Isbn: 9780306800146 - the country blues (39 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condición: Very Good. fmc2%262D.

paperback. Condición: Very Good. Softcover. Very Good condition. Some writing on half-title page. No other writings or markings inside. Clear Text. Minor shelf-wear. Sunning on spine. For any additional information or pictures, please inquire.

paperback. Condición: Good. Covers scratched. Clean and tight. Page edges tanned and marked. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.

Paperback or Softback. Condición: New. The Country Blues. Book.

paperback. Condición: Good. Reprint. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music- recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson- had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman- that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red- coupled with his perceptive discussions of their recordings- pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins- point up the undying strength and vitality of the country blues.…

Paperback. Condición: New. From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music- recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson- had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman- that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red- coupled with his perceptive discussions of their recordings- pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins- point up the undying strength and vitality of the country blues.…

Softcover. Condición: Very Good. First paperback printing stated. Solid VG for its age. Clean, spine not broken.

paperback. Condición: New. Reprint. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condición: Very Good. From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music- recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson- had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman- that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red- coupled with his perceptive discussions of their recordings- pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins- point up the undying strength and vitality of the country blues. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Condición: New. pp. 314.

Condición: New. pp. 314 Revised ed. edition.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New. In English.

paperback. Condición: New.

Condición: New. "From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music-" Num Pages: 314 pages, 35 illustrations. BIC Classification: 1KBB; AVGJ; AVGK. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 141 x 20. Weight in Grams: 440. . 1975. New ed. Paperback. . . . . …

Trade Paperback. Condición: Brand New. 318 pages. 8.75x5.50x0.75 inches. In Stock.

Condición: New.

Condición: New. "From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music-" Num Pages: 314 pages, 35 illustrations. BIC Classification: 1KBB; AVGJ; AVGK. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 141 x 20. Weight in Grams: 440. . 1975. New ed. Paperback. . . . . Books ship from the US and Ireland. …

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music- recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson- had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman- that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red- coupled with his perceptive discussions of their recordings- pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins- point up the undying strength and vitality of the country blues.…

Softcover. First Edition Thus; First Printing. Very Good+ in wraps. Foxing on text block edges.; 314 pages.