frenetic happiness (10 resultados)

Paperback. Condición: New. In 2014 Victor Boullet opted out of the Parisian art scene and installed himself in Liverpool - a self-imposed isolation from the international art world and its networks and socialising that had been the fuel for his previous project. In Liverpool, Boullet ensconces himself in his studio and with minimal contact with others, spends weeks, months, years immersing himself in painting as a practice within his neo-traditional framework. The daily journey on foot from his Georgian townhouse to the studio in socially-deprived Toxteth, a journey made over 6000 times in 7 years, gave rise to a routine built from the relentless need to keep on visiting the studio and to paint, day in, day out. His time in Liverpool has created an immense body of work, hundreds of paintings and thousands of drawings. Renditions of his own face with mouth gaping accompanied by other disjointed body parts, arranged alongside cucumbers, cutlery and tableware into still life. This book is the culmination of these years in exile. Essays by Dag Erik Elgin, Jeremy Glogan, Stian Gabrielsen and Victor BoulletEdited by Stian GabrielsenDesign by Texas Knuller.

Paperback. Condición: new. Paperback. In 2014 Victor Boullet opted out of the Parisian art scene and installed himself in Liverpool a self-imposed isolation from the international art world and its networks and socialising that had been the fuel for his previous project. In Liverpool, Boullet ensconces himself in his studio and with minimal contact with others, spends weeks, months, years immersing himself in painting as a practice within his neo-traditional framework.The daily journey on foot from his Georgian townhouse to the studio in socially-deprived Toxteth, a journey made over 6000 times in 7 years, gave rise to a routine built from the relentless need to keep on visiting the studio and to paint, day in, day out.His time in Liverpool has created an immense body of work, hundreds of paintings and thousands of drawings. Renditions of his own face with mouth gaping accompanied by other disjointed body parts, arranged alongside cucumbers, cutlery and tableware into still life.This book is the culmination of these years in exile.Essays by Dag Erik Elgin, Jeremy Glogan, Stian Gabrielsen and Victor BoulletEdited by Stian GabrielsenDesign by Texas Knuller This book is the culmination of Victor Boullets time painting in Liverpool. He has created an immense body of work, hundreds of paintings and thousands of drawings. The uncompromising nature of the project and the raw hunger for creating he possesses has meant that the work has never stopped developing during his years in isolation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. 2021. Paperback. . . . . .

Condición: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. Paperback. In 2014 Victor Boullet opted out of the Parisian art scene and installed himself in Liverpool a self-imposed isolation from the international art world and its networks and socialising that had been the fuel for his previous project. In Liverpool, Boullet ensconces himself in his studio and with minimal contact with others, spends weeks, months, years immersing himself in painting as a practice within his neo-traditional framework.The daily journey on foot from his Georgian townhouse to the studio in socially-deprived Toxteth, a journey made over 6000 times in 7 years, gave rise to a routine built from the relentless need to keep on visiting the studio and to paint, day in, day out.His time in Liverpool has created an immense body of work, hundreds of paintings and thousands of drawings. Renditions of his own face with mouth gaping accompanied by other disjointed body parts, arranged alongside cucumbers, cutlery and tableware into still life.This book is the culmination of these years in exile.Essays by Dag Erik Elgin, Jeremy Glogan, Stian Gabrielsen and Victor BoulletEdited by Stian GabrielsenDesign by Texas Knuller This book is the culmination of Victor Boullets time painting in Liverpool. He has created an immense body of work, hundreds of paintings and thousands of drawings. The uncompromising nature of the project and the raw hunger for creating he possesses has meant that the work has never stopped developing during his years in isolation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Kartoniert / Broschiert. Condición: New.

