Les arts decoratifs (256 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condición: Good. Good condition paperback with light wear. Contents are clean and bright throughout with no markings.

Softcover. Condición: Sehr gut. Ohne Schutzumschlag. 1. Auflage. 136 pages with many coloured illustrations.

Soft cover. Condición: Fine. Soft cover exhibition catalog with self-wrapping covers, 9 1/2" x 12", covers and catalog are both fine; 351 pages with color illustrations throughout.

Paperback. Condición: New. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood?The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt - hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries.…

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Softcover. Condición: Bon. Edition 2004. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2004. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Condición: New. New copy.

Pub. Laminated Pictorial Board. Condición: New. Estado de la sobrecubierta: No as Issued. First. Summary guide to the museum. This is the English edition.

Hardcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Paperback. Condición: New. The jewellery department at the Musée des Arts Décoratifs in Paris comprises some 3,500 pieces and is the only national collection of its kind in France. This book presents bijouterie and joaillerie masterpieces from this high-profile collection which ranges from the Middle Ages to the contemporary period and shines a particular spotlight on the 18th century and the age of Art Nouveau.Daytime or evening jewellery and art jewellery pieces in the form of tiaras, necklaces, bracelets, earrings, pendants, hair or tie pins, rings and stomacher brooches illustrate the boundless creativity of designers.The greatest artists are represented: Sandoz, Vever, Falize, Boucheron, Lalique, Fouquet and Gaillard for Art Nouveau, Raymond Templier and Jean Després for Art Deco, Georges Braque, Jean Lurçat, Line Vautrin, Jean Schlumberger, Torun, Dinh Van, Jonemann and Claude Lalanne for the post-war period, and a number of contemporary designers. The collection also features pieces by the great jewellery houses: Cartier, Boucheron, Chanel, Van Cleef and Arpels and, more recently, JAR.This richly illustrated book accompanies the display in the Galerie des Bijoux at the Musée des Arts Décoratifs, which features the collection's highlights.…

Paperback. Condición: New. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood?The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt - hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries.…

relié. Condición: Très bon.

Hardback. Condición: Like New. The gilded bronze collection of the Musée Nissim de Camondo in Paris illustrates Moïse de Camondo's taste in 18th century furniture, gathering masterpieces from Parisians gilders, draftsmen, sculptors, founders, goldsmiths and watchmakers.

Paperback. Condición: new. Paperback. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood? The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries. AUTHORS: Curator and editor: Anne Monier Vanryb, curator in the Musee des Arts decoratifs, toy collections, modern and contemporary department. Michel Pastoureau, archivist paleographer, historian. Catherine Schwab and Elena Paillet, curators specialising in archaeology. Sophie Lemahieu, curator in the Fashion and Textiles Department, Musee des Arts decoratifs. SELLING POINTS: . Three essays tracing the history of the teddy bear since its creation in 1902 . Two scientific essays by a curator and a historian, specialists in prehistory and bears . Rich iconography featuring a number of full-page teddy bears 120 colour, 5 b/w illustrations Accompanies the exhibition at the Musee des Arts Decoratifs, Paris, 4 December 2024 to 22 June 2025. How did a wild and ferocious animal become the symbol of childhood? This delightful book traces the history of the teddy bear from its creation in 1902 to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Used-Very Good. 4to. Dec. cloth, no d.j. (as issued). Text in French. Some shelf-wear. Else clean copy.

Hardback. Condición: Like New. The gilded bronze collection of the Musée Nissim de Camondo in Paris illustrates Moïse de Camondo's taste in 18th century furniture, gathering masterpieces from Parisians gilders, draftsmen, sculptors, founders, goldsmiths and watchmakers.

Condición: Good.

Hardcover. Condición: As New. -----dark red cloth, bright white cover lettering on cover and spine, book is 11" x 9 1/2". 222 pages, with beautiful color illustrations.NEW CONDITION- - dust jacket New Condition.

