monacelli press ny (162 resultados)

Soft cover. Condición: Good. 592 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Light surface rubbing / scratching to back cover. This copy is smyth sewn. Smyth sewing is a method of book binding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Hardcover. Condición: Very Good. 1st Edition. 239 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. A hint of mustiness from being stored in a box in a basement. First Edition / First printing. 10,9,8,7,6,5,4,3,2,1.

Soft cover. Condición: Very Good. First Edition.

Paperback. Condición: Very Good+. First Edition. 7.25 X 0.75 X 9.3125 inches; 280 pages; B&W photographs throughout the book. Very Good condition. No noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.

288 pp.; 26.9 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Monograph on museums by Victoria Newhouse. Includes an index. "The last thirty years of the twentieth century saw the birth of more than six hundred art museums in the United States alone, with equal proliferation in much of Europe. Such projects as Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles have dominated television newscasts and newspaper headlines worldwide. The success or failure of these new museums, in aesthetic, educational, and financial terms, results from a variety of factors, none more important than their architecture. In this unique investigation, architectural historian Victoria Newhouse challenges many hitherto accepted premises of museum design. She demonstrates that new museums are often based on old concepts that no longer apply. This unvarnished analysis is informed by interviews with museum directors and curators, collectors, artists, and the architects themselves. Newhouse divides her discussion according to the dominant characteristics of the museums: private collections, single-artist museums, sacred spaces, artists' self-created sites, and museum additions. In addition to Getty and Guggenheim Bilbao, the author discusses the Menil Collection in Houston, Texas; the Andy Warhol Museum in Pittsburgh; Kiasma Museum for Contemporary Art in Helsinki; Donald Judd's Chinati Foundation in Marfa, Texas; Metropolitan Museum of Art and The Museum of Modern Art in New York and many more." -- publisher's statement Very Good / Fine. Light edge-wear. 1 cm. black ink mark on bottom edge of text block. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condición: Fine. PHOTOS Ilustrador. ASSUMED FIRST. A FAIRLY RARE TITLE BEAUTIFULLY PHOTOGRAPHED NEW WAYS TO RUN AND BUILD MUSEUMS NEW IDEAS UNMARKED CLOSE TO NEW NICE IN ALL WAYS.

Hard Cover. Condición: New. Estado de la sobrecubierta: New. Rajs, Jake Ilustrador. First Edition First Printing. A stock image [photo] is an accurate representation of the listed book's dust jacket design. Complete number line at copyright page. Essays about The North Fork by Jesse Browner, and about The South Fork by Paul Goldberger, followed by a collection of color photographs beautifully rendered and creatively composed. Dust jacket in new archival mylar, $25.00 printed at back as published, minor display wear. 239 pages. Blue buckram boards, white spinelettering, minimal shelf wear to heel of spine. Oblong format [9" wide x 7" tall]. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described. Size: 12mo - over 6¾" - 7¾" tall.

Hardcover. Condición: Very Good. Dust Jacket Included. square small folio, 264 pp., ill. with fine color photos by Robero Schezen. A beautifully produced and very informative work on important 16th century Roman gardens. very good copy in slightly worn d.j.

Condición: Near Fine/Near Fine. 1st US. 4to. 280pp. NO INTERNATIONAL OR PRIORITY.

Condición: Near Fine/Near Fine. 1st US. 4to. 176pp. NO INTERNATIONAL OR PRIORITY.

hardcover. Condición: As New. Estado de la sobrecubierta: As New (now in mylar sleeve). 11 1/4 x 11 1/4", 360 pages. "This volume brings together 30 exceptional residences by the most promising architects of the past 100 years". Frank Lloyd Wright, Adolph Loos, Le Corbusier, Mies van der Rohe, Le Corbusier, Alvar Aalto. Such trends contributed to a broadening of the definintion of modernism.".

hardcover. Condición: As New. Estado de la sobrecubierta: As New (now in mylar sleeve). 1st edition. 9 1/2 X 11 1/4", 207 pages, color illustrations throughout. DJ in mylar sleeve. Minimalist gardens, with their emphasis on clean lines, pure form, and a strong sense of space, are closely related to contemporary architectures and lifestyles.

