9780252077913 - hal hartley (contemporary film directors) de berrettini, mark l. (17 resultados)
Idioma: Inglés
Editorial: University of Chicago press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Idioma: Inglés
Editorial: University of Illinois Press, US, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini… discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career.
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Idioma: Inglés
Editorial: MO - University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Editorial: University of Illinois Press, Baltimore, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 29,43
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Paperback. Condición: new. Paperback. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L.… Berrettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. Examining a director whose work shrewdly eschews cinematic realism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: John Wiley & Sons, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Idioma: Inglés
Editorial: Univ of Illinois Pr, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 136 pages. 8.00x5.25x0.50 inches. In Stock.
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. pp. 144.
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 144.
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. Examining a director whose work shrewdly eschews cinematic realism Series: Contemporary Film Directors. Num Pages: 136 pages, 21 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 210 x 142 x 9. Weight in Grams: 192. . 2011. 1st Edition. Paperback. . . . .
Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Idioma: Inglés
Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Editorial: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. Examining a director whose work shrewdly eschews cinematic realism Series: Contemporary Film Directors. Num Pages: 136 pages, 21 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 210 x 142 x 9. Weight in Grams: 192. . 2011. 1st Edition. Paperback. . . . . B…ooks ship from the US and Ireland.
Idioma: Inglés
Editorial: University of Illinois Press, Baltimore, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L.… Berrettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. Examining a director whose work shrewdly eschews cinematic realism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: University of Illinois Press, US, 2011
Serie: Contemporary Film Directors, Libro 20 de 58. Libro 20 de 58 - Contemporary Film Directors
- Tapa blanda
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 21,13
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Paperback. Condición: New. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini… discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career.