Trade Paperback. Condición: Like New. First Edition. First Edition, First Printing. Not price-clipped (12â price intact). Published by Les Arts Decoratifs, 2009. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. 63 pages. ISBN: 9782916914169. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.…

hardcover. Condición: New. **HARDBACK**.

Couverture souple. Condición: Très bon. Edition originale. Publié à l'occasion de l'exposition présentée au Musée des Arts Décoratifs, du 7 novembre 2006 au 25 mars 2007, après une présentation aux Rencontres internationales de photographie d'Arles (juillet-septembre 2006). " Apparue à la fin du XIXe siècle, l utilisation de la photographie à des fins publicitaires prend son essor dans les années 1930, à la faveur des possibilités offertes par les progrès des techniques d impression. Des firmes industrielles font alors appel à des photographes connus, comme Man Ray, André Vigneau ou François Kollar, pour éditer des catalogues de luxe. Après guerre, la photographie s impose dans les annonces presse et dans les catalogues publicitaires par exemple les photographies d André Martin pour les catalogues Citroën conçus par Robert Delpire , s élargit à la mode avec Peter Knapp pour Courrèges, Guy Bourdin pour Charles Jourdan, Sarah Moon pour Cacharel et aux produits de consommation de masse. Des années 1930 à nos jours, ce livre présente le travail d une trentaine de photographes ayant marqué la photographie publicitaire. " Laure ALBIN-GUILLOT, Maurice TABARD, Pierre JAHAN, Marcel BOVIS, Lucien LORELLE, Jean-François BAURET, Jean-Loup SIEFF, Serge LUTENS, Jean-Paul GOUDE, Jean LARIVIERE, Peter LINDBERGH, Peter KNAUP, Guido MOCAFICO. Les Arts Décoratifs, 2006, 23 x27 cm, broché, couverture illustrée à larges rabats, 192 pages.…

Couverture rigide. Condición: Très bon. Edition originale. Publié à l'occasion de l'exposition présentée par le Musée des Arts Décoratifs, du 18 novembre 2010 au 8 mai 2011. "Ce livre présente plus de trois cents jouets des années 1910 à aujourd'hui. On retrouve les traditionnels jeux de quilles, bibis et sifflets, les incontournables animaux à roulettes avec Yabon la grenouille, Roxy le teckel, Bob l alligator et Rosy la vache, les célèbres tacots multicolores, les instruments de musique et les théâtres du monde, les héros de l enfance Mickey, Snoopy, Babar et Elmer, mais aussi les jouets d'artistes de Benjamin Rabier, Keith Haring ou Hervé Di Rosa." Les Arts Décoratifs, 2010, 19,7 x 25,6 cm, cartonnage jaune illustré, 192 pages. …

Soft Cover. Condición: Fine. This is a fine softcover copy with no wear at all. Completely clean inside and out. Text in FRENCH. A history of the Musee des arts decoratifs in Paris and their collection of modern glass. International in scope the collection has examples from all over the world. Several dozen designers are profiled with important pieces illustrated in color. Illustrated in color throughout. Bibliography. List of galleries and institutions collecting/exhibiting modern glass. 11" high X 9" wide, 223 pages. This book will be securely packed and shipped with tracking. …

Hardback. Condición: New. Created in 1936, following the bequest of Count Moïse de Camondo to the French State in memory of his son Nissim, who died for France in 1917, the Musée Nissim de Camondo houses a rich collection of 18th-century art objects. Reflecting the donor's taste for this period of French art, the collection includes a significant number of pieces of furniture and objects embellished with gilded bronze ornaments. Gathered with incredible foresight by Moïse de Camondo between 1890 and 1935, these gilded bronzes reflect the evolution of styles during the 18th century, from the fantasies of rocaille, the severity of the return to the antique model, to the delicacy of the Louis XVI style. This catalogue presents a selection of 30 furniture bronzes, all masterpieces. Signed Osmond, attributed to Jean-Louis Prieur, François Rémond or Jean-Noël Turpin, they testify to the expertise of Parisian gilders in the second half of the 18th century, as well as to their collaboration with other trades - draftsmen, sculptors, founders, goldsmiths and watchmakers. The gilded bronzes in the Musée Nissim de Camondo offer a highly varied typology, bearing witness to their diverse uses and fully participating in the project of "reconstituting an 18th-century artistic residence" so dear to the Count de Camondo.…

