rivendale press (59 resultados)

Condición: Good. Light wear to boards with light fading. Content is clean and bright. Good DJ with some tears and light toning.

Hardcover. Condición: As New. 2nd Edition. Book is As New, front board shows the slightest signs of shelf wear. No dust jacket, as issued. All of our books are individually inspected and described. Never ex-library unless explicitly described as such.

Green wrappers, printed paper label (simply "A CHECK-LIST OF BOOKS"). Edition limited to 75 numbered copies, printed at the Tragara Press. The society's second annual checklist, under Steven Halliwell's auspices. Halliwell was introduced to the printer Alan Anderson's work by Alan Clodd, who encouraged him not only to collect it but to add to it by his own commissions.

Soft cover. Condición: Fine. Dark blue stiff paper covers with flaps, printed cover label, as New condition.

Marbled wrappers, printed paper label (simply "A CHECK-LIST OF BOOKS"). Edition limited to 75 numbered copies, this copy one of 25 in marbled wrappers; printed at the Tragara Press. "The aim of this check-list, which I hope will become an annual publication, is to catalogue all the books published in the previous year which I feel will be of interest to members" - 81 items, from John Adlard, The Timid, Bending Venus to Oscar Wilde and Aubrey Beardsley, Salome and Under the Hill. Steven Halliwell was introduced to the printer Alan Anderson's work by Alan Clodd, who encouraged him not only to collect it but to add to it by his own commissions.

cloth. Kipling, Rudyard Ilustrador. 8vo. cloth. viii, 92 pages with 6 leaves of illustrations. First edition. This volume describes in detail the letters written by Rudyard Kipling to his Indian publishers regarding their publication of his first two books, Departmental Ditties and Plain Tales from the Hills. The previously unpublished correspondence is accompanied by an informative introduction, scholarly notes and a bibliography of his books published by Thacker, Spink and Co. With twelve black-and-white illustrations and an index.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. A nice, clean copy. Inscribed by author. ; B & W Photographs; 9.9 X 6.8 X 1.0 inches; Signed by Author.

Large 8vo. pp 19. Number 55 of 100 copies. Fine copy. ISBN:095350333X First Edition. Wraps.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket. Second Edition. Light wear to edges. ; 9.76 X 7.01 X 0.87 inches; 267 pages.

Soft cover. Condición: Fine. 1st Edition, Limited Edition. UK SIGNED limited edition. One of 50 copies with plani green wrappers from a total edition of 75 copies. Fine condition. Signed by Author.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Rivendale Press, 2012. Book has light fading to top and bottom edges of covers, light water damage to a couple of pages (pages 239-242; pages and text remain bright and sharp), light bumps to top/bottom edges and corners. otherwise in very good condition, strong binding, clean and unmarked text with bright pages. Dust jacket has light rubbing and smudging to covers, light wear to top and bottom edges. in very good condition, now in archival cover.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. A clean unmarked copy, in the dust wrapper.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. First edition, hardcover, signed by Nelson and numbered 34 on the limitation page, the book has a slight lean to the binding, faint wear to the cover edges and corners, and a touch of age toning to the edges of the text block. Overall, a Very Good+ copy in a like, unclipped dust jacket, which has light bumps to the spine ends and cover corners, wear to the head, and mild rubbing to the covers. The jacket is wrapped in Mylar.

Softcover. Condición: Fine. Estado de la sobrecubierta: fine. 19, [2] pp., 8vo, card wrapper, gray Colorplan paper dustjacket with mounted printed title label. First performed at the Beardsley Conference, 7 November 1998, at the Victoria & Albert Museum. No. 56 of 70 numbered copies of this edition (of a total of 100 copies) printed on Teton paper at the Tragara Press. Fine copy.

Hardcover. Condición: Brand New. 291 pages. 9.13x6.57x1.11 inches. In Stock.

Paperback. Condición: Fine. First Edition. Wraps. 8vo. Wraps, softback. pp 19. Number 80 of 100 numbered copies in plain Colorplan wraps. A play performed at the Beardsley Conference in 1998 where two 1890's characters (Vvyan and Cyril) discuss Beardsley's work. "Delightfully witty." ISBN 095350333X Fine.

