mu zee (25 resultados)

Soft cover. Condición: As New. 1st Edition. Wexford Arts Centre and Mu.ZEE Ostende, 2019. Softcover book. 181 pages: illustrations, facsimiles, portraits. From the artist's website: "This book reflects both on the culture of disconnection from the natural environment and the boundaries of art, gender and the rural everyday. It recounts the experiences of artist Orla Barry who has left the city and returned to her roots to be reborn as a hybrid: a farmer-artist. In fact, this is not a book: it is a performance." Condition: Like New, with no marks or defects. Binding is tight and square.

Condición: New.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Soft Cover. Condición: Fine. First English Language Soft Cover. soft cover, folded card covers., no flaws or wear. clean. no markings. no bumps, tears, creases. tight sewn binding. appears unused.; english text.; 287pp., plus several unpaginated pages at back. 468 illustrations, mostly in color aside from period photos in b/w., nine essays by various contributors. comprehensive examination of an extraordinary life in european modernist art, literature, and more. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Joe Scanlan (born 1961) is an American artist and educator.Joe Scanlan's magazine columns from the past fifteen years gathered here as one long, picaresque narrative in which democracy plays the amiable lead role, only to be undermined by capitalism. From the Lumière Brothers' use of their employees in the making of the first film to Tino Sehgal's use of museum visitors in the production of his art.Two books designed to fit together that but also come apart. The hardcover book has a hole die-cut into its pages with a softcover collection of essays on art and design that fits insideLimited edition of 1500.There is a water stain at the top of the front cover with slight shelf wear to the edges. Inside, the pages are clean and the binding is sound.

Couverture souple. Condición: Comme neuf. Edition originale. Paris 2016 . 1 Volume/1. -- Comme Neuf / as New -- Softbound / Broché cousu. Format 30 x 20,3 cm ( 842 gr) ------- 168 pages.*********************** ya75641 ref 463.

Soft cover. Condición: Fine. In 2014, artist Sammy Baloji (BE/DRC) extended his solo show in MuZEE, Oostende in collaboration with the director Phillip Van den Bossche and the curator Anouck Clissen into an ambitious collective research exhibition: A colonial photo-album by a Belgian military man, showing his success in big game hunting, was contrasted with the images of the Congolese photographer Chrispin Mvano and Baloji's own acrimonious collages. Additionally, the artist invited half a dozen of contemporary artists who explore in their work the conflictive relations between Belgium and the Congo, particularly regarding the representation of exploitation of the country and it's inhabitants. Their works were displayed together with historical photographs from the collection of the Royal museum of Central Africa in Tervuren, Belgium, showing mainly images of big game hunting in the colonial era. Objects belonging to the private collection of one of MuZEE's staff members were arranged in showcases. These artworks and artifacts were contrasted to the works of Belgian artists from the twentieth and twenty-first century comprised in the collection. In the frame of a museum for modern and contemporary art, this singular encounter between artworks and historical photographs that are mostly presented in separated contexts allowed for a renewed gaze on the collection. Therefore, the exhibition opened up new approaches to critically inquire about the historical intertwinements of modern and contemporary art and colonialism. The conception of the book translates the numerous layers of the artistic research into an experimental visual form. Five written contributions by art historians, curators and historians enlarge the approach by investigating selected themes, ranging from primitivism in Belgian art to the role of natural reserves in today's murderous civil war in Northern Congo. Art history and global economic relations appear as closely intermingled. Wat kan de jacht op wilde dieren in het koloniale Congo en de exploitatie van de Congolese mijnen in het heden gemeen hebben met een collectie moderne en hedendaagse kunst in een museum in de Belgische badplaats Oostende? In 2014 vatte kunstenaar Sammy Baloji een ambitieus onderzoeks- en tentoonstellingsproject aan waarin historische documenten samen worden gebracht met foto's van de Congolese fotograaf Chrispin Mvano, werken van Belgische kunstenaars uit de 19e en 20e eeuw uit de Mu.ZEE-collectie, bijdragen van hedendaagse kunstenaars over de exploitatie van Congo alsook zijn eigen fotocollages. Dit boek vertaalt de vele lagen van de tentoonstelling in een experimenteel visueel essay. Vier teksten bieden diepgaande analyses, gaande van de vertegenwoordiging van Congo in de Belgische kunst tot de rol van de natuurlijke reserves in de huidige bloedige oorlog in Noord-Congo. Ook al zijn de kunstgeschiedenis en de mondiale economie ver van elkaar verwijderde realiteiten, in feite blijken zij erg verwant te zijn. Artists: Sven Augustijnen, Sammy Baloji, James Ensor, Jan Fabre, Guido Geelen, Jane Graverol, Oscar Jespers, Jan van de Kerckhove, Marie-Jo Lafontaine, Salomé Laloux-Bart, Chris Marker and Alain Resnais, Renzo Martens, Chrispin Mvano, Manu Riche, Georges Senga, Claus Sinzomene, Constant Permeke.

Condición: Very good.

Hardcover. Condición: Sehr gut. 352 p. Flemish text with English translation. ISBN: 9789074694384 Sprache: Englisch Gewicht in Gramm: 1800.

