Copper canyon press (Más de 13.000 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. "Rollins' debut is a book of dissonance, with race and women's bodies proving two unyielding concerns throughout this four-part work. In poem after poem, Rollins demonstrates that she is finding her own way, shining a light, making darkness apparent." ―Publishers Weekly "The range of Rollins' poetic skill is remarkable. The result is a collection of poetry which is magnificently crafted, readable, and crucially important." ―New York Journal of Books Library of Small Catastrophes, Alison Rollins' ambitious debut collection, interrogates the body and nation as storehouses of countless tragedies. Drawing from Jorge Luis Borges' fascination with the library, Rollins uses the concept of the archive to offer a lyric history of the ways in which we process loss. "Memory is about the future, not the past," she writes, and rather than shying away from the anger, anxiety, and mourning of her narrators, Rollins' poetry seeks to challenge the status quo, engaging in a diverse, boundary-defying dialogue with an ever-present reminder of the ways race, sexuality, spirituality, violence, and American culture collide. …

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Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good.

Paperback. Condición: Good. In The Park, his second book of poetry, John Freeman uses a park as a petri dish, turning a deep gaze on all that pass through it. In language both precise and restrained, Freeman explores the inherent contradictions that arise from a place whose purpose is derived purely from what we bring to it--a park is both natural and constructed, exclusionary and open, unfeeling and burdened with sentimentality. Pulling from both history and his own meditations in the Luxembourg Gardens in Paris, the seasons pass through famous parks, personal parks, parks beneath parks, and other spaces with fabricated outer limits. Throughout, Freeman wonders at how a park, being both curated and public, can be a nexus for a manifestation of great wealth inequality. How have we created these false boundaries for ourselves--with regard to physical space, but also in our minds and societies, in our personal relationships? Freeman plucks out difference in small daily dramas of people and animals only to dissolve it. Interspersed with meditations on love, beauty, and connection, The Park is a pacific and unflinching mirror cast upon a space defined by its transience.…

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Paperback. Condición: Good. "Tishani Doshi . . . offer[s] an eloquent dissection of the body--its attributes, metaphors, deficiencies and contradictions--all delivered in chromatic, richly textured lines, in which the assured manipulation of rhythm and internal rhyme produces poems of remarkable balance and grace." --The Guardian "Tishani Doshi combines artistic elegance with a visceral power to create a breathtaking panorama of danger, memory, beauty and the strange geographies of happiness." --John Burnside In her third collection of poetry, Tishani Doshi addresses violence against women by giving bodies abused and silenced bodies a chance to speak at last. Of and for the women that live on, she writes with bold reverence for that which thrives despite the odds--female desire, the aging body, the power of refusal. Doshi reminds us that poetry, at its root, is song--in praise and lament, hopeful and ebbing--calling out for truth and redemption. From "Fear Management": . . . Up ahead, a row of fishermen. Legs like pins, tomb-sized chests, leaning back on their heels to haul. Say they are making noises at you. A sideways kind of sound designed to entice a small, brainless creature into a corner before smashing it underfoot . . . Tishani Doshi was born in Madras, India. She is an award-winning poet, journalist, essayist, and novelist, whose work has been translated into five languages. Doshi is also a professional dancer with the Chandralekha Troupe. She lives in Tamil Nadu, India, with her husband and three dogs.…

Paperback. Condición: Good. "Balaban's emotional range is impressively wide and deeply human--by turns compassionate and angry, somber and humorous, earnest and ironic. His voice is strong; his poems are important."--Harvard Review Guided by an acute moral urgency, Path, Crooked Path opens on Highway 61 and keeps moving across America and throughout the world. Juxtaposing his experiences in eastern Europe and southeast Asia against contemporary life in the United States, Balaban illuminates the humor and hypocrisy that often percolates when individuals are thrust into the mix of cultures. Whether driving past Bush's Texas ranch, sitting at a café in Vietnam, or trading swigs of vodka with a Bulgarian exile, his poems look beyond the personal to help make sense of an often chaotic world. From "The Great Fugue" .I am playing The Grosse Fugue, hearing the faded voices of those good people who did not want to see me falter, but took me in, schooling me in an intertwining of spirits that like music can fill a room, that is a great fugue weaving through us and joining generations in charged, exquisite music that we long to hear. John Balaban is the author of a dozen books of poetry, prose, and Vietnamese translations whose accolades include two National Book Award nominations, the Lamont Award, and the William Carlos Williams Award. His translation Spring Essence: The Poetry of Ho Xuan Huong was featured on NPR's Fresh Air. Balaban teaches at North Carolina State University and lives in Raleigh.…

Paperback. Condición: Good. "This is the first bilingual collection by the Mexican master of nature poems, D'Aquino.A necessary read for fans of Hart Crane, Jack Spicer, and Latin American poetry in translation."--Booklist "Alfonso D'Aquino was raised by his grandmother in an old house attached to a colonial convent in Coyoacán, Mexico. Books were his best friends from an early age. Often solitary, he spent many afternoons at a small aquarium in the nearby town of San Ángel, fascinated then as now by the non-human."--Forrest Gander, from the introduction fungus skull eye wing is a book of shifting subjectivity and liquid perspective, of surrealist tradition and Butoh-like gestures. The text flirts with the margins of the "rational," perception, and the subjective mind. The speaker morphs into what he observes; speech comes alive while a plant becomes speech. Impeccably translated from Spanish by award-winning poet Forrest Gander in a bilingual edition. From "Its Verb's Forked Tongue": Its verb's forked tongueTransforms transnominatestranslucent linethe viper the verbtranslades its shadowTattoo freakfrom rows of spotsa star transudesa language of scales . . . Alfonso D'Aquino is an editor, poetry instructor, snake handler, and author of six books. He was born in Mexico City in 1959 and currently lives in Cuernavaca, Mexico. His poetry is included in the landmark anthology Reversible Monuments: Contemporary Mexican Poetry. Forrest Gander is a poet, translator, and professor at Brown University. His books have been named finalists for the Pulitzer Prize and the National Book Critics Circle Award.…

Condición: Good. Good condition ex-library book with usual library markings and stickers.