Soft cover. Condición: Fine. No Jacket. 1st Edition. 19pp, two-handed dialogue first performed in 1998. Privately printed at the Rivendale Press on Teton paper in a limited numbered edition of 100 copies. This is copy #51 and is bound within plain grey thin card wrap-around covers. No inscriptions. Appears unread.

Hardcover. Condición: Near Fine. 1st Edition. Hardback. Limited to 400 numbered copies of which this is number 71. A near fine copy in green cloth lettered in gilt on the spine and decorated in gilt on the upper board. A clean copy without ownership inscription or other internal marking. Pp.xviii,174. Illustrated. Introduction by David Burnett.

Soft cover. Condición: Fine. 1st Edition. Purple wrappers, printed paper label. Edition limited to 75 numbered copies. "Shelley's Centenary", a poem commemorating the centenary of Percy Bysshe Shelley's birth on 4 August 1792, was first printed in The Spectator for 30 July 1892, and then issued by T.J. Wise in an edition of 25 copies, "printed for private distribution" - though Steven Halliwell questions the strict limitation, having tracked down "rather a large number" (he lists 24). "Lachrymae Musarum", a poem written after the death of Alfred Tennyson on 6 October, was commissioned by The Illustrated London News and printed there on 15 October, before being issued by Wise in an edition (again "printed for private distribution"), this time of 100 copies. William Watson, who turned 34 on 2 August 1892, had been pursuing a career as a critic. Halliwell, who contributes efficient background and bibliographical information on both pamphlets (as well as their texts), suggests, "It is interesting to note that with the publication of these two privately printed books began a change in Watson's fortunes and from then on he concentrated on his poetry . . ." Halliwell B83.

Soft cover. Condición: Very Good. Grey wrappers, printed paper label. Upper cover very slightly marked. Edition limited to 100 numbered copies, this copy unnumbered and inscribed by the printer "printer's proof copy". Wildean drawing-room conversation about Aubrey Beardsley's Yellow Book art; first performed at the Beardsley conference at the Victoria & Albert Museum, 7 November 1998, with the author as Cyril and William Sieghart (founder of the Forward Prizes for Poetry) as Vyvyan. Matthew Sturgis, all-round man of letters and football correspondent, husband of the galleriste and grande dame of Australian cultural affairs in London, Rebecca Hossack, had that year published his Aubrey Beardsley: a biography. Cyril: "The sense of 'wickedness' that you detect in Beardsley's art isn't the result of his subject matter, it's the result of his vision. Beardsley can see the corruption in a flower or a milkmaid - as plainly as he can see it in a harlot. And he can make his line distinct with that knowledge. That is the mark of his genius and his originality. If you gave him a daisy to draw he would show you a fleur-du-mal . . ." Halliwell B106.

Cloth, 8vo, 24 cm., 203 pp, black-and-white ills. From the blurb - "This volume of new essays by some of today's most important scholars of the British 1890s is inspired by the groundbreaking work in publishing history of James G. Nelson. Based on original research using primary sources and full of insights and discoveries, these reinterpretations focus on Oscar Wilde, Aubrey Beardsley, W. B. Years, John Lane, and other figures who shaped fin-de-siecle literature, book illustration, and aesthetic publishing." Contents include: Foreword, by G. Thomas Tanselle; Introduction, by Jonathan Allison; Ethel Colburn Mayne's "Reminiscences of Henry Harland", by Mark Samuels Lasner; The typewritten self: media technology and identity in Wilde's De profundis, by Nicholas Frankel; The love that dared not speak his name: literary responses to the Wilde trials, by Margaret D. Stetz; W.E. Henley's Scots observer and fin-de-sie`cle books, by Linda K. Hughes; Richard Le Gallienne's The book-bills of Narcissus: an account rendered, by Philip K. Cohen; Copyright and pamphlet printings: William Watson's relationship with John Lane, by Steven Halliwell; Aubrey Beardsley and the shaping of art nouveau, by Linda Gertner Zatlin; Constructing the early Yeats: modernist revisions of Poems (1895), by Jonathan Allison; Afterword, by James G. Nelson; Checklist of the publications of James G. Nelson. Near Fine in Near Fine dustwrapper.

4to. pp 293, [10]. Original publisher's purple illustrated laminated boards. ISBN: 9781904201199 Fine.

