the mit press 1999 (133 resultados)

Hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paper Back. Condición: Very Good.

Soft cover. Condición: Very Good. 1st Edition. 8vo, card covers, xiii, 310pp. First paperback printing. VG: mild foxing to the covers and edges; solid binding; clean and unmarked text.

Hardcover. Condición: Like New. Estado de la sobrecubierta: As New. No signs of wear or markings on pages. Binding is very tight.

Hardcover. Condición: Very Good. Diaz-Hermidas, Alberto Ilustrador. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Dust Jacket Included. Hardback, Very Fine in near Very Fine DJ. Second Printing., 0.0 0.0 0.0.

Hardcover. Condición: USED Good.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Cole, Jonathan. About face. The MIT Press, 1999, , PAPERBACK, very good, lower corner slightly dinged. A Bradford book. 9780262531634 ISBN 0262531631.

Hardcover. Condición: As New. Estado de la sobrecubierta: Very Good. Octavo, hardcover, as new, fine in near fine yellow pictorial dj. Giftable. Because memory enters into all cognition, memory researchers focus on specific aspects of memory. Here they discuss short-term, conceptual, autobiographical, transitory, age-related changes and more. 271 pp. including index.

Trade Paperback. Condición: VG-. used trade paperback edition. lightly shelfworn, corners somewhat bumped. spine may be a bit sunned. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Used - Very Good. Estado de la sobrecubierta: Very Good.

Soft cover. Condición: As New. 1st Edition. Oblong 4to, card covers, 326pp., ills. Still SEALED in a somewhat tattered shrinkwrap. Extra postage may be asked (5).

Hardcover. Condición: New.

Hardcover. Condición: Used - Like New. BEAUTIFUL COPY!!!

, Leeuwen, Thomas A. P. van. The springboard in the pond : An intimate history of the swimming pool. Cambridge, Mass. : MIT Press, 1998, 1999, 2d printing, vi, 321pp., large oblong PAPERBACK, good copy with light wear to edges of covers, one corner lightly bumped.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Near Fine. First Edition. Hard Cover. Very Good/Near Fine. First Edition. 8vo - over 7¾" - 9¾" tall. 429 pp., Notes, references and indexed. some minor shelf wear. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condición: Used - Very Good. Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.These essays on nine women artists--gathered as Bachelors--are framed by the question, born of feminism, 'What evaluative criteria can be applied to women's art?' In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these 'bachelors' are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the 'part object' (Louise Bourgeois) or the 'formless' (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand. Essays on nine women 'bachelors' who challenged masculine aesthetics. 97 halftones. Very nice clean, tight copy free of any marks. No DJ.

Condición: As New. Estado de la sobrecubierta: As New. Hbk, 429pp, appears unread and an excellent, clean, tight and unmarked copy in fine, unclipped and sleeve-protected dj, as new.

Trade Paperback. Condición: Used - Like New.

Trade Paperback. Condición: Used - Good. A civic place belongs to everyone and yet to nobody in particular. In Civic Realism, Peter G. Rowe looks at the shape and appearance of civic places, and at the social, political, and cultural circumstances that bring them into existence. The book is as much about the making and reshaping of civic places as it is about urban architecture per se. According to Rowe, the best civic place-making occurs across the divide between the state and civil society. Topics covered in the book include the role of the state and civil society in the construction of civic spaces, aesthetic and architectural dimensions of realism, individual and collective uses of urban space, and how civic places constitute as well as represent the civic aspects of our lives. The examples, mostly from the modern period, include recent public spaces in Barcelona, several of the Grand Projects in Paris, neorealist projects in postwar Rome, contemporary transformations of the Manhattan grid, and Plecnik's water axis in prewar Ljubljana. A study of the shape and appearance of civic places and the social, political, and cultural circumstances that bring them into existence. Book has minor shelf wear. Book has dust particles on it.

First Edition Oversize near fine tall pictorial stiff wraps. Profusely illustrated with Zane photographs and graphic.

Paperback. Condición: Very Good/NO DUSTJACKET. Black & White Photos & Illus. Ilustrador. Cambridge, MA: MIT Press. Very Good/NO DUSTJACKET. (1999). . Paperback. 8vo., 244 pp., shelfwear .

190pp, (7x10 inches), b&w illustrations, "CD-ROM" in rear pocket. Near fine in wrappers (softcover). Covers a little rubbed, otherwise everything crisp, tight, clean, no markings. Articles on Princess Di, female contortionism, Incredible Shrinking Man (project at Sunflower School), Ronald Reagan, theater of Robert Lepage. CR-ROM is "Chameleons 2: Theatre in a Movie Screen" with accompanying article by Steve Dixon.

Trade Paperback. Condición: Used - Like New. BEAUTIFUL COPY!!!

Trade Paperback. Condición: Used - Very Good. Pietro Belluschi (1899-1994) was the last of a generation of architectsthat included Marcel Breuer, Jose Luis Sert, and Louis I. Kahn, European immigrantswho had a major impact on American architecture. This first extensively illustratedstudy of his life and work brings to light a remarkably accomplished architect, recipient of the AIA Gold Medal and designer (by his own estimate) of well over1,000 buildings and projects. It reveals the enormous power that Belluschi wieldedas an arbiter of taste and decision maker in the 1950s and 1960s; his role inshaping the policy of the State Department in its overseas building program; and hisrole in securing major commissions for favored architects such as I. M. Pei. Equallyimportant is Meredith Clausen's discussion of Belluschi's role in the development ofregionalism in the Pacific Northwest, and its impact on the definition of modernismas it was emerging in the United States.Clausen examines all aspects of Belluschi'slong and productive career from his classical origins in Rome and the arts andcrafts influences in the Pacific Northwest that helped shape his aesthetic, to therestrained, modernist houses and churches that comprised his early work; individualbuildings like the startlingly modern Portland Art Museum of 1931 and the aluminum-clad Equitable (now Commonwealth) Building of 1948 that were at the cutting edge ofprogressive architecture; and the stores, shopping centers, and flush-surfaced glassand metal corporate towers that were the bread and butter of Belluschi's practice.Inthis measured account, Clausen describes the collaboration with Walter Gropius onthe massive Pan Am Building that, dogged by unpopular public sentiment, marked adownturn in Belluschi's career and the fortunes of modernism in general. By aligninghimself with large-scale institutions and private developers, Clausen observes, Belluschi alienated both avant-garde theorists and aesthetic trend setters and wasincreasingly at odds with the temper of the times, a fall from grace that culminatedin a well- publicized debate with Philip Johnson in the late 1970s over MichaelGraves's design for the Public Services Building in Portland, Oregon. Very nice clean, tight copy free of any marks.

8vo. 166pp. A very good hardback copy in like dustjacket.

Condición: as new. Pbk 106pp, illustr in color and b+w, an unread copy, excellent clean tight unmarked as new.

Trade Paperback. Condición: VG-. used trade paperback edition. lightly shelfworn, corners somewhat bumped. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.