9780300276473 - letters in exile: transnational journeys of a harlem renaissance writer de mckay, claude (36 resultados)

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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Letters in Exile : Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude; Hefner, Brooks E. (EDT); Holcomb, Gary Edward (EDT)
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Hardback or Cased Book. Condición: New. Letters in Exile: Transnational Journeys of a Harlem Renaissance Writer. Book.

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Letters in Exile : Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude; Hefner, Brooks E. (EDT); Holcomb, Gary Edward (EDT)
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Hardcover. Condición: new. Hardcover. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant B…lack protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Condición: New. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (1890-1948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black prot…est art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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hardcover. Condición: New. Special order direct from the distributor.

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Hardback. Condición: New. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (1890-1948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black prot…est art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

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Letters in Exile : Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude; Hefner, Brooks E. (EDT); Holcomb, Gary Edward (EDT)
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Letters in Exile : Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude; Hefner, Brooks E. (EDT); Holcomb, Gary Edward (EDT)
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Letters in Exile Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude/ Hefner, Brooks E. (Editor)/ Holcomb, Gary Edward (Editor)
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Hardcover. Condición: Brand New. 512 pages. 9.50x6.50x1.50 inches. In Stock.

Letters in Exile Transnational Journeys of a Harlem Renaissance Writer
McKay, Claude/ Hefner, Brooks E. (Editor)/ Holcomb, Gary Edward (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 512 pages. 9.50x6.50x1.50 inches. In Stock.

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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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Buch. Condición: Neu. Neuware -A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black pr…otest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. 512 pp. Englisch.

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Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, AlemaniaRheinberg-Buch Andreas Meier eK
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Buch. Condición: Neu. Neuware -A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black pr…otest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. 512 pp. Englisch.

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Librería: Wegmann1855, Zwiesel, AlemaniaWegmann1855
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Buch. Condición: Neu. Neuware -A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black pr…otest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

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Hardback. Condición: New. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (1890-1948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black prot…est art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

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EUR 48,12
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Hardcover. Condición: new. Hardcover. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant B…lack protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Condición: NEW.