Isbn: 9780226609911 - a portrait in four movements: the chicago symphony under barenboim, boulez, haitink, and muti (26 resultados)

Condición: Good. Good condition ex-library book with usual library markings and stickers.

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Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Used-Very Good. First. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

Hardcover. Condición: Used-Very Good. First. Cloth, d.j. Some shelf-wear. Else clean copy.

Hardcover. Condición: Very Good. A Portrait in Four Movements - The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: new.

Hardback. Condición: New. "Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Ricardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner's reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner's "driving survey" that playfully ranks the Maestri he knew on a scale of "total comfort" to "fright level five," and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it--from the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner's writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. 1st Printing. 255 pages. Published in 2019. Rare Chicago Symphony Orchestra (CSO) and Andrew Patner collectible set. Pristine copies of the Uncorrected Proof and the First Hardcover Edition. Book-length study on its great subject. One of the most valuable musical and cultural documents of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a small and limited first print run by a university press, the University of Chicago Press, as a softcover original only (for the Uncorrected Proof) and as a hardcover original only (for the regular trade edition). The Uncorrected Proof is now rare. Presents Andrew Patner's "A Portrait In Four Movements: The Chicago Symphony Under Barenboim, Boulez, Haitink, And Muti". That is to say, the CSO since the belated departure of Solti. Foreword by the New Yorker Magazine critic Alex Ross. Introduction And Commentary by the musicologist Douglas W. Shadle. "From 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT Radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. Assembles Patner's reviews of the concerts given by the CSO during this time as well as transcripts of his remarkable radio interviews with these colossal figures. Tidbits for the curious, such as Patner's 'driving survey' that playfully ranks the Maestri on a scale of 'total comfort' to 'fright level five', and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi Occupation in their native countries as children. Threaded together with insights about the power of music and the techniques behind it: From the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. A rich portrait of the life of Chicago through the eyes and ears of one of its most beloved critics" (Publisher's blurb). An absolute "must-have" title for Andrew Patner and CSO collectors. This is a copy of the Uncorrected Proof and the First Hardcover Edition/First Printing. This title is a great book. As far as we know this is the only set available online and is in especially fine condition: Clean, crisp, and bright, pristine beauties. A rare set thus. One of the most brilliant music critics of our time. A fine set. (SEE ALSO ALEX ROSS TITLES IN OUR CATALOG) ISBN 022660991X. no.…

Condición: New. 2019. Hardcover. . . . . .

Condición: New.

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Playing in an orchestra in an intelligent way is the best school for democracy.Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSOs changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patners reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patners driving survey that playfully ranks the Maestri he knew on a scale of total comfort to fright level five, and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulezs and Haitinks heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind itfrom the conductors varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patners writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 255 pages. 9.00x6.00x0.50 inches. In Stock.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Brand New.

Original-Pappband. Condición: Sehr gut. Estado de la sobrecubierta: Gut. gr8 Original-Pappband en XVI, 255 pp. Schutzumschlag: Gut.

Hardcover. Condición: new. Hardcover. Playing in an orchestra in an intelligent way is the best school for democracy.Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSOs changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patners reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patners driving survey that playfully ranks the Maestri he knew on a scale of total comfort to fright level five, and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulezs and Haitinks heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind itfrom the conductors varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patners writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. "Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Ricardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner's reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner's "driving survey" that playfully ranks the Maestri he knew on a scale of "total comfort" to "fright level five," and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it--from the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner's writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.…