Kettle's yard gallery (380 resultados)

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Paperback. Condición: Very Good. Paul Coldwell: I Called When You Were Out This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

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Paperback. Condición: New. This publication marks Anthea Hamilton Reimagines Kettle's Yard - an installation by Turner Prize nominee Anthea Hamilton at The Hepworth Wakefield, exhibited during September 2016 - May 2017.The ambitious installation included a series of new works, created by the artist in response to works from the Kettle's Yard Collection. Hamilton is renowned for her art-pop, culture-inspired sculptures and installations that incorporate references from the worlds of art, fashion, design and cinema. Based on her research into the art and objects of the Kettle's Yard Collection, Hamilton re-appropriated objects from the collection, using unexpected details as starting points for new works.Hamilton invited several British and international artists, with whom she has either previously worked, or whose work is important to her, to contribute to the new installation. These include: French artist Laëtitia Badaut Haussmann; British artist Nicholas Byrne; German artist Daniel Sinsel and the celebrated American photographer Robert Mapplethorpe.…

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paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. A few small stains.

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Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

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Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

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Paperback. Condición: New. "When I was young I wanted art that would lift off - that would levitate, gyrate, bring together different - perhaps contradictory aspects of my being" Gustav MetzgerGustav Metzger(1926-2017) was one of the foremost figures of the post-war avant-garde in Britain, with a career has spanned over 60 years of art and political activism.In 2014 Kettle's Yard presented LIFT OFF! - an ambitious exhibition bringing together archive, film, sculpture and installations focusing on a less familiar but central area of Metzger's practice - his auto-creative process driven work - the alter ego of his better-known auto-destructive practice. The exhibition marked something of a homecoming for Metzger, who began his artistic career at the Cambridge School of Art in 1944 and returned to deliver two seminal lecture/demonstrations (1960/1965) at the University of Cambridge.This publication documents the artist's most ephemeral Auto-Creative artworks of the 1960s, and new works created by Metzger especially for LIFT OFF! It includes new texts by curator Elizabeth Fisher that illuminate this less well known aspect of Metzger's practice.…

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Paperback. Condición: new. Paperback. When I was young I wanted art that would lift off that would levitate, gyrate, bring together different perhaps contradictory aspects of my being - Gustav Metzger Gustav Metzger(1926-2017) was one of the foremost figures of the post-war avant-garde in Britain, with a career has spanned over 60 years of art and political activism. In 2014 Kettle's Yard presented LIFT OFF! an ambitious exhibition bringing together archive, film, sculpture and installations focusing on a less familiar but central area of Metzger's practice his auto-creative process driven work the alter ego of his better-known auto-destructive practice. The exhibition marked something of a homecoming for Metzger, who began his artistic career at the Cambridge School of Art in 1944 and returned to deliver two seminal lecture/demonstrations (1960/1965) at the University of Cambridge. This publication documents the artist's most ephemeral Auto-Creative artworks of the 1960s, and new works created by Metzger especially for LIFT OFF! It includes new texts by curator Elizabeth Fisher that illuminate this less well known aspect of Metzger's practice. Gustav Metzger (1926-2017) was one of the foremost figures of the post-war avant-garde in Britain. His career spanned over sixty years of art and political activism. This publication documents the artists most ephemeral Auto-Creative artworks of the 1960s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Paperback. Condición: New. Christopher Wood ('Kit') as he was more commonly known) was born in Liverpool. At 14 he was diagnosed with septicaemia and confined to his bed for three years, during this time he took up drawing. Wood moved to London and worked as an importer of dried fruit, his route to and from work took him through a West End that was still steeped in the bohemian atmosphere of the pre-war years. Inspired by the comings and goings of this exuberant life, Wood would sit sketching for hours. During this time Wood met Alphonse Kahn, one of the best-connected men in the Paris art world, who invited him to Paris.Through extended visits to Paris between 1921 and 1924 he came into contact with the European avant-garde and established himself as a prominent and popular artist winning the admiration of Picasso and Jean Cocteau. Wood was one of the very few British artists to recognise and respond to the new landscape of modernism and have a solo exhibition in Paris at that time. During his Parisian years Wood became addicted to opium and in 1930 was tragically killed by a train at Salisbury station whilst under the influence of the drug.Richly illustrated with over 40 colour illustrations, this is a comprehensive account from the largest public collection of works by Christopher Wood. The book features writings by Jim Ede on Wood, an essay by curator Elizabeth Fisher, the artist John Piper and the poet Max Jacob, alongside previously unpublished extracts from letters between Wood and Jim Ede, Ben and Winifred Nicholson, and his mother Clare Wood.…

