9780262062220 - Douglas Gordon (33 resultados)

Hardcover with dustjacket, 184 pages; good condition, creases and scratched to dj; ex-gallery copy with sticker taped around bottom of spine; sticker on first page; no other internal marks. Foreign shipping may be extra.

Condición: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. no dj, some wear, still nice! Oversized.

Hardcover. Condición: Very Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Clean, sharp corners, firm hinges with DJ in VG+ condition. BP/Photographers.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 183 pages, illustrations (some colour); 31 cm. Exhibition catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time--and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists. / Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum." - Publisher. *** CONTENTS: Trust Me, by Russell Ferguson; Love Triangulations, by Michael Darling; White Lies, by Francis McKee; a.k.a., by Nancy Spector; Interview with Douglas Gordon, by David Sylvester. Size: 4to. Collectible.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. 4to - over 9¾" - 12" Tall (tall). Slight rubbing to jacket (chiefly at edges); else a near fine copy internally. 183, [1] pages. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography.Over 100 Color Photographs.

First edition and first printing. Hardcover. 183 pages. Exhibition catalog for a show that ran September 16, 2001 through January 20, 2002. Features essays by Michael Darling, Russell Ferguson, Francis McKee, Nancy Spector, and the text of David Sylvester's inteview of Gordon. Includes numerous color illustrations, a selected bibliography, and a checklist. A clean and tight near fine copy and in a near fine dust jacket with a small tear to the top of the front panel near the spine.

30,5 x 23,5 cm ; Pp. ; Condición: Gut. 183 S. ; With Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector and an Interview by David Sylvester. Großformatige englischsprachige Hardcoverausgabe mit Schutzumschlag, 183 Seiten mit zahlreichen Fotos. Gutes Exemplar. hw1609 ISBN: 0262062224.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. The MIT Press; 4to 11" - 13" tall; 200 pages.

Boards. Condición: Very Good. Estado de la sobrecubierta: Very Good. First edition. 4to, 183 pp., color illus. Bottom edge of front board and front panel of jacket lightly bumped, light edgewear to jacket.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:0262062224.

Hardcover exhibition catalog with dustjacket, 184 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Used - Like New. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time -- -and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Out of print. Creasing and/or tears on dust jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:0262062224.

Hardcover. Condición: Gut. 30,5 x 23,5 cm 183 S. Hardcover. Sprache: Englisch, Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition 2001, first printing, matching copyright and publishing dates, no previous printings listed. Published by Los Angeles: Museum Of Contemporary Art / MIT Press. Hardcover in black cloth with DJ. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no bent page corners, not a reminder. DJ new, bright and shiny, no tears no chips, no edgewear, not clipped. 4to, 184 Pages, well illustrated. Exhibition catalog. Heavy book, will require additional postage for international orders.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 198 pages 120 illustrations 80 in color. First edition. Published on the occasion of the exhibition from the Museum of Contemporary Art, Los Angeles CA September 1, 2001-January 20, 2002, Vancouver Art Gallery, British Columbia, March 9-June 16 2002, Museo Tamayo Arte Contemporáneo, Mexico, March 13-June 22, 2003, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 12-May 19, 2004. Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum. Book.

hardcover. Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Qto., 182 pages, colour illustrated. Unused, a Fine copy in dust jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Cambridge. MIT Press. 2001. Hard Cover. Black cloth boards with no spine titles. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese.

Cloth. Condición: New. Estado de la sobrecubierta: Fine Condition. 198 pages 120 illustrations 80 in color. First edition. Still in shrinkwrap. Published on the occasion of the exhibition from the Museum of Contemporary Art, Los Angeles CA September 1, 2001-January 20, 2002, Vancouver Art Gallery, British Columbia, March 9-June 16 2002, Museo Tamayo Arte Contemporáneo, Mexico, March 13-June 22, 2003, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 12-May 19, 2004. Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum. Book.

Encuadernación de tapa dura. Condición: Muy Bien. 2001. This book examines the innovative work of thirty-four-year-old Scottish artist Douglas GordonGordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time -- -and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists. 184 pp. Idioma: Inglés. La sobrecubierta de protección está levemente deteriorada en la parte superior del lomo, el resto de la cubierta e interior, en perfecto estado. LIB 2A.

Hardcover. Condición: New. 1st Edition. New large hardback w/ jacket; crisp,clean.

Couverture rigide. Condición: Bon état. In-4 relié 31 cm sur 24. 184 pages. Bon état d'occasion. in-4°.