustrations, 79 b/w photographs. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational. Dimension: 263 x 176 x 21. Weight in Grams: 890. . 2013. Hardcover. . . . .…

Condición: New.

Hardback. Condición: New. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. …

Hardback. Condición: New. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. …

Hardcover. Condición: new. Hardcover. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this title reconsiders the history of postwar American art and the conception of figuration in modern art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. pp. 304 23 Illus. (Col.).

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this title reconsiders the history of postwar American art and the conception of figuration in modern art history. Series: The Phillips Book Prize Series. Num Pages: 264 pages, 24 color illustrations, 79 b/w photographs. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational. Dimension: 263 x 176 x 21. Weight in Grams: 890. . 2013. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Hardcover. Condición: Brand New. 264 pages. 10.75x7.50x1.00 inches. In Stock.

Condición: New. pp. 304.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. …

Hardback. Condición: New. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. …

Hardcover. Condición: new. Hardcover. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this title reconsiders the history of postwar American art and the conception of figuration in modern art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…