ISBN: 9780226771830 - encounters with rauschenberg: a lavishly illustrated lecture (21 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.…

Paperback. Condición: Fair. Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.…

Paperback. Condición: Fair. Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.…

Condición: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Condición: good. Used may have minimal highlights, annotations, creases, curled corners, writing on some pages, discoloration, dust from shelves, may need batteries.

Paperback. Condición: Near Fine. clean, unmarked copy.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Fine. 1st. vii, 75 pages, illustrations (chiefly colour); 25 cm. Firm binding, clean inside copy. First paperback edition. *** "In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg. With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work. From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art. Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic. / Leo Steinberg is Benjamin Franklin Professor Emeritus at the University of Pennsylvania." - Publisher. Size: 8vo.…

Paperback. Condición: Very Good. Octavo, softcover, 75 pp. Photographs. Light edge wear.

Paperback. Condición: Very Good. Encounters with Rauschenberg: A Lavishly Illustrated Lecture This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Wrappers. Condición: Near Fine. 75 pages with 51 illustrations in color. A fine line of fading to the top edge, otherwise fine. First paperback edition. Illustrated wraps. Foreword by Walter Hopps and Susan Davidson. The lecture was presented at the Solomon R. Guggenheim, New York (October 21, 1997) and with revisions, for the Menil Collection, Houston (May 7, 1998), on the occasion of the exhibition "Robert Rauschenberg: A Retrospective." For this publication, the text has been slightly augmented. Notes. Book. …

Softcover, 78 pages; very good condition; light rubbing to cover rom removed price sticker; no internal marks.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: New. A Lavishly Illustrated Lecture; In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg.With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work. From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art. Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic.…