Isbn: 9780300169652 - david smith invents (disability studies: body - power - difference) (19 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: As New. No Jacket. 1st Edition. With essays by Sarah Hamill and Peter Stevens, 112 pages, 80 illustrations (54 color), chronology, Quarto (4to). (11 x 7 3/4"), paper covered boards, (hardcover).

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

hardbound, 4to 102 pp., ca. 100 ills. exhibition catalogue; LIKE NEW condition.

Cloth. Condición: Fine Condition. No Jacket, As Issued. 107 pages 80 illustrations 54 in color. Foreword by Dorothy Kosinski. Illustrated paper over boards. Published on the occasion of the exhibition from The Phillips Collection, Washington DC February 12-May 15, 2011. Chronology.

Hardcover. Condición: New. No Jacket. 1st Edition. New Haven: Yale (2011). First edition. First printing. Hardbound. New. A pristine unread copy (without marks or bruises or smells or any other defect). Issued without a dust jacket. Still in original shrinkwrap. Shipped in well-padded box. Purchased new and never opened. You cannot find a better copy. 0.0.…

Hardcover. Condición: Very Good. Book is in very good condition. 112pp with colour and b/w photographs with illustrations.

Hardcover. First Edition. Book condition is Very Good in boards. Small bump and tear to top corner of front panel. Text is clean and unmarked, still in factory shrink wrap. ; 11 X 7.80 X 0.60 inches; 112 pages.

Frank, Susan Behrends, with Sarah Hamill and Peter Stevens. DAVID SMITH Invents. 110 pages, roughly 60 color and 25 b&w illustrations. 4to, boards. Washington, The Phillips Collection, in association with New Haven and London, Yale University Press, 2011. Exhibition at the Phillips Collection.

Hardcover. Condición: New. Brand New. Crisp, clean, fresh, bright. Still sealed in original publisher's shrinkwrap.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condición: Brand New. 112 pages. 11.25x7.75x0.50 inches. In Stock.

101 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sprache: eng.

Hardcover. Condición: New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: New. Abstract Expressionist artist David Smith (1906â"1965) was one of the most important American sculptors of the 20th century, yet few publications dedicated to his creative output currently exist. A painter-sculptor in the tradition of Matisse and Picasso, he focused on welded steel sculptures while simultaneously working inventively in two dimensions, in paint, ink, or tempera. David Smith Invents is the first book to focus on the output in all media of the artist's last fifteen years, a period in which he explored concave and convex forms in works welded from steel tanks and pipes that he bought by the rail-car load as industrial waste. Starting in 1953, Smith's efforts resulted in the monumental, personage-like forms of the Tanktotems series, and the later series of Bouquet of Concaves, leading in 1961 to the massive Zigs. Susan Behrends Frank opens a window onto the unusual working process employed by Smith, who was once a welder on an automobile production line. In spite of their industrial manufacture and materials, his works blurred the boundaries between sculpture, painting, and drawing, and his sculptures during this period were created in a pictorial fashion, in a single plane. One of his practices was to draw a white rectangle on the floor and position the metal parts of his sculpture within its boundaries. Featured throughout the book are extraordinary photographs taken by Smith of his sculptures, along with an enlightening essay on the photos by Sarah Hamill. Peter Stevens discusses Smith's materials and surfaces.…