Hardcover. Condición: Fine. No Jacket. PHOTOS Ilustrador. 1st Edition. BOOK IS AS NEW AND APPEARS UNREAD UNMARKED STATED FIRST EDITION A BEAUTIFULLY PHOTOGRAPHED GUIDE FOR GROWING YOUR OWN FOOD IN THE CITY MOST USEFUL IN THESE DAYS A HANDS ON GUIDE WITH INSTRUCTIONS AND EXAMPLES OF THRIVING URBAN GARDENS ORIGINAL PRICE 50.00 VERY BRIGHT COVER.

Cloth. Condición: Very Good Plus. 639 pp. Tightly bound. Tip of top back corner lightly dinged. Text is free of markings. No ownership markings.

Soft cover. Condición: Very Good. First Edition. Slight edge wear, otherwise Very Good condition. Content clean, binding strong. 192 pages with index, notes, color and black & white illustrations, architectural drawings. Size: 4to - over 9¾" - 12" tall.

Hard cover. Sewn binding. Cloth over boards. With dust jacket. 192 p. Contains: Illustrations. Audience: General/trade. SIGNED BY AUTHOR CAREY KARMEL WITH GIFT INSCRIPTION Clean, tight pages. No bent corners. No remainder mark. dJ PROTECTED BY MYLAR COVER BB 73 Fine in fine dust jacket. Signed by author.

Condición: Very Good. Hardcover, 208 pages. Debate and banter between the irascible Philip Johnson and the equally articulate and opinionated Robert A. M. Stern generates a provocative combination of astute commentary and personal observation on the state of architecture in the twentieth century. Philip Johnson's multifaceted career as an architect, curator, and collector extended from the early 1920s to his death in 2005. Captivated by the work of the European modernists Gropius, Le Corbusier, and Mies van der Rohe, Johnson assembled the seminal exhibition "Modern Architecture?International Exhibition" at the Museum of Modern Art in 1932. Among his most notable achievements are the famous Glass House in Connecticut, designed for his own use, and the Seagram Building in New York, in association with Mies van der Rohe.Recognized as the dean of American architecture, Johnson had a profound influence on the next generation of architects, including Robert A. M. Stern. Stern has conducted a series of ten interviews with Johnson, each covering a decade of his life, that provide an illuminating assessment of a significant period of American architecture. No dj issued. Record # 361829.

Condición: Very Good. Softcover, 272 pages, illustrated in color and b&w. The roadside sign has become an American icon: a glowing neon symbol of the golden age of the open road. Yet signs are complex pieces of design, serving not only as physical markers but also as cultural, political, and economic ones. In American Signs, Lisa Mahar traces the evolution of motel signs on Route 66 in a distinctive visual approach that combines text, images, and graphics. American Signs reveals the rich vernacular traditions of motel sign-making in five eras, spanning from the late 1930s through the 1970s. The motel signs of the early 1940s, for instance, reflect vernacular traditions dating back at least a century, while examples from the later years of the decade reveal a culture newly obsessed with themes. America's fascination with newness and technological progress is manifested in 1950s motel signs. Finally, in the 1960s, a turn toward simplicity and the use of new, modular technologies allowed motel signs to address the needs of a mass society and the beginnings of a national, rather than regional, aesthetic for motel signs. Record # 374314.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Very good+ in very good+ dust jacket (in protector) ; Blue cloth hardcover. Color and B&W photos, notes, index. Study of how the placement of art can help to confer its meaning ; 4to (9 X 1 X 10.875 inches); 304 pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine in fine dust jacket (in protector) ; Gray hardcover binding. Color photo pictorial of Miami, FL architecture & interior design; Square 4to; 240 pages.

