Mitchell innes nash ny (27 resultados)

Softcover, 48 pages; very good condition; light rubbing to covers; no internal marks.

Trade Paperback. Condición: Used - Very Good. Very nice clean, tight copy free of any marks.

Hardcover. Condición: Fine. 57+pp. Exhibition catalogue. No DJ as issued. The Book: Fine.

Paperback. Condición: Very good. Paperback. 68pp. Very good in publisher's oblong wraps.

Paperback. Condición: Very Good. 24 page paperback exhibition catalog with color illustrations. Exhibition was Jan. 17 - March 2, 2002. No flaws.

First Edition. A new copy. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

Hardcover. Condición: As new. Size: 10.75"x9.75", 103pp., 40 colour illustrations.

Paperback. Condición: Fine. Exhibition catalog. Color photographs throughout. First edition (paperback). Fine in oblong pictorial wraps.

Paper. Condición: Good. Good paper copy ex. cat. March 6 - April 13, 2002, 64 pp, 11 pp essay with notes and B/W and 4/C illus, 36 plates 4/C, 2/C and sepia.

Softcover exhibition catalog, unpaginated; very good condition except a few tiny spots to white covers; no internal marks. Foreign shipping may be extra.

Softcover. Condición: VG. Color illus. wraps; Unpaginated, 30 pp.; 12 color plates. From the gallery exhibition held October 17 - November 22, 2008; Includes artist biographical and exhibition information.

Wrappers. Condición: Fine Condition. 46 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Text in English. Minimal shelfwear to the edges with associated faint rubbing to the covers. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. 35 illustrations 33 in color. Published on the occasion of the exhibition from January 22-March 1, 2003.…

First edition. 4to. 47 pp. Fine in illustrated boards. No dust jacket, as issued.

Paperback. First edition. Approx. 32 pages. 9 1/2 x 9 1/2". 9 color plates. Orig. illustrated stiff wrappers. Fine. Munch, Edvard (ilustrador).

Soft cover. Condición: Fine. Large format gallery catalog of 108 pages illustrated in color, clean tight and unmarked with very light edge rubbing.

Hardcover. Condición: Orig. light brown cloth. Fine. First edition. 64 pages. 11 1/2 x 9". Color plates.

Softcover. Color pictorial wraps, French flaps, unpaginated, 21 color plates, 1 BW illus. Issued in conjunction with a 1999 exhibition of work by French painter Georges Braque (1882-1963). With a brief intro by David Nash. Presents 21 examples of Braque's work, in full color. VG, but first few pages have bent bottom corners.…

Softcover. Condición: VG. Color pictorial wraps, French flaps, unpaginated, 21 color plates, 1 BW illus. Issued in conjunction with a 1999 exhibition of work by French painter Georges Braque (1882-1963). With a brief intro by David Nash. Presents 21 examples of Braque's work, in full color.

Cloth. Condición: Fine Condition. No Jacket, As Issued. First Edition. Unpaginated, many illustrations in color. Published on the occasion of the exhibition from the Mitchell-Innes & Nash, New York NY Drawings: September 19-November 12, 2005 and Paintings: October 7-November 12, 2005.

small square 4to.; pictorial wraps, softcover; 28 pages; black & white photographic illustration of Munch and nine full page color illustrations; note from Mitchell-Innes and Nash, laid in; a very good clean tight copy with no apparent flaws.

Hardcover. Condición: VG+. Black cloth boards with reflective pink text and design. 79 pp. Features bw and color illustrations. This book explores the form of the ziggurat (a rectangular stepped structure) as a motif in the work of General Idea, the artist collective active between 1967 and 1994. Published in conjunction with General Idea's first solo exhibition in the U.S. in 10 years, this monograph contributes to the long lineage of artists' books in the artist collective's oeuvre. "Ziggurat: General Idea 1968-1994" serves to illustrate the pervasion of the signature ziggurat form in their body of work. Aiding their semi-fictional "1984 Miss General Idea Pageant," the ziggurat was a representation of progress, power, and success, and repeated, coupled, and combined to express control through a basic form. AA Bronson, the last living member of General Idea, was instrumental in creating this artist book--its design based on "Katsura: Tradition and Creation in Japanese Architecture," an influential publication from his childhood. The Ziggurat paintings are fully illustrated in color alongside images of drawings, installations, sculptures, and other works that incorporate the ziggurat form. …

Condición: Good. 4to. Hard Covers. Very Good. Black cloth over boards. Very good dust jacket. 69 pp.Color and black and white plates throughout.* There might be an additional charge due to the large size of the book.

First edition. 102 pp. Fine in printed wrappers. Introduction by Eliza Rathbone. Color reproductions.

First edition. Oblong 8vo. 85 pp w/list of plates. Fine in fine dust jacket. Essay by David Hickey.

Hardcover. Condición: VG+. Color illus. paper-covered boards; Cloth at spine; 55 pp.; 18 color plates, 3 bw photos. Accompanied a 2009 exhibition of work by British expressionist Leon Kossoff (b. 1926). With essays by Al Alvarez and Lucy Mitchell-Innes. 11 paintings are highlighted. Includes an artist chronology for the years of 1957-1967, and exhibitions and collections histories. Vibrant.…

Paperback. Condición: Good. Paperback - clean, clean cover, no marks - from private collection -.

Hardcover. Condición: Fine. Estado de la sobrecubierta: None, As Issued. 1st Edition. 1st Printing. Signed. 180 pages. Published in 2020. Retrospective Exhibition Monograph. The very first comprehensive volume on the significant art and achievement of Keltie Ferris. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The production values are outstanding in every respect: Oversize-volume format. Red cloth boards with pale-gray titles imprinted on the cover and spine, as issued. Art by Keltie Ferris. Essays by various contributors, notably John Yau and Wayne Koestenbaum. Printed on pristine-white, thick coated stock paper in Istanbul, Turkey to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition of the same name held at Mitchell-Innes Gallery New York and Moran Moran Gallery Los Angeles in 2020. Presents "Keltie Ferris: A Decade". A transgender artist, now firmly established as a major mainstream figure, whose mesmerizing art does NOT explicitly refer to gender identity or fluidity, not even in his/her "Body Prints", in which he/she uses his/her body to make prints. Keltie Ferris is addressed in the book as "she" while just as consistently online, not just on Amazon or Wikipedia, she is referred to as "he". Take your pick. "Known for his large-scale, energetic, brightly chromatic abstract canvases layered with spray paint and hand-painted geometric fields, Ferris makes staunchly analog paintings that draw inspiration from a wide range of subjects: From the broken-up pixelation of digital images and rubbed-out graffiti on New York streets to the glimmering city lights visible from his Brooklyn studio at night. He has commented that 'bedazzled energy and bright artificial light' are prevalent inspirations for his sensibility, which joyfully deploy 'painting's full arsenal'. Explores the past ten years of Ferris' career, examining his style and technique in this beautifully bound and visually stimulating volume" (Publisher's blurb). The works themselves in this gorgeous book are dazzling fusions of Abstract Expressionism - both the loud and aggressive Jackson Pollock as well as the more lyrical and tender Helen Frankenthaler - and Urban Graffiti Art. What a joy they are to behold. An absolute "must-have" title for Keltie Ferris collectors. This copy is magnificently signed in blue ink-pen on the title page by Keltie Ferris. It is signed directly on the page itself, not on a tipped-in page. This title is an instant collectible and contemporary art book classic. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant American artists of our time. A fine copy. ISBN 1734405201. Signed by Author. …