9780190840822 - nobody's girl friday: the women who ran hollywood de smyth, j. e. (35 resultados)
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: GoldBooks, Denver, CO, Estados Unidos de AmericaGoldBooks
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, two women supervised all studio feature output and could order re…takes on any director's work, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and employment. But historians, critics, and the public have largely forgotten this era and persist in seeing studio-era Hollywood as a place where the only career open to a woman was as a passive, pretty face on screen or an underpaid, anonymous secretary. J. E. Smyth tells another story of a "golden age" for women's employment in the film industry and of Hollywood's ranks of powerful organization women. The first comprehensive history of Hollywood's high-flying career women during the studio era (1924-1956), Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. It focuses on women who called the shots at various levels of film production and articulated shifting attitudes toward gender, work, power, and politics, including executive Anita Colby, chief story editor Eve Ettinger, story editor and agent Kay Brown, secretary Ida Koverman, editor Barbara McLean, producers Harriet Parsons, Constance Bennett, and Virginia Van Upp, screenwriter and Screen Writers Guild President Mary C. McCall Jr., columnists Hedda Hopper, designer Dorothy Jeakins, agent Mary Baker, and President of the Hollywood Canteen and actor, Bette Davis. Many of the women featured in this book were influential during their lifetimes, politically active, heading committees in their professional guilds, and giving numerous PR interviews to syndicated journalists, and publicly supporting other women regardless of political affiliation. However, they were subsequently cut from mainstream academic and popular histories of the industry, or, as in Hopper's case, labeled as career-destroying, anti-communist viragos. Based on a decade of archival research, Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood. Their achievements, struggles, and perspectives fundamentally challenge popular ideas about director-based auteurism, male dominance, and female disempowerment in the years between First and Second Wave Feminism. Nobody's Girl Friday is a revisionist history, but it's also a deeply personal, collective account of hundreds of working women, the studios they worked for, and the films they helped to make. For many years, historians.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Hardcover. Condición: new. Hardcover. Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, one woman ran MGM behind the scenes, over a dozen wom…en worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms ofgender equality and employment.The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of theexecutives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.Based on a decade of archival research, author J.E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood. Their achievements, struggles, and perspectives fundamentally challengepopular ideas about director-based auteurism, male dominance, and female disempowerment in the years between First and Second Wave Feminism.Nobody's Girl Friday is a revisionisthistory, but it's also a deeply personal, collective account of hundreds of working women, the studios they worked for, and the films they helped to make. For many years, historians and critics have insisted that both American feminism and the power of women in Hollywood declined and virtually disappeared from the 1920s through the 1960s. But Smyth vindicates Bette Davis's claim. The story of the women who called the shots in studio-era Hollywood has never fully been told-until now. The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Aragon Books Canada, OTTAWA, ON, CanadaAragon Books Canada
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2018. Hardcover. . . . . .
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, two women supervised all studio feature output and could order re…takes on any director's work, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and employment. But historians, critics, and the public have largely forgotten this era and persist in seeing studio-era Hollywood as a place where the only career open to a woman was as a passive, pretty face on screen or an underpaid, anonymous secretary. J. E. Smyth tells another story of a "golden age" for women's employment in the film industry and of Hollywood's ranks of powerful organization women. The first comprehensive history of Hollywood's high-flying career women during the studio era (1924-1956), Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. It focuses on women who called the shots at various levels of film production and articulated shifting attitudes toward gender, work, power, and politics, including executive Anita Colby, chief story editor Eve Ettinger, story editor and agent Kay Brown, secretary Ida Koverman, editor Barbara McLean, producers Harriet Parsons, Constance Bennett, and Virginia Van Upp, screenwriter and Screen Writers Guild President Mary C. McCall Jr., columnists Hedda Hopper, designer Dorothy Jeakins, agent Mary Baker, and President of the Hollywood Canteen and actor, Bette Davis. Many of the women featured in this book were influential during their lifetimes, politically active, heading committees in their professional guilds, and giving numerous PR interviews to syndicated journalists, and publicly supporting other women regardless of political affiliation. However, they were subsequently cut from mainstream academic and popular histories of the industry, or, as in Hopper's case, labeled as career-destroying, anti-communist viragos. Based on a decade of archival research, Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood. Their achievements, struggles, and perspectives fundamentally challenge popular ideas about director-based auteurism, male dominance, and female disempowerment in the years between First and Second Wave Feminism. Nobody's Girl Friday is a revisionist history, but it's also a deeply personal, collective account of hundreds of working women, the studios they worked for, and the films they helped to make. For many years, historians.
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. Print on Demand 1st edition NO-PA16APR2015-KAP.
