Harper row icon editions (181 resultados)

Paperback. Condición: Fair. 2nd prt. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Trade paperback, Near Fine/pictorial wraps, 2nd printing; trace of light wear to covers and cover edges, no names or markings inside, iloustrated, 8vo., 140 pages., 0.0 0.0 0.0.

Paperback. Condición: Good. 2nd prt. Light general wear. May have light notes/highlighting. shelf wear. bumped edges. worn cover. Paperback.

Paper Back. Condición: Acceptable.

Softcover, 234 pages, fair condition, pencil marks in text, with b/w reproductions. As is reference copy.

Trade Paperback. Condición: Fine. Estado de la sobrecubierta: No Dustjacket, As Issued. First Edition. In Wraps; Covers are clean, flat and bright; corners are still fairly sharp; spine is not creased; very minor rubbing at corners; 8vo; 412 pages; indexed; illustrated; bottom book edge has a remainder slash.…

Paperback. Condición: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condición: Very Good. 284 pages, illustrations; 21 cm. IN-138. Originally published: Philadelphia: Lippincott, 1923. Tight, clean copy. Browning. *** "In this book are the essential beliefs and theories of a great teacher and American artist, Robert Henri. While it embodies the entire system of his teaching, with much technical advice and critical comment for the student, it also contains inspiration for those to whom the happiness to be found through all the arts is important.No other American painter attracted such a large, intensely personal group of followers as Henri, whose death in 1929 brought to an end a life that has been completely devoted to art. He was an inspired artist and teacher who believed that everyone is vitally concerned in the happiness and wisdom to be found through the arts. Many of his paintings have been acquired by museums and private collectors. Among them are the Baltimore Museum of Art, the Metropolitan Museum of Art, the National Gallery of Art, the Whitney Museum of American Art, the Wichita Art Museum, and Yale University Art Gallery. / Robert Henri was born in Cincinnati in 1865 and died in 1929. He led the Ashcan School movement in art, and attracted a large, intensely personal group of followers. His paintings are shown at major museums across the United States." - Publisher. Size: 8vo.…

Condición: Good. Signed Copy . Inscribed by author on front endpage. Slightly foxed.

Soft cover. Condición: Very Good. 1st Edition. 304 pages, illustrations (some colour), portraits; a very good large format paperback (28 cm). The Wrightsman Lectures, vol. 4. Delivered Under the Auspices of the New York University Institute of Fine Art [0064300935].

Paperback. Condición: Very Good. Covers show wear with rubbing along edges and corners; light fading to color and text on spine; age yellowing and foxing along page edges; otherwise pages are in near fine condition. ; 6 x 8 1/2"; 240 pages.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Near Fine. 1st. 271 pages, illustrations; 22 cm. IN 118. Cover title: The classical tradition in art: from the fall of the Roman empire to the time of Ingres. Tight, clean copy. Light shelfwear to wraps, age toning. Size: 8vo.

Paperback. Condición: Very Good. 1st. xv, 265 pages, illustrations; 24 cm. Originated as 7 lectures delivered at Cooper Union in March and April of 1974. Firm binding, clean inside copy. Light edgewear, age toning. *** CONTENTS: I: Introduction: dimensions of cause; 1. On overdetermination; 2. Minds in history; 3. From id to ego; II: Manet: the primacy of culture; 1. An obsession with sincerity; 2. The cutting edge of wit; 3. A stroller in Paris; III: Gropius: the imperatives of craft; 1. The cathedral of the present; 2. On individuality and collaboration; 3. The informed intuition; IV: Mondrian: the claims of privacy; 1. In solitary company; 2. The assault on nature; 3. Shapes of reticence. Size: 8vo.…

Paperback. Condición: Very Good. 484 pages, illustrations; 24 cm. Tight, clean copy. Corner crease/back cover. *** "This knowledgeable, useful and up-to-date survey of one of the greatest periods in Western painting, from Masaccio through Titian, covers some fifty artists and their work and includes nearly 400 illustrations integrated with the text. James Beck of Columbia University gives biographical information on each artist and discusses and analyzes his artistic style, achievement and most significant works." - Publisher. *** CONTENTS: Acknowledgments; Part I: Introduction: Ch.1 A stylistic framework for Italian Renaissance painting; Ch. 2 Origins of the emerging Renaissance style; Part II: The first generation: Ch. 3 The lyric current; Ch. 4 The monumental current; Part III: The second generation: Ch. 5 The lyric current; Ch. 6 The monumental current; Part IV: The third generation: Ch. 7 The monumental current; Ch. 8 The lyric current; Appendix. Bibliography Index. Size: 8vo.…