Paperback. Condición: New. In 2014 Victor Boullet opted out of the Parisian art scene and installed himself in Liverpool - a self-imposed isolation from the international art world and its networks and socialising that had been the fuel for his previous project. In Liverpool, Boullet ensconces himself in his studio and with minimal contact with others, spends weeks, months, years immersing himself in painting as a practice within his neo-traditional framework. The daily journey on foot from his Georgian townhouse to the studio in socially-deprived Toxteth, a journey made over 6000 times in 7 years, gave rise to a routine built from the relentless need to keep on visiting the studio and to paint, day in, day out. His time in Liverpool has created an immense body of work, hundreds of paintings and thousands of drawings. Renditions of his own face with mouth gaping accompanied by other disjointed body parts, arranged alongside cucumbers, cutlery and tableware into still life. This book is the culmination of these years in exile. Essays by Dag Erik Elgin, Jeremy Glogan, Stian Gabrielsen and Victor BoulletEdited by Stian GabrielsenDesign by Texas Knuller.

Booklabel of Simon Lee, Near Fine in publishers wrappers. 354pp. The Institute of Social Hypocrisy, 2009 - 2011, was a performance artwork by Victor Boullet that served to front a collaborative art program by providing a fictitious level of authority behind which the artistÕs activities could reign free. During its lifetime The Institute permitted a selection of artists, curators, writers to participate in a venture that moved beyond the activities within its Paris walls and onto an international stage. This weighty publication is not only the complete summary of the events, installations, exhibitions and publications that comprised The Institute of Social Hypocrisy, but also an abundance of additional information provides a glimpse behind the scenes. Emails and correspondence between participants and a comprehensive photographic documentary open a window onto the engagement of the diverse contributors and the processes involved in its creation. The book serves as the ongoing physical remains of this involved project and is the opportunity to experience the totality of the events included. Some participants - Edie McKay, Oliver Laric, Theodor Barth, Richard Parry, Matilde du Sordet, Bjarne Melgaard, Merlin Carpenter, Damien Airault, Petrit Halilaj, Irene Moon, Michele di Menna, Annette Ruenzler, Aleksandra Domanovic, Matias Faldbakken, Gert Jan Kocken, Tobias Madison, Arild Tveito, Joseph Beuys, Sommer & Kohl Gallery, Edinburgh Annuale, Peter J. Amdam, Markus Thor Andresson, Fanny Gonella, Rasmus Thirup Beck, Anna Franck, Lorenzo Cirrincione, Keren Cytter, Bill Drummond, Anna Franck, Gilbert & George, Nate Harrison, Iselin Linstad Hauge, Karl Holmqvist, Jason Hwang, Marte Johnslien, Ray Johnson, Brian Kennon, Svein Kojan, Pablo Larios, David Lewis, Tobias Madison, Han Nefkens, Hans Ulrich Obrist, Tommy Olsson, Matt Packer, Socit Raliste, Dr. Nina Pearlman, Joe Scanlan, Chris Sharp, Kristian Skylstad, Dag Erik Elgin. ISBN 0954401697.

Taschenbuch. Condición: Neu. Neuware - In 2014 Victor Boullet opted out of the Parisian art scene and installed himself in Liverpool - a self-imposed isolation from the international art world and its networks and socialising that had been the fuel for his previous project. In Liverpool, Boullet ensconces himself in his studio and with minimal contact with others, spends weeks, months, years immersing himself in painting as a practice within his neo-traditional framework. The daily journey on foot from his Georgian townhouse to the studio in socially-deprived Toxteth, a journey made over 6000 times in 7 years, gave rise to a routine built from the relentless need to keep on visiting the studio and to paint, day in, day out. His time in Liverpool has created an immense body of work, hundreds of paintings and thousands of drawings. Renditions of his own face with mouth gaping accompanied by other disjointed body parts, arranged alongside cucumbers, cutlery and tableware into still life. This book is the culmination of these years in exile. Essays by Dag Erik Elgin, Jeremy Glogan, Stian Gabrielsen and Victor BoulletEdited by Stian GabrielsenDesign by Texas Knuller.