9780415324298 - Writing Back to Modern Art: After Greenberg, Fried and Clark de Harris, Jonathan (22 resultados)

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Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. pp. 288.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In.

Condición: New. pp. 288.

paperback. Condición: New.

Condición: New. Studying the art, writing, and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, the author brings us the study to assess the development of modern art writing. Num Pages: 288 pages, 24halftones. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 159 x 234 x 17. Weight in Grams: 496. . 2005. 1st Edition. paperback. . . . .

Paperback. Condición: Brand New. 1st edition. 263 pages. 9.25x6.25x0.50 inches. In Stock.

Condición: New. Studying the art, writing, and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, the author brings us the study to assess the development of modern art writing. Num Pages: 288 pages, 24halftones. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 159 x 234 x 17. Weight in Grams: 496. . 2005. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Condición: New.

Paperback. Condición: new. Paperback. Writing Back to Modern Art assesses the 'critical modernisms' of the three leading art writers of the second half of the twentieth century: Clement Greenberg, Michael Fried, and T.J. Clark. With a focus on the issues of aesthetic evaluation, subjectivity, and meaning in art and art writing, this book examines key discourses in art criticism and art history. In the first full-length study of its kind, Harris identifies points of significant agreement and sharp intellectual disjunction between these critics in their respective accounts of modernism in the visual arts since the 1860s. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Harris develops an historical and theoretical framework for understanding the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Though centred on an examination of canonical modern artists and their place in modernist-critical historiography, with chapters on Manet, Cezanne, Picasso, Pollock, Frank Stella and Cindy Sherman, Writing Back to Modern Art suggests ways to think outside of these discourses of value and meaning. Studying the art writing and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, Harris brings us the first study of its kind to assess the development of modern art writing. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pp. 288 This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. Writing Back to Modern Art assesses the 'critical modernisms' of the three leading art writers of the second half of the twentieth century: Clement Greenberg, Michael Fried, and T.J. Clark. With a focus on the issues of aesthetic evaluation, subjectivity, and meaning in art and art writing, this book examines key discourses in art criticism and art history. In the first full-length study of its kind, Harris identifies points of significant agreement and sharp intellectual disjunction between these critics in their respective accounts of modernism in the visual arts since the 1860s. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Harris develops an historical and theoretical framework for understanding the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Though centred on an examination of canonical modern artists and their place in modernist-critical historiography, with chapters on Manet, Cezanne, Picasso, Pollock, Frank Stella and Cindy Sherman, Writing Back to Modern Art suggests ways to think outside of these discourses of value and meaning. Studying the art writing and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, Harris brings us the first study of its kind to assess the development of modern art writing. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. Writing Back to Modern Art assesses the 'critical modernisms' of the three leading art writers of the second half of the twentieth century: Clement Greenberg, Michael Fried, and T.J. Clark. With a focus on the issues of aesthetic evaluation, subjectivity, and meaning in art and art writing, this book examines key discourses in art criticism and art history. In the first full-length study of its kind, Harris identifies points of significant agreement and sharp intellectual disjunction between these critics in their respective accounts of modernism in the visual arts since the 1860s. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Harris develops an historical and theoretical framework for understanding the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Though centred on an examination of canonical modern artists and their place in modernist-critical historiography, with chapters on Manet, Cezanne, Picasso, Pollock, Frank Stella and Cindy Sherman, Writing Back to Modern Art suggests ways to think outside of these discourses of value and meaning. Studying the art writing and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, Harris brings us the first study of its kind to assess the development of modern art writing. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Here for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s.Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book provides an important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics.Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.