Fogle douglas (310 resultados)

hardcover. Condición: New. still sealed. - rw.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover, unpaginated; fair condition; split at gutter with some pages loose; more will loosen with reading; no internal marks. As is. Foreign shipping may be extra.

Condición: Good. 1ST. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good.

paperback. Condición: New. Extra large paperback.

Condición: very_good.

paperback. Condición: New. Brand New Condition - Ships Fast.

Hardback. Condición: Very Good. Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.…

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Condición: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condición: Very Good. Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.…

Hardcover. Condición: Good.

paperback. Condición: Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable. **MAY BE AN EX LIBRARY COPY**.

Condición: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Condición: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Very good. First Edition. 8vo (24 x 16 cm). 350 pp. Color photograph of hurricane to upper cover. Blue/black titles to upper and spine. French flaps. Text block tight and unmarked.

Softcover oversize unbound, 300 pages in printed paper slipcase, pages; very good condition; clean and crisp; no internal marks. Foreign and priority shipping may be extra for this oversize item.

Soft cover. Condición: Very Good. 1st Edition. All Of This And Nothing 2011 SOFTCOVER CATALOG illustrated. This book accompanies the latest bi-annual invitational exhibition organized by the Hammer Museum, which showcases the work of several Los Angeles-based artists, both established and emerging, as well as a number of artists from around the world. This catalogue to the 2011 exhibition highlights the work of fourteen contemporary artists across a wide range of media, including painting, sculpture, drawing, installation, performance art, moving image, and sound. Chosen for their interest in examining the nature of being and our experiential relationship to the world as well as their desire to make the process of artistic production visible to the viewer, this group of artists includes Karla Black, Charles Gaines, Evan Holloway, Sergej Jensen, Ian Kiaer, Jorge Macchi, Dianna Molzan, Fernando Ortega, Eileen Quinlan, Gedi Sibony, Paul Sietsema, Frances Stark, Mateo Tannatt, and Kerry Tribe. Their work explores the transient nature of materials, the limitations of structures and systems, and connections to music, sound, literature, mathematics, and time. This volume includes essays by the artist Charles Long and by Anne Ellegood and Douglas Fogle, the exhibition's curators, as well as a section of color plates and a brief text and biographical information for each artist, making this an exciting reflection on the nature of art-making today. "very good, light cover wear and marks" BX108. …

Hardcover. Condición: Very Good. No Jacket. Smaller, thick hardcover, no jacket as issued, cloth binding, as issued with ribbon marker. Comes with signed/typed letter by individual related to the event. 440 pages, color and b + w plates throughout. Overall, book is solid and square with light wear to corners; some minimal reference wear. f6. Signed by Author(s).…

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: New. During Law's stay at St Ives in the late 1950s, the artist developed a series of Field drawings that reduced elements observed in the surrounding landscape - the sun, trees and clouds - into a set of abstract signs held within a rhomboid frame. The series was, in Law's words, 'about the position of myself on the face of the earth and the environmental conditions around me'. Using a thickly drawn line to contain and delimit the almost-blank pictorial field, Law refined his early abstract language in subsequent monochrome works, from 'open' and 'closed' drawings to the monumental paintings of the Mister Paranoia series. Published to accompany a 2015 exhibition of the same name, this volume draws together over 20 works by leading British minimalist Bob Law (1934-2004), providing a concise overview of the artist's career. This fully illustrated catalogue includes an essay by Douglas Fogle that includes new scholarship on the artist and focuses on his pursuit of the void's poetic possibilities.…