Isbn: 9780195147353 - the expert versus the object:: judging fakes and false attributions in the visual arts (41 resultados)

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 2004. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Condición: Like New. First Edition. First Edition, 2nd Printing. Published by Oxford University Press, 2004. Octavo. Hardcover. Book is like new. Dust jacket is like new with light edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardcover. Condición: Like New. First Edition. First Edition, 5th Printing. Not price-clipped. Published by Oxford University Press, 2004. Octavo. Hardcover. Book is like new with light spotting on top page end. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

hardcover. Condición: Good. Good Plus. Hardcover in Dust Jacket. Minor stain lower edge of first several pages, else pages clean, unmarked. Cover has light wear, with some tanning along spine edge, small dent on front. Jacket lightly rubbed, with some crimping along upper and lower edges. Shipped promptly with Tracking. HC4-5.…

Hardcover. White boards, red & white & illus. dust jacket, 241 pp., no illus. A collection of 18 essays on the subject of art authenticity. "Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. . The essays in this book clarify the nature of these methods and explain, based on case law, the present status of authentication issues in court." (dj). VG/VG (May be SIGNED BY EDITOR on tp. May have crease in back of dj).…

Hardcover. Condición: Like New. Author inscribed to previous owner and signed looks unread. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Author.

Hardcover. Octavo. Hardcover. Black boards, red & white illus. dust jacket, 241 pp., no illus. A collection of 18 essays on the subject of art authenticity. "Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. . The essays in this book clarify the nature of these methods and explain, based on case law, the present status of authentication issues in court." (dj). VG+. As new, besides a small stamp inside stating withdrawn from a research library. Inscribed by the Author on the title page.…

Condición: very good. New York : Oxford University Press, 2004. Hardcover. Dustjacket. xviii, 241 pp. illustrations. Contents : Introduction / Ronald D. Spencer -- pt. I. Authentication and connoisseurship. Authenticating the attribution of art: connoisseurship and the law in the judging of forgeries, copies, and false attributions / Francis V. O'Connor ; Rembrandt and a brief history of connoisseurship / Peter C. Sutton ; On forgeries / Max J. Friedla nder ; Issues of authenticity in the auction house / John L. Tancock ; The catalogue raisonne / Michael Findlay ; The role of the catalogue raisonne in the art market / Peter Kraus ; The authentic will win out: Eugene V. Thaw interviewed / by Ronald D. Spencer ; Attributing old master drawings / Noe l Annesley ; Signature identification: from pen stroke to brush stroke / Patricia Siegel ; The International Foundation for Art Research (IFAR) / Sharon Flescher ; Museums and authenticity issues: Samuel Sachs, II interviewed / by Ronald Spencer ; Examining the techniques and materials of painting / Rustin S. Levenson ; Preservation and authenticity in contemporary art / Rustin S. Levenson -- pt. II. Authentication and law. The art expert, the law, and real life / Theodore E. Stebbins, Jr. ; The risk of legal liability for attributions of visual art / Ronald D. Spencer ; Authentication in court: factors considered and standards proposed / Ronald D. Spencer ; A legal decision in New York gives experts protection for their opinions on authenticity / Ronald D. Spencer ; Establishing authenticity in French law / Van Kirk Reeves. Condition : very good copy. ISBN 9780195147353. Keywords : RECHT, English law books.…

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In English.

Hardback. Condición: New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public - especially those who relish the Robin Hoods of art forgery who deceive rich collectors and pompous experts. This book os essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood. The mainpoints to be argues are (1) that the pereption of form in a work of art is not like other types of evidence accepted in courts of law; (2) that in determining authenticity, experts must adopt a careful, organized approach; (3) that all authentication should be based on the consensus of experts at arm's length from an object.…

Condición: As New. Unread book in perfect condition.

Condición: New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood. Editor(s): Spencer, Ronald D. Num Pages: 268 pages, Illustrations. BIC Classification: WFA. Category: (G) General (US: Trade). Dimension: 243 x 159 x 26. Weight in Grams: 566. . 2004. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

Condición: New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood. Editor(s): Spencer, Ronald D. Num Pages: 268 pages, Illustrations. BIC Classification: WFA. Category: (G) General (US: Trade). Dimension: 243 x 159 x 26. Weight in Grams: 566. . 2004. 1st Edition. Hardcover. . . . . …

Hardcover. Condición: Brand New. illustrated edition. 268 pages. 9.25x6.25x1.25 inches. In Stock.

Hardback. Condición: New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public - especially those who relish the Robin Hoods of art forgery who deceive rich collectors and pompous experts. This book os essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood. The mainpoints to be argues are (1) that the pereption of form in a work of art is not like other types of evidence accepted in courts of law; (2) that in determining authenticity, experts must adopt a careful, organized approach; (3) that all authentication should be based on the consensus of experts at arm's length from an object.…

Hardcover. Condición: New. H-T-Spenex-3; Spencer, Ronald D. (editor); Thaw, Eugene Victor (foreword) The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts.

Hardcover. Condición: New. T-Spenr; Spencer, Ronald D. (editor); Thaw, Eugene Victor (foreword) The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts.

Condición: new. Questo è un articolo print on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.