Softcover. Condición: Fine. Softcover with french flaps. Color and B&W illustrations. Examines modern day urban life and present a study of projects that address topic, problems and opportunities; 8vo (7.3125 X 1.625 X 9.375 inches); 184 pages.

Condición: Near Fine/VG+. 1st. horiz 4to. 144pp. NO INTERNATIONAL OR PRIORITY. 1/4" chip to DJ.

Hardcover w/DJ. Condición: Very Good/Good. Black & White/Color Illus. & Photos Ilustrador. First Edition. New York, NY: The Monacelli Press. Very Good/Good. 1998. First Edition. Hardcover w/DJ. Square 4to., 263 pp., dust jacket light shelf wear to edges and corners, small tear to top spine edge, corners lightly chipped and rubbed, reverse side lightly foxed, otherwise good; cover light shelf wear to edges and corners, otherwise very good; last few pages of text block lightly bumped/dog-eared at top lead corner, Former owner's ex-library seal to front free-endpaper, small marker mark to bottom edge of text block, otherwise pages clean and unmarked. .

Paperback. Condición: Very Good/NO DUSTJACKET. Black & White Photos & Illus. Ilustrador. First Edition. New York, NY: Monacelli Press. Very Good/NO DUSTJACKET. 1998. First Edition. Paperback. Sm 4to., 192 pp., shelfwear .

Paperback. Condición: Near Fine. Color photographs throughout. First edition (paperback). Remainder mark on bottom edge, else fine in pictorial wraps.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. A nice, bright copy. ; B&W and color reproductions; 4to ; 381 pages.

square quarto, 208 pp., bibliography, ill. with fine color photos and a few garden plans. An attractive work concentrating on gardens created in the last few years, and ranging from the traditional to the decidedly daring and abstract. fine copy in d.j.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition; First Printing. 319 pages; B&W photographs. Light bump wear on the bottom of the front spine joint. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine (-). 1st. (USA) 1st edition. No markings, Fine in about Fine dust jacket with a hint of rubbing to top edge of front panel. Hardcover, 159pp, B&W photos thrughout. Yoors left his Belgian home at the age of 12 to live and travel with a tribe of Gypsies. This is an account of his live with the Romani, with hundreds of his photographs--most of them never before published until now. These photos start in the 1930s; Yoors died in 1977. Hancock, a leading Romani scholar, surveys Romani history in his introduction. (2.5 JM 0426 LVR Size: 4to - over 9¾ - 12" Tall.

First Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 208 pages; Physical desc. : 208 p. : ill. (chiefly col.) ; 30 cm. Includes index. Summary: Versailles, Nymphenburg, Hampton Court, Schonbrunn, Het Loo--some of the most famous gardens in history were created by European royalty during the last three hundred years. This fascinating and wide-ranging network of historically influential, recently restored, and contemporary gardens from Britain, France, Germany, Italy, Portugal, Austria, Belgium, Russia, Sweden, the Netherlands, the Czech Republic, Bulgaria, Poland, Denmark, and Spain is collected for the first time in Royal Gardens of Europe. A lavishly illustrated volume, it includes not only well-known gardens such as Charlottenburg and Peterhof, much admired for their splendor, but also lesser-known landscapes created by royalty in recent decades--gardens that are just as impressive as their predecessors, but that set out to create intimacy rather than extravagant display. Among the royal patrons responsible for these impressive gardens were distinguished horticulturalists and botanists, as well as those who might now be regarded simply as extravagant egotists. At the height of their power, they had the wealth and influence to ensure that their gardens were unsurpassed, employing the best architects and craftsmen and dictating gardening trends. Combining historical anecdote, personal histories, and a wealth of horticultural information, leading garden historian George Plumptre considers the richest single vein in European gardening history, demonstrating why royal gardens will continue to influence and inspire well into the future. 3 Kg.