9780415595278 - The Language of Displayed Art de O?Toole, Michael (28 resultados)

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art.

Paperback. Condición: new. Paperback. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them: what is represented (Representational meaning) how it engages us (Modal meaning) how it is composed (Compositional meaning). The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The CD also includes a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art.

Paperback. Condición: New.

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Condición: New. pp. 296 2nd Edition.

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Condición: New. Num Pages: 296 pages, 50 colour illustrations. BIC Classification: ABA; CF; GTC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 16. Weight in Grams: 534. . 2011. 2 Pap/Cdr. Paperback. . . . .

Condición: New. pp. 296.

Condición: NEW.

Condición: New. Num Pages: 296 pages, 50 colour illustrations. BIC Classification: ABA; CF; GTC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 16. Weight in Grams: 534. . 2011. 2 Pap/Cdr. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the grammar of th.

Paperback. Condición: New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art.

Paperback. Condición: Like New. Like New. book.

Paperback. Condición: New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art.

Paperback. Condición: new. Paperback. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them: what is represented (Representational meaning) how it engages us (Modal meaning) how it is composed (Compositional meaning). The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The CD also includes a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. pp. 296 This item is printed on demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the 'grammar' of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 'Why Semiotics'; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art.

Taschenbuch. Condición: Neu. The Language of Displayed Art | Michael O'Toole | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | Routledge | EAN 9780415595278 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.