Condición: New. In.

Erste Auflage. 28 x 23,3 cm. 287 S. Illustrierter, glanzkaschierter OKlappkarton Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogpublikation über Wirken und Bedeutung des für den Surrealismus wichtigen belgischen Kunsthändlers E. L. T. Mesens im Mu.ZEE Kunstmuseum aan Zee, vom 6. Juli bis zum 17. November 2013. Texte in englischer Sprache.

Condición: Very good.

Paperback. Condición: Good. Covers show some light discoloration and shelf wear as well as some edge wear. A few instances of underlining in pencil throughout book.

Hardcover. Condición: Very Good. Flexible hardcover. Very Good. Lightly used, may have publisher's or previous owner's markings but NO markings in text. Pasadena's finest new and used bookstore.

Soft cover. Condición: Very Good. No Jacket. Mesens, E.LT. Ilustrador. First Edition. The Star Alphabet By E.L.T. Mesens: Dad and Surrealism in Brussels, Paris, and London. This book is in very good condition, with only minor signs of shelf wear or aging. *** Please note that some items may be heavy or oversize, and therefore may require an additional shipping cost; please contact the seller if you require a shipping estimate on the item before purchase. ***.

Hardcover, 352 pag. NL, 280 x 220 x 35 mm, als Nieuw, illustr. in kleur / z/w. ISBN 9789074694360. Met werk van onder andere Pierre Alechinsky, Karel Appel, Enrico Baj, Jean Brusselmans, Jacques Calonne, Sergio Dangelo, Christian Dotremont, Paul Joostens, Asger Jorn, Marcel Mariën, Joseph Noiret, Victor Servranckx, Kurt Schwitters, Serge Vandercam e.a. De directe aanleiding voor deze tentoonstelling is een omvangrijke schenking van ca. 100 kunstwerken door de erfgenamen van Wout Hoeboer (1910-1983). Zijn werk past in de reeks tentoonstellingen die Mu.ZEE in 2008 is gestart met presentaties gewijd aan kunstenaars als Victor Servranckx, E.L.T. Mesens, Paul Joostens, Jules Schmalzigaug e.a. 1820 g.

Condición: Very good.

Gebonden, Hardcover 351 pagina's, illustraties , 26,6 x 19,8 x 3,5 cm text in English + Nederlands . ISBN 9789074694285. Pierre-Louis Flouquet, Lajos Kassákand Jos Léonard were three visual artists and graphic designers who shaped the interwar years by harnessing the endless possibilities of the line and the plane, and the circle, triangle and square.They shared the conviction that geometric abstraction could bea blueprint for a renewed society after the First World War.It was a message that was advanced through the international avantgarde network of magazines that included, amongst others, Kassák's MA, the Brussels-based 7 Arts with Flouquet as artistic director and Het Overzicht run by Jozef Peeters and Michel Seuphor in Antwerp, with Léonard as an occasional contributor. For Constructivist artists there was no clear distinction between West and East, or centre and periphery. 'Connection' was the keyword, for example between the Belgian and Hungarian avantgarde movements in Antwerp, Brussels, Budapest and Vienna. Pierre-Louis Flouquet, Lajos Kassák en Jos Léonard zijn drie beeldende kunstenaars en grafische ontwerpers die na de Eerste Wereldoorlog een nieuwe wereld wilden creëren vanuit de eindeloze mogelijkheden van de lijn, het vlak, de cirkel, de driehoek en het vierkant. Deze tentoonstelling verbindt abstract, constructivistisch en (typo)grafisch werk van de Belgische kunstenaars Léonard en Flouquet met de artistieke praktijk van de Hongaarse kunstenaar Lajos Kassák. 0 g.

Softcover, 159 pages, English/Nederlands, 30.5 x 24 cm. *New. ISBN 9781941366561. A dialogue of sensibility and attention: artists from Forrest Bess to Amy Sillman juxtaposed with the delicate paintings of Raoul De KeyserOver the course of his nearly five-decade career, Belgian artist Raoul De Keyser (1930?2012) created paintings that bridge the mysteries of the everyday and the intangible world of abstraction. Friends in a Field: Conversations with Raoul De Keyser takes the artist?s radical painterly practice as the beginning of a conversation with a diverse group of artists?both living and dead?whose works share a sensibility and attentiveness to the fragile intangibility of the world. In their paintings, sculptures and works on paper, these artists join De Keyser in presenting the world back to us as a kind of abstract visual poetry. Friends in a Field presents works by Richard Aldrich, Forrest Bess, Matt Connors, René Daniëls, Raoul De Keyser, Vincent Fecteau, Maysha Mohamedi, Rebecca Morris, Betty Parsons, Amy Sillman, Ricky Swallow, Patricia Treib, Luc Tuymans and Lesley Vance. 0 g.

Oostende, Mu.ZEE, 2014. 28,5 x 20,5 cm. Hardcover. 334 pages. With illustrations almost all in color. Condition: NEW [Art / international artist [Buitenlandse Kunstenaars] ].

Condición: Very good.