Hardcover. Condición: Fine. First Edition. Hardback. Dust Jacket. Large 8vo. pp 255. Original publisher's black cloth, lettered gilt at the spine. Papers from conference entitled "Michael Field" and their world, held February 27-29, 2004, at the University of Delaware. Contributors include: Katharine Pionke, Holly Laird, Rhian E. Williams, Maria Deguzman, Linda K. Hughes, Richard Dellamora, Brooke Cameron, Diana Maltz. ISBN: 1904201083 Fine in fine dust jacket.

Green Cloth. Condición: Very Good. First Edition. xviii., 174 pages, b/w illustrations. Publisher's flyer laid in. Minor wear, unmarked. [786] Size: 255mm. x 185mm.

Soft cover. Condición: Fine. 1st Edition. Marbled wrappers, printed paper label (simply "A CHECK-LIST OF BOOKS"). Edition limited to 75 numbered copies, printed at the Tragara Press, of which 25 were so bound; this copy, unnumbered, is inscribed by the printer "proof copy". The second of the society's check-lists aimed "to catalogue all the books published in the previous year which I feel will be of interest to members". Steven Halliwell was introduced to Alan Anderson's work by Alan Clodd, who encouraged him not only to collect it but to add to it by his own commissions. Cf Halliwell B95a (which allows no hyphen in "CHECK-LIST)".

Hardcover. Condición: As New. No Jacket. Hbk 92pp illustr b/w plates no dj as issued fine blue cloth boards and an unread copy excellent clean tight unmarked as new.

First edition. Octavo. pp 19, [3]. Out of a total edition of 100 numbered copies this is one of thirty in marbled wrappers. A dialogue based on a discussion of Aubrey Beardsley and first performed at the 1998 Beardsley Conference.Fine.

Hardcover. Condición: Fine. No Jacket. 1st Edition. 174pp + xviii Notes and Introduction. Green cloth covered boards with gilt illustration on front cover and gilt lettering on spine. Green and white sewn headbands. Light green end papers. Printed and bound by Antony Rowe Ltd, Chippenham in a limited numbered edition of 400 copies. This is copy #52. Numbers 1 to 50 (only) were enclosed in a slipcase. Contents include books printed and published by the Tragara Press as well as privately commissioned work and miscellaneous printings. Pencil inscription on first title page by previous bookseller. Otherwise in fine, tightly bound condition.

Hardcover. Condición: Brand New. 142 pages. 10.39x7.09x0.71 inches. In Stock.

No Binding. Condición: Fine. Each a single sheet, 8vo, printed in black and green at the Tragara Press. The books are: Jonathan Allison, editor, Bound for the 1890s: essays on writing and publishing in honor of James G. Nelson ("Based on original research using primary sources and full of insights and discoveries, these reinterpretations focus on Oscar Wilde, Aubrey Beardsley, W.B. Yeats, John Lane, and other figures who shaped fin-de-siècle literature, book illustration, and aesthetic publishing . . . The roster of distinguished contributors includes Jonathan Allison, Philip K. Cohen, Nicholas Frankel, Steven Halliwell, Linda K. Hughes, Mark Samuels Lasner, Margaret D. Stetz, and Linda Gertner Zatlin"); Sharon W. Propas, Victorian Studies: a research guide ("The first edition of this guide . . . was published in 1992, just as electronic resources were becoming major tools for scholars. Since then, the internet has changed the way in which research materials, especially indexes and other finding guides, are presented and used"); Arthur L. Schwarz, Dear Mr. Cockerell, Dear Mr. Peirce: an annotated description of the correspondence of Sydney C. Cockerell and Harold Peirce in The Grolier Club Archive ("The letters of two prominent book collectors, Sydney Carlyle Cockerell in London and Cambridge and Harold Peirce an ocean away in Philadelphia, were exchanged over a thirty-four year period (1897-1931) and brimmed over with bookish discussion"); Richard Whittington-Egan, Stephen Phillips: a biography ("Virtually forgotten today, Stephen Phillips was a poet and playwright whose verse dramas were considered the equal of Shakespeare's"). The 1890s interests of Rivendale's list coincided with those of Alan Anderson. Rivendale's publisher, Steven Halliwell, was author of Fifty Years of Hand-Printing, the Tragara Press bibliography of 2005. Anderson's prospectuses do Halliwell proud.