Isbn: 9780262038522 - dissidence: the rise of chinese contemporary art in the west (21 resultados)

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Condición: New. 2018. hardcover. . . . . .

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Hardcover. Condición: new. Hardcover. How the valorizationof artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West.Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work-a demand that mirrors thevalorizationof free expression in liberal democracies.Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident.Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have beencelebrated bothfor their artistic dissidence-their formal innovations and introduction of new media and concepts-and for their political dissidence-how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy. How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. x, 202 pages, illustrations (some colour); 24 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work - a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence - their formal innovations and introduction of new media and concepts - and for their political dissidence - how their work challenges political values in both China and the West." - Publisher. *** CONTENTS: Acknowledgements; Introduction: Chinese contemporary art and the value of dissidence; 1. The Chinese dissident artist; 2. Les magiciens de la Terre and the Chinese artists in France; 3. Transition and transformation; 4. Chinese contemporary art in the west; Conclusion: the value of dissidence; Notes; Index. Size: 8vo. Collectible.…

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Condición: as new. Cambridge, Massachusetts : The MIT Press, 2018. Hardcover. Dustjacket. x, 202 pp. How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work-a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence-their formal innovations and introduction of new media and concepts-and for their political dissidence-how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy. Condition : as new copy. ISBN 9780262038522. Keywords : ART.…

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Hardcover. Condición: new. Hardcover. How the valorizationof artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West.Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work-a demand that mirrors thevalorizationof free expression in liberal democracies.Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident.Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have beencelebrated bothfor their artistic dissidence-their formal innovations and introduction of new media and concepts-and for their political dissidence-how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy. How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New.