The trout gallery (127 resultados)

Paperback. Condición: Very Good.

Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condición: New. Brand New.

Soft cover. Condición: Near Fine. 1st Edition. Binding Tight Pages Clean Light Edge Wear. Book.

Soft cover. Condición: Near Fine. Binding Tight Pages Clean Light Edge Wear. Book.

Paperback. Condición: Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. In excellent used condition.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. University of Washington Press / The Trout Gallery, Seattle, WA / Carlisle, PA. 2007. Softcover/Trade Wraps. Stated First Edition. Book is tight, square, and unmarked. Book Condition: Near Fine; light shelfwear to tips. No DJ. Pictorial card stock wraps. Wraps are not bent or folded; spine is not creased or split; text is secure in binding. 230 pp 8vo oblong. This book considers a 32-page book of drawings by the Kiowa warrior Etahdleuh Doanmoe, which chronicle the experience of seventy-two Comanche, Kiowa, Arapaho, and Caddo who were captured at Ft. Sill, Oklahoma in 1875 during uprisings associated with the Plains Wars. To stem further uprisings, the Indian prisoners were exiled to Ft. Marion, Florida, where, under the direction of Lt. Richard Henry Pratt, they were made to adopt Western values, appearance, behavior, language, and beliefs. Etahdleuh's drawings illustrate the capture of the Indians, their passage to Florida, and their time at Fort Marion. The drawings were made at Ft. Marion in 1877, presumably for Pratt, who ultimately regarded Etahdleuh as one of his most successful students. Pratt gave the sketchbook to his son Mason, who subsequently reorganized it into a album and supplemented it with a preface and photos of Etahdleuh. Thus, the sketchbook represents a layering of "voices" that span more than a century. A clean very presentable copy. No International shipping. Priority mailing will require additional postage.…

paperback. Condición: Very Good. 1st Edition.. VERY GOOD Condition PAPERBACK, clean, solid, bright; White titles on black spine stapled pamplet.Cover shows 2 monks in yellow & deep red robes, bent over single , large Mandala ,nearing completion & destruction. ; 40 THIN pages; Explains the symbolism of one of Buddhism's most colorful mandalas. Illustrated by Glossy Color Ilust (ilustrador).…

Condición: New.

paperback. Condición: New. Brand New.

Soft cover. Condición: Very Good. 1st Edition. 1st edition. Paperback.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good.

Paperback. Condición: Very good. Paperback. 148pp. Lightly rubbed and edgeworn, else very good.

Paperback. Condición: New. Focusing on prints (etchings, drypoints, color lithographs), Picasso and the Circus presents a pivotal moment in Picasso's early career, between his Blue and Rose Periods, when he was increasingly drawn to the subject of the circus in Paris. The book analyzes the circus and related spectacles in fin-de-siecle Paris, and how they were interpreted by print arts of the era, including Jules Cheret, Henri-Gabriel Ibels, Henri Gray, Edgar Chahine, and Richard Ranft. It then considers Pablo Picasso's Suite de Saltimbanques (1904-6), an early and highly important series of etchings and drypoints related primarily to acrobats (saltimbanques).The popularity of the circus in late 19th-and early 20th-century Paris certainly resonates in the works of many artists. From sensational--and sensationalized--feats of strength and prowess to moving depictions of poverty and the life of the outcast, these prints not only expand our understanding of the period, they also represent some of Picasso's finest work.…

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Hardcover. Condición: USED Good.

Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. Red Star transforms archival photographs, crafts and other artifacts from museum collections across the US into multimedia assemblages bridging past and present Indigenous historiesThis project, Her Dreams Are True, provides a new perspective on the role of archives, museum collections and personal memory in Wendy Red Star's work. Apsaalooke (Crow) artist Wendy Red Star works across mediums to reconsider and liberate archival photographs and materials from a fixed historical moment. Starting with the Crow Peace Delegation series (2014), This publication articulates the connections between Red Star's annotated 19th-century portraits and her more recent works that recontextualize hand-painted illustrations of artifacts in the Denver Art Museum's Indigenous collection. Red Star juxtaposes these with her own photographs of the Crow Nation's annual fair in Montana. Returning to her handwritten notes in the Biiluuke series (2023), Red Star also provides a nuanced intervention with Apsaalooke heritage items from several public collections. More than a meditation on the past, Red Star's archival work looks to the future and offers a new perspective on rematriation.Wendy Red Star (born 1981) was born in Billings, Montana, and lives and works in Portland, Oregon. She earned her BFA from Montana State University, Bozeman, and her MFA from the University of California, Los Angeles. Red Star's first solo exhibition, A Scratch on the Earth, opened at the Newark Museum of Art and toured to the San Antonio Museum of Art and the Columbus Museum of Art. She has received numerous awards and grants including a 2018 Smithsonian Artist Research Fellowship, a 2022 Anonymous Was A Woman Grant and a 2024 MacArthur Fellowship. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condición: New. 1st Edition. 2005. Trout Gallery, Dickenson College. 8vo. Softcover. New.

Condición: New.

Soft cover. Condición: Very Good. 1st Edition. Binding Tight Pages Clean Wraps Creased. Book.

Soft cover. Condición: Near Fine. Binding Tight Pages Clean Light Edge Wear. Book.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Very Good condition. (Landscape Painting, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Paperback. Condición: New. Focusing on prints (etchings, drypoints, color lithographs), Picasso and the Circus presents a pivotal moment in Picasso's early career, between his Blue and Rose Periods, when he was increasingly drawn to the subject of the circus in Paris. The book analyzes the circus and related spectacles in fin-de-siecle Paris, and how they were interpreted by print arts of the era, including Jules Cheret, Henri-Gabriel Ibels, Henri Gray, Edgar Chahine, and Richard Ranft. It then considers Pablo Picasso's Suite de Saltimbanques (1904-6), an early and highly important series of etchings and drypoints related primarily to acrobats (saltimbanques).The popularity of the circus in late 19th-and early 20th-century Paris certainly resonates in the works of many artists. From sensational--and sensationalized--feats of strength and prowess to moving depictions of poverty and the life of the outcast, these prints not only expand our understanding of the period, they also represent some of Picasso's finest work.…