Hardcover. Condición: new. Hardcover. Created in 1936, following the bequest of Count Moise de Camondo to the French State in memory of his son Nissim, who died for France in 1917, the Musee Nissim de Camondo houses a rich collection of 18th-century art objects. Reflecting the donor's taste for this period of French art, the collection includes a significant number of pieces of furniture and objects embellished with gilded bronze ornaments. Gathered with incredible foresight by Moise de Camondo between 1890 and 1935, these gilded bronzes reflect the evolution of styles during the 18th century, from the fantasies of rocaille, the severity of the return to the antique model, to the delicacy of the Louis XVI style. This catalogue presents a selection of 30 furniture bronzes, all masterpieces. Signed Osmond, attributed to Jean-Louis Prieur, Francois Remond or Jean-Noel Turpin, they testify to the expertise of Parisian gilders in the second half of the 18th century, as well as to their collaboration with other trades draftsmen, sculptors, founders, goldsmiths and watchmakers. The gilded bronzes in the Musee Nissim de Camondo offer a highly varied typology, bearing witness to their diverse uses and fully participating in the project of reconstituting an 18th-century artistic residence so dear to the Count de Camondo. AUTHORS: Anne Forray-Carlier, senior curator at the Musee du Louvre, Departement des Objets d'Art. Sylvie Legrand-Rossi, former senior curator, Musee Nissim de Camondo. Beatrice Quette, curator of asian collections, Musee des Arts Decoratifs. SELLING POINTS: . Eight introductory pages with photographs of the Musee Nissim de Camondo, depicting a tour inside the house . Introductory chapter gives the reader hints about the technique of gilded bronze in the 18th century, associated with a study of Moise de Camondo's career as a collector, his purchases and his tastes . Focus on the Chinese and Japanese mounted porcelain and objects from the collection . Study of 30 masterpieces from the collection, with beautiful photographs and details of the bronze ornaments 120 colour illustrations The gilded bronze collection of the Musee Nissim de Camondo in Paris illustrates Moise de Camondo's taste in 18th century furniture, gathering masterpieces from Parisians gilders, draftsmen, sculptors, founders, goldsmiths and watchmakers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. The Musée des Arts Décoratifs has maintained close ties with Christofle since the second half of the 19th century. It is celebrating the goldsmith's creations and expertise with the largest exhibition ever dedicated to this factory, which has a rich history spanning almost two hundred years.Since its foundation in the 1830s, this lineage of silversmiths, created by Charles Christofle and continued by Henri Bouilhet, has transformed the lines and decorations of silver to adapt them to everyday life. In collaboration with the greatest designers such as Luc Lanel, Gio Ponti, Andrée Putman and Karl Lagerfeld, Christofle is an artistic laboratory that revolutionises traditional goldsmithing by renewing its uses and adorning it with unprecedented colours and decorations.The rich iconography of the exhibition catalogue invites us to discover some of the most remarkable pieces. In doing so, it transports us into the splendour of great restaurants and palaces such as the Ritz, and legendary trains, liners and planes, such as the Orient-Express, the Normandie and the Concorde. Moreover, it brings us into places of political power, all equipped by Christofle, ambassador in France and abroad of the art of living and luxury "à la française".Through 13 thematic essays divided into four chapters, this book traces the extraordinary destiny of the House of Christofle. Sixty-one notes cover the history of the decorative arts through goldsmithing, from historicism to Japonism, from Art Nouveau to Art Deco, from 1950s design to the most contemporary.…