Paperback. Condición: Very Good. 1st. 240 pages, illustrations; 22 cm. IN-73. First published, Netherlands, 1965. Translation of Atlas van het Romaans. Firm binding, clean inside copy. Age toning. 1st thus. *** "[This book] is a compact, comprehensive survey of the Romanesque style in Europe, from its first manifestations c. 950 through the thirteenth century. Professor Timmers first traces the Roman, Early Christian, and Byzantine origins of Romanesque art and discusses the diverse influences of Islam, the Carolingian Renaissance, the monastic orders of Europe, and the Celtic, Anglo-Saxon, and Viking migrations. Then, in a detailed analysis, he examines the development and varied expressions of Romanesque style and spirit--in architecture, sculpture, painting, and the applied arts--as it spread through Italy, France, Germany, Spain, the British Isles, Scandinavia, Hungary, Poland, Russia, and the Middle East. Each stage of development is magnificently illustrated by maps, diagrams, and photographs in color and black-and-white" - Publisher. *** CONTENTS: Romanesque art: its nature and origin; Italy; France; Ottonian art; The German countries; Spain; The British Isles; The border countries. Size: 8vo.…

Paperback. Condición: Good. xix, 412 pages, illustrations; 24 cm. First published, 1966. 21st printing, 1998. Good+. Firm binding, clean inside copy. Remainder mark/tail edge. Large softcover, well-illustrated. *** "This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods between 1000-1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis." - Publisher. *** CONTENTS: Romanesque France; Early Gothic of the twelfth century; High Gothic of the early thirteenth century; From Rayonnant to Flamboyant; The treasuries of monasteries and cathedrals. Size: 8vo.…

paperback. Condición: Softcover. Softcover. Gently used. For any additional information or pictures, please inquire. Mild age tanning.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. Unmarked. Unclipped dust jacket. 44 illustrations. Notes. 258pp. 29 essays. Topics include Duchamp, the Spiral Jetty, Eva Hesse, Laurie Anderson, Jonathan Borofsky, Video Art, Julian Schnabel, Warhol, and more.

Softcover. Condición: Near Fine. B/w illustrations, clean and tight. Due to size, ships within US only and only by media rate mail.; 8vo 8" - 9" tall; 448 pages.

Paperback. Condición: Very Good. . . . . 8vo, paperback. Vg condition. Very slight rubbing to covers; contents clean, no marking or writing. Binding square and tight. 527 pp. European, History, Painting, 0064314006.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good+. 265 pages; 6 5/8 x 9 1/2" "The Critique Lectures delivered at The Cooper Union." Light fading to spine and top page edge; light foxing to long edge of front pastedown; jacket edges and corners are worn and creased; two 1/2" tears to front jacket bottom edge; light foxing ton inside jacket; jacket in mylar sleeve.…

Paperback. Condición: Good to Very Good. No Jacket. This book is in good condition, with clean text. There is a crease at the top of the front cover and a larger one at the bottom of the back cover. There is also a mark in ink at the bottom of the front cover. A previous owner has placed a bookplate on the free front endpaper. The frontispiece features a photograph of "Venus of Willendorf" by William Tucker. Size: 4to - over 9¾" - 12" tall. Various (ilustrador).…

Paperback. 274pp., 64 illus., index. As new, clean, tight & bright condition.

Paperback. 140pp., 120 plates, biblio., index. As new, clean, tight & bright condition.

Paperback. Condición: Near Fine. 2nd. 350 pages, illustrations (some colour); 24 cm. Reprint, 1980. Tight, clean copy. Age toning. *** "This brilliant study of American art is again available with a new preface by the author, a few corrections in the text, and a revised and updated bibliography. Widely acclaimed for its perception and scholarship, the book concentrates on a number of leading artists, including Washington Allston, Thomas Cole, Asher B. Durand, Fitz Hugh Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. Examining each artist in an individual essay, Barbara Novak presents key ideas on the nature of American art of the nineteenth century, framing these ideas with reference to the eighteenth and twentieth centuries and relating American art to American and European traditions. She draws provocative and original conclusions about the roles in American art of spiritualism and mathematics, analyzes not only the painting but nineteenth-century aesthetic theory as well, achieving a unique synthesis of art and literature. Brief biographies of forty-eight artists mentioned in the text are appended and furnish a valuable reference source." - Publisher. *** CONTENTS: Prolegomena to the Nineteenth Century: Copley and the American Tradition; Washington Allston: An American Romantic Tradition; Thomas Cole: The Dilemma of the Real and the Ideal; Asher B. Durand: Hudson River School Solutions; Luminism: An Alternative Tradition; Fitz Hugh Lane: A Paradigm of Luminism; Martin Johnson Heade: Haystacks and Light; William Sidney Mount: Monumental Genre; George Caleb Bingham: Missouri Classicism; Winslow Homer: Concept and Precept; Thomas Eakins: Science and Sight; Albert Pinkham Ryder: Even with a Thought; William Harnett: Every Object Rightly Seen; The Painterly Mode in America; Epilogue: The Twentieth Century. Size: 8vo. …