Isbn: 9780312269005 - somebody's gotta tell it: the upbeat memoir of a working-class journalist (18 resultados)

Hardback. Condición: Good.

Hardback. Condición: Very Good.

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Hardback. Condición: Very Good.

Hardback. Condición: Good.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Hardback in fine condition with a near fine dust jacket.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. 336pp Illus "The upbeat memoir of a working-class journalist.".

Hardcover. Condición: Fine. Near Fine. First edition. 336pp. Fine in a near fine dust jacket with light edgewear.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. First Edition/First Printing, April 2002. Hardcover in unclipped dustjacket. 336 pages with photographs. Jack Newfield was an old-fashioned newpaperman, skeptical, passionate, and brave. This fine memoir shows is enthralling, moving, and sometimes poignant. As new. Unread. From my smoke-free collection. Ships in well-padded box.…

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Hardcover. Condición: Very good. Estado de la sobrecubierta: Good. xii, [4], 336 pages. Illustrations. Signed by the author on the front free endpaper. DJ has minor wear and soiling. Includes Acknowledgments, Coda, and Index. Chapters cover A State of Mind Called Brooklyn, 1955; A Child of Jackie Robinson; The Making of an Activist; A Guilty Pleasure; Village Voices; Crossing the Line: Robert Kennedy, Part 1; Touching the Extremes: Robert Kennedy, Part 11; The Space Left by King; The Neighborhood Code Gets Tested; and The Post Mutiny. Jack Abraham Newfield (February 18, 1938 - December 21, 2004) was an American journalist, columnist, author, documentary filmmaker and activist. Newfield wrote for the Village Voice, New York Daily News, New York Post, New York Sun, New York Magazine, Parade Magazine, Tikkun, Mother Jones, and The Nation and monthly columns for several labor union newspapers. In his autobiography, Somebody's Gotta Tell It: The Upbeat Memoir of a Working-Class Journalist, Newfield said, "The point is not to confuse objectivity with truth." A career beat reporter, Newfield wrote prolifically about modern society, culture, and politics, on a range of topics relevant to urban life, such as municipal corruption, the police, and labor unions, and also professional sports, especially baseball and boxing, as well as contemporary music. He wrote numerous books about modern social and political subjects, including A Prophetic Minority (1966) and Robert Kennedy: A Memoir. (1969). He received the American Book Award for The Full Rudy: The Man, the Myth, the Mania about New York City Mayor Rudy Giuliani. Jack Newfield believes that a journalist's beat is the hard news: say what needs to be said and make it stick. He has spent over forty years putting his beliefs on the line and into print. He has opened cans of worms, sung the praises of the unsung, exposed bullies and cheats, and told us what it was like to watch history being made from the inside. Newfield both played a part in and documented the unfolding drama of the 1960s, its idealism and betrayals, its soaring hopes and crushing tragedies. He picketed, sang, marched, and wrote about it all. After the assassinations of King and Kennedy, and the disastrous 1968 Democratic Party convention in Chicago, Newfield turned his attention from national issues to New York City. This book is the work of a journalist and a man whose passion for his profession and love for his country have never faltered, though they have led him to ask tough questions. Newfield captures the sweep of the nation's story over the last half-century, giving us indelible portraits of the personalities that have driven it. Derived from a Publishers Weekly article: New York Post writer Newfield's life story: a blue-collar boy grows up in Dodgers-era Brooklyn, attends public school and the tuition-free City University, rallies with civil rights heroes in the 1960s and '70s and slugs his way up the ladder to become a reporter who works for everyman. Many will be enraptured by Newfield's honest recounting of his worthy contribution to American journalism. In straight-ahead, journalistic prose, Newfield recalls his childhood in New York City, citing experiences that will resonate with many readers: fearing the street gangs that ruled the lunchroom; the enormous impact of Jackie Robinson; reading Murray Kempton's columns on Martin Luther King Jr. in the then-liberal New York Post. Newfield then moves on to his college career, explaining why he became a journalist and describing his mentor, another champion of the underdog, Michael Harrington. Newfield chronicles his experiences with Students for a Democratic Society in the early '60s, regrets his decision not to speak out against the pro-drug stories at the Village Voice, where he wrote for years, and tells readers what it was like to be a 28-year-old writing a biography of Robert Kennedy. Throughout, his wide-eyed enthusiasm prevails, while his conscious understanding of a journalist's responsibility inspires. This memoir serv. Janie Eisenberg (Jacket photograph) (ilustrador).…