Dancing foxes press (399 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good.

Paperback. Condición: Very Good. Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory Published with The Contemporary Austin and The FLAG Art Foundation, New York. Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid?s most recent solo exhibition for The Contemporary Austin?s 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid?s process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women.…

Condición: good.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory Published with The Contemporary Austin and The FLAG Art Foundation, New York. Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid?s most recent solo exhibition for The Contemporary Austin?s 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid?s process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condición: Good. Higa?s critical work on Asian American art history and the art of Japanese Americans imprisoned in World War II US internment camps provides a compelling view into the historical realities of racially marked identity and art-making Edited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together essential writings by the trailblazing art historian and curator Karin Higa (1966?2013). The selected essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans in Western US states to specially constructed concentration camps, the artistic production and communities that took root within them and the individual and collective narratives of Asian American artists amid discriminatory policies, restricted political agency and racism. While exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from historical neglect and engages contemporary artists to examine how art acts as a source for and transmitter of cultural identity. This book reveals how Higa?s conviction that art and lived experience are indissolubly linked was at the root of her methodological modeling of an Asian American art history. Moving between portrayals of artists? networks in the camps and Little Tokyo communities and case studies of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative struggle and efflorescence. In the process, she maps?across ethnic, geographic, and stylistic boundaries?the fertile creative milieux of individual practices and communities. Higa shows how artists of Asian descent have negotiated the divide between the United States and their ancestral homes by using their freedom as artists to define their culture more broadly.…

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Soft cover. Condición: Very Good. Paperback.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: Good. Higa?s critical work on Asian American art history and the art of Japanese Americans imprisoned in World War II US internment camps provides a compelling view into the historical realities of racially marked identity and art-making Edited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together essential writings by the trailblazing art historian and curator Karin Higa (1966?2013). The selected essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans in Western US states to specially constructed concentration camps, the artistic production and communities that took root within them and the individual and collective narratives of Asian American artists amid discriminatory policies, restricted political agency and racism. While exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from historical neglect and engages contemporary artists to examine how art acts as a source for and transmitter of cultural identity. This book reveals how Higa?s conviction that art and lived experience are indissolubly linked was at the root of her methodological modeling of an Asian American art history. Moving between portrayals of artists? networks in the camps and Little Tokyo communities and case studies of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative struggle and efflorescence. In the process, she maps?across ethnic, geographic, and stylistic boundaries?the fertile creative milieux of individual practices and communities. Higa shows how artists of Asian descent have negotiated the divide between the United States and their ancestral homes by using their freedom as artists to define their culture more broadly.…

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New.

Paperback. Condición: New. Brooklyn-based interdisciplinary artist Jeanine Oleson (born 1974) created a 2017 exhibition at the Hammer Museum in Los Angeles, presenting her ongoing sharply absurdist response to research on the ways copper is produced and used in 21st-century capitalism.Through a video installation, objects and a performance including a copper-based instrument that reacted to human touch and a handwoven rug based on perspectives visible in three-dimensional modeling the exhibition focused on the confused entwinement of the human into contemporary material, as well as the relation with representation and art when these activities are now, more often than not, mediated through the digital for which copper is an essential material component. With humor, pathos and intellectual rigor, Oleson explores issues of labor, the environment, craft and performance.Conduct Matters features an introduction by Connie Butler, chief curator at the Hammer Museum, and texts by cultural historian Jaleh Mansoor and legal scholar K-Sue Park, along with the full script of Oleson's video.…

Paperback. Condición: New. Brooklyn-based interdisciplinary artist Jeanine Oleson (born 1974) created a 2017 exhibition at the Hammer Museum in Los Angeles, presenting her ongoing sharply absurdist response to research on the ways copper is produced and used in 21st-century capitalism.Through a video installation, objects and a performance including a copper-based instrument that reacted to human touch and a handwoven rug based on perspectives visible in three-dimensional modeling the exhibition focused on the confused entwinement of the human into contemporary material, as well as the relation with representation and art when these activities are now, more often than not, mediated through the digital for which copper is an essential material component. With humor, pathos and intellectual rigor, Oleson explores issues of labor, the environment, craft and performance.Conduct Matters features an introduction by Connie Butler, chief curator at the Hammer Museum, and texts by cultural historian Jaleh Mansoor and legal scholar K-Sue Park, along with the full script of Oleson's video.…

Condición: New.

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