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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condición: new. Paperback. This publication marks Anthea Hamilton Reimagines Kettle's Yard an installation by Turner Prize nominee Anthea Hamilton at The Hepworth Wakefield, exhibited during September 2016 May 2017. The ambitious installation included a series of new works, created by the artist in response to works from the Kettle's Yard Collection. Hamilton is renowned for her art-pop, culture-inspired sculptures and installations that incorporate references from the worlds of art, fashion, design and cinema. Based on her research into the art and objects of the Kettle's Yard Collection, Hamilton re-appropriated objects from the collection, using unexpected details as starting points for new works. Hamilton invited several British and international artists, with whom she has either previously worked, or whose work is important to her, to contribute to the new installation. These include: French artist Laetitia Badaut Haussmann; British artist Nicholas Byrne; German artist Daniel Sinsel and the celebrated American photographer Robert Mapplethorpe. This publication marks Anthea Hamilton Reimagines Kettles Yard - an installation by Turner Prize nominee Anthea Hamilton at The Hepworth Wakefield, exhibited during September 2016 May 2017. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: New. Published to coincide with Antony Gormley SUBJECT at Kettle's Yard in 2018, this book features installation shots and drawings alongside texts by Caroline Collier and Jennifer Powell, and Antony Gormley in conversation with architect Jamie Fobert.Devised for the new galleries and spaces at Kettle's Yard, SUBJECT highlighted many of Antony Gormley's interests, including how sculpture can activate both the space that it occupies and the body of the viewer. The exhibition offered a series of physical and metaphysical encounters, exploring our relationship to space and our sense of self.SUBJECT encompassed both galleries, the Learning Studio and the Research Space. The exhibition included the first in a new series of works, Subject (2018), from which the title of the show derives, and the first UK showing of Infinite Cube II (2018), made of one-way mirror glass and 1,000 LED lights.…

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Paperback. Condición: New. "Do come in as often as you like - the place is only alive when used" - Jim EdeTake a room-by-room journey through the Kettle's Yard house in Cambridge (UK), former residence of curator and 'friend to artists' Jim Ede and his wife Helen. Home to their substantial collection of 20th century art, furniture, ceramics, glass and natural objects, the house remains open for visitors to experience as the Ede's intended: art as a way of life.The carefully curated interior spaces in the original converted cottages (1957) and Leslie Martin-designed extension (1970) are a masterclass in balance and restraint, appealing to aesthetes across the spectrum of art and design from fine art to fashion; interior designers, architects and art historians.Richly illustrated with new photography by Gilbert McCarragher and inspired by classic mid-century guidebooks, this book will catch the eye of long-time fans of Kettle's Yard as much as those discovering the house for the very first time. A companion publication Kettle's Yard Art and Artists ISBN 9781904561620 is also available.…

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Paperback. Condición: New. Winifred Nicholson (1893-1981) is one of the most important and best loved artists in the Kettle's Yard collection. Nicholson met Kettle's Yard founder Jim Ede in 1924, and they kept in regular contact over the following decades. Ede credited Winifred Nicholson directly for '[teaching] me much about the fusing of art and daily living' and at Kettle's Yard he built the largest public collection of her work.This book brings together some of Nicholson's most eloquent essays with extracts from previously unpublished letters between the artist and Ede, and the words of their mutual friends, the poet Kathleen Raine and collector Helen Sutherland. With an introduction by curator Elizabeth Fisher exploring Nicholson's relationship with Ede, the book is richly illustrated and included reproductions of all works in the collection, a biography and bibliography.…

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Winifred Nicholson (1893-1981) is one of the most important and best loved artists in the Kettle's Yard collection. Nicholson met Kettle's Yard founder Jim Ede in 1924, and they kept in regular contact over the following decades. Ede credited Winifred Nicholson directly for '[teaching] me much about the fusing of art and daily living' and at Kettle's Yard he built the largest public collection of her work. This book brings together some of Nicholson's most eloquent essays with extracts from previously unpublished letters between the artist and Ede, and the words of their mutual friends, the poet Kathleen Raine and collector Helen Sutherland. With an introduction by curator Elizabeth Fisher exploring Nicholson's relationship with Ede, the book is richly illustrated and included reproductions of all works in the collection, a biography and bibliography. This richly illustrated book brings together some of Winifred Nicholsons most eloquent essays with letters between the artist and Kettles Yard founder Jim Ede. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Alfred Wallis (1855-1942) is one of the most original and inspiring British artists of the 20th Century. Promoted by the artist Ben Nicholson amongst others, Wallis's paintings influenced the development of British art between the wars. The directness of Wallis' vision reflected a lifetime of living by and from the sea. His paintings are of what he knew, remembered and imagined. Yet they are also timeless stories about survival and the nature of our relationship with the world. As Jim Ede commented Wallis is never local. With over 70 illustrations, excerpts from letters and texts by Michael Bird, Ben Nicholson and Jim Ede, this book takes a fresh look at this extraordinary artist and his relationship to Kettle's Yard. It includes some of Wallis's best works from the Kettle's Yard collection including many that are not normally on display, from ambitious paintings such as Saltash to what Wallis knew and loved best: ships and boats. Kettle's Yard, the University of Cambridge's modern and contemporary art gallery, holds the largest public collection of works by Alfred Wallis. Wallis was born in Devon. He was a fisherman and later a scrap-metal merchant in St. Ives. He took up painting in his later years, following the death of his wife in 1922. He was admired by Ben Nicholson and Christopher Wood, who came across his work when visiting St. Ives in 1928 and included it in the Seven & Five Society's exhibition of 1929. He died in Madron Poorhouse. Alfred Wallis Ships and Boats takes a fresh look at one of the most original and inspiring British artists of the 20th Century and his relationship with Kettle's Yard. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Trade Paperback. Condición: As New. Estado de la sobrecubierta: wraps. First Edition. This is a fine, as new, first edition paperback copy, gray spine.

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Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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