Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
EUR 17,13
Cantidad disponible: 12 disponibles
Añadir al carritopaperback. Condición: Very Good. Mild to Moderate creasing / bending to covers and pages. Book is otherwise very clean, unmarked and 100% functional.
Idioma: Inglés
Publicado por The University of Michigan Press, US, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 43,57
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic writing-changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O'Neill's texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O'Neill's plays such as The Emperor Jones and All God's Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem-and between white and Black America. These investigations of O'Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
Idioma: Inglés
Publicado por LUP - University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 41,04
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 41,77
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: new.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 42,39
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 255 pages. 8.75x6.00x0.75 inches. In Stock.
Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Majestic Books, Hounslow, Reino Unido
EUR 47,36
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 44,28
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 57,84
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por The University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 45,52
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por University of Michigan Press, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 55,57
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Publicado por University of Chicago press
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 39,66
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Brand New.
Idioma: Inglés
Publicado por The University of Michigan Press, US, 2023
ISBN 10: 047205578X ISBN 13: 9780472055784
Librería: Rarewaves.com UK, London, Reino Unido
EUR 41,02
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic writing-changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O'Neill's texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O'Neill's plays such as The Emperor Jones and All God's Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem-and between white and Black America. These investigations of O'Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.