9780198184997 - The Strange Short Fiction of Joseph Conrad: Writing, Culture, and Subjectivity de Erdinast-Vulcan, Daphna (19 resultados)

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Condición: New. This study engages with the troubled question of authorial subjectivity and ethics in modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M.M. Bakhtin. Num Pages: 202 pages, index. BIC Classification: 2AB; DSA; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 16. Weight in Grams: 362. . 1999. hardcover. . . . .

Condición: New. This study engages with the troubled question of authorial subjectivity and ethics in modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M.M. Bakhtin. Num Pages: 202 pages, index. BIC Classification: 2AB; DSA; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 16. Weight in Grams: 362. . 1999. hardcover. . . . . Books ship from the US and Ireland.

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Hardcover. Condición: new. Hardcover. This study engages with the troubled question of authorial subjectivity and ethics in Modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M. M. Bakhtin.Part One of the book focuses on the relational dynamics in 'Under Western Eyes' and 'The Secret Sharer', and develops a 'heterobiographical' reading matrix,which serves as a psycho-textual and philosophical approach to modes of authorial presence in the text.Part Two offers close readings of ten short stories spanning the whole ofConrad's career and clustered into five chapters--'Writing and Fratricide', 'The Pathos of Authenticity', 'The Poetics of Cultural Despair', 'The Romantic paradox', and 'Addressing the Woman'. This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': therelationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; andthe desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium. Through an examination of short stories spanning Conrad's writing career, Daphna Erdinast-Vulcan engages with the question of authorial subjectivity and ethics in Modernism in general, and in Conrad's short fiction in particular. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. This study engages with the troubled question of authorial subjectivity and ethics in Modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M. M. Bakhtin. Part One of the book focuses on the relational dynamics in 'Under Western Eyes' and 'The Secret Sharer', and develops a 'heterobiographical' reading matrix,which serves as a psycho-textual and philosophical approach to modes of authorial presence in the text. Part Two offers close readings of ten short stories spanning the whole ofConrad's career and clustered into five chapters--'Writing and Fratricide', 'The Pathos of Authenticity', 'The Poetics of Cultural Despair', 'The Romantic paradox', and 'Addressing the Woman'. This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': therelationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; andthe desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium. Through an examination of short stories spanning Conrad's writing career, Daphna Erdinast-Vulcan engages with the question of authorial subjectivity and ethics in Modernism in general, and in Conrad's short fiction in particular. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condición: Neu. The Strange Short Fiction of Joseph Conrad | Writing, Culture, and Subjectivity | Daphna Erdinast-Vulcan | Buch | Gebunden | Englisch | 1999 | OUP Oxford | EAN 9780198184997 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study engages with the troubled question of authorial subjectivity and ethics in Modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M. M. Bakhtin. Part One of the book focuses on the relational dynamics in 'Under Western Eyes' and 'The Secret Sharer', and develops a 'heterobiographical' reading matrix, which serves as a psycho-textual and philosophical approach to modes of authorial presence in the text. Part Two offers close readings of ten short stories spanning the whole of Conrad's career and clustered into five chapters--'Writing and Fratricide', 'The Pathos of Authenticity', 'The Poetics of Cultural Despair', 'The Romantic paradox', and 'Addressing the Woman'. This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': the relationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; and the desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium.

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HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This study engages with the troubled question of authorial subjectivity and ethics in Modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M. M. Bakhtin. Part One of the book focuses on the relational dynamics in 'Under Western Eyes' and 'The Secret Sharer', and develops a 'heterobiographical' reading matrix,which serves as a psycho-textual and philosophical approach to modes of authorial presence in the text. Part Two offers close readings of ten short stories spanning the whole ofConrad's career and clustered into five chapters--'Writing and Fratricide', 'The Pathos of Authenticity', 'The Poetics of Cultural Despair', 'The Romantic paradox', and 'Addressing the Woman'. This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': therelationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; andthe desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium. Through an examination of short stories spanning Conrad's writing career, Daphna Erdinast-Vulcan engages with the question of authorial subjectivity and ethics in Modernism in general, and in Conrad's short fiction in particular. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.