Isbn: 9780195127256 - african american performance and theater history: a critical reader (33 resultados)

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Has some wear and creases. Has a remainder mark. paperback Used - Good 2001.

Condición: Acceptable. Readable, but has significant damage / tears. Has a remainder mark. paperback Used - Acceptable 2001.

paperback. Condición: Good. 1st Edition. Corners are slightly bent. Used - Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Has moderate shelf wear, highlighting, underlining and/or writing. Great used condition. Has moderate water damage but still a good reading copy.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.…

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780195127256. …

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780195127256. …

Paperback. Condición: Very Good.

paperback. Condición: New. 1st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: New.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.…

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. This anthology of critical writings explores the intersections of race, theatre, and performance in America. It is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. Editor(s): Elam, Harry J., Jr.; Krasner, David. Num Pages: 384 pages, 12 halftones. BIC Classification: 1KBB; AN; JFC; JFSL3. Category: (P) Professional & Vocational. Dimension: 255 x 178 x 20. Weight in Grams: 686. . 2000. Paperback. . . . .…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. This anthology of critical writings explores the intersections of race, theatre, and performance in America. It is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. Editor(s): Elam, Harry J., Jr.; Krasner, David. Num Pages: 384 pages, 12 halftones. BIC Classification: 1KBB; AN; JFC; JFSL3. Category: (P) Professional & Vocational. Dimension: 255 x 178 x 20. Weight in Grams: 686. . 2000. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condición: New. African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.…

Condición: new. Questo è un articolo print on demand.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enactcontinual social, cultural, and political dialogues.Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articlesgathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersectionsof Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, andcontemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in thefield--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson.Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historicalcontexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature. Elam and Krasner's collection answers the need for a one-volume guide to the history and criticism of black theater and performance. Assembled by two of the most respected and prolific scholars in black theatre and composed of essays from acknowledged authorities in the field. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Print on Demand pp. 384 66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam.

Condición: New. Print on Demand pp. 384.