Hogarth arts ltd (13 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condición: New. 1st.

Hardcover. Condición: new. Hardcover. This gripping story of one of the great graphic satirists and watercolor artists of the British School is based upon new research. Rowlandson kept no diary, wrote few letters, and appears only infrequently in the memoirs of others. In more than a decade's research, using church and official records, newspaper reports, contemporary accounts, and sales catalogs, the authors shed light on Rowlandson's family background, his education and art training in London and Paris, his professional associations, his travels in Britain and abroad, and the work itself. This gripping story of one of the great graphic satirists and watercolor artists of the British School is based upon a mass of new research. Rowlandson kept no diary, wrote few letters, and occurs only infrequently in the memoirs of others. Source material is not abundant. But in more than a decade's research, using church and official records, newspaper reports, contemporary accounts, sales catalogues and consideration of his pictures, the authors shed new light on Rowlandson's family background, his education and art training in London and Paris, his personal and professional associations, his travels in Britain and abroad, and the work itself. Fully illustrated, this major contribution to scholarship will appeal to the general reader and specialist alike and is destined to become the standard work on this benchmark British artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).…

Hardcover. Condición: new. Hardcover. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987). Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. Tight Firm Clean Copy - First Edition - No Signatures, Inscriptions Or Notations Discovered. Illustrated. Grey Cloth Hard Cover With Black Titles To Spine - No Visible Wear. Unclipped Jacket In Similar Condition. A Heavy Book Additional Postage Will Be Requested For Overseas Delivery.…

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. 1st.

Hardcover. Condición: new. Hardcover. This gripping story of one of the great graphic satirists and watercolor artists of the British School is based upon new research. Rowlandson kept no diary, wrote few letters, and appears only infrequently in the memoirs of others. In more than a decade's research, using church and official records, newspaper reports, contemporary accounts, and sales catalogs, the authors shed light on Rowlandson's family background, his education and art training in London and Paris, his professional associations, his travels in Britain and abroad, and the work itself. This gripping story of one of the great graphic satirists and watercolor artists of the British School is based upon a mass of new research. Rowlandson kept no diary, wrote few letters, and occurs only infrequently in the memoirs of others. Source material is not abundant. But in more than a decade's research, using church and official records, newspaper reports, contemporary accounts, sales catalogues and consideration of his pictures, the authors shed new light on Rowlandson's family background, his education and art training in London and Paris, his personal and professional associations, his travels in Britain and abroad, and the work itself. Fully illustrated, this major contribution to scholarship will appeal to the general reader and specialist alike and is destined to become the standard work on this benchmark British artist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).…

Hardcover. Condición: new. Hardcover. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987). Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…