Paperback. Condición: Good. Amy Uyematsu is an award-winning poet who by day switches from right to left brain to teach algebra and geometry in public high school. The result of her poetry-math life is a fascinating, far-flung but surprisingly connected book that interlinks mathematics, poetry, politics and spirit. Stone Bow Prayer is a remarkable journey in which--as one poem suggests--"Geometry Gets Mixed Up with God and the Alphabet," and the infinite and minute nurture one another. Amy Uyematsu is a sansei (third-generation Japanese American), author of two books of poetry and the recipient of the prestigious Nicholas Roerich Poetry Prize. She co-edited Roots: An Asian American Reader, one of the first anthologies in Asian American studies. She lives near Los Angeles. …

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Paperback. Condición: Good. Debut poems of stunning power and range from a China scholar and policy advisor Torn between intimacy and estrangement, eros and politics,history and futurity, Your Face My Flag is a riveting debut poetrycollection. Gewirtz explores the place of poetry in a globalized era, shaped byescalating geopolitical tensions between China and "the West." From thefactories where iPhones are assembled to riverside idylls where men have longmet for sex, these poems move restlessly across continents and throughcenturies. In a world that conspires to dull us against the particular, Gewirtzwrites with sharp focus, recapturing memory and desire in stunning detail.…

Paperback. Condición: Good. Shortlisted for the 2013 Best Translated Book Awards. "Dimkovska pins readers to the wall with rapid-fire linguistic energy."--Publishers Weekly, starred review "[Dimkovsaka has the] stunning capacity to transform the ridiculous into something poignant and utterly precise."--Boston Review From the intersection of boundaries, Macedonian poet and novelist Lidija Dimkovska scrutinizes life's customary and trivial details to expose the consequences--both confusing and edifying--of living in an age of contradictory ethics. These poems are packed with unusual connections and surprising detail, and populated with family characters as well as Bruno Schultz, Laurie Anderson, and George Steiner. Bilingual presentation, with Macedonian en face. From "Ideal Weight": Our river can be seen only through a small basement window. And nobody dies absolutely any more. The middle-class scrapes the price tags off presents, decorates windows with laser stars, plays shadow theatre with rubber gloves on. It makes faces at you as you cry: "I exorcise zombies professionally! Be free again!" and I know if you're too fat or too thin life and death are one and the same burden. Only someone of ideal weight can carry the cross upright . . . Poet and novelist Lidija Dimkovska was born in 1971 in Macedonia and she earned a doctoral degree in Romanian literature in Bucharest. She has published six books of poetry and one novel; her work has been translated into twenty languages. Dimkovska lives and teaches in Ljubljana, Slovenia.…

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condición: Very Good. "Perillo's poetic persona is funny, tough, bold, smart, and righteous. A spellbinding storyteller and a poet who makes the demands of the form seem as natural as a handshake, she pulls readers into the beat and whirl of her slyly devastating descriptions and observations before they can catch their breath.The fluid grace of Perillo's irresistible lines belies the tension inherent in their outlook, the resistance to easy emotion and obvious sentiment, the rejection of self-pity in favor of flinty humor and rigor. Sheer, shivery pleasure to read, Perillo's poems have extensive appeal."--Donna Seaman, Booklist"Perillo's time as a wildlife researcher gives her insight into the workings of a turtle's heart and blackbird behavior, while other topics range from Viagra and video games to Transcendentalism. These poems are tough and witty."--The New Yorker "Lucia Perillo's poems cannot be ignored or forgotten. In imagery as startlingly original as Anne Sexton's and in philosophical tone as harsh and courageous as Adrienne Rich's, Perillo creates poems of great energy and power."--Choice "Perillo is never uninteresting."--Publishers Weekly, starred review "Whoever told you poetry isn't for everyone hasn't read Lucia Perillo. She writes accessible, often funny poems that border on the profane. Perillo is always after something deeper than mere self-deprecation: if not transcendence, then a kind of knowledge that only comes the hard way. f you're seeking levity in the face of life's hardships, Perillo's poems can show you how to find it."--Time Out New York Lucia Perillo's hard-edged yet vulnerable poems attempt to reconcile the comic impulse--the humorous deflection of anxiety--with the complications and tragedies of living in a mortal, fragile "meat cage." Perillo's surgical honesty--and biting, nourishing humor--chronicle human failings, sexuality, and the collision of nature with the manufactured world. Whether recalling her former career as a naturalist experimenting on white rats or watching birds from her wheelchair, she draws the reader into unforgettable places rich in image and story. Don't look up, because the ceiling is suffering some serious violations of the electrical code, the whole chaotic kelplike mess about to shower us with flames . . . Here, take a seat on these rickety risers inside my head, though your life isn't mine, still, I have hope for your hearing the gist of this refrain about how glad he is that he's not dead. MacArthur Fellow Lucia Perillo is the author of four books of poetry that have won the Norma Farber First Book Award, the Kate Tufts Prize, the Balcones Prize, and the Kingsley Tufts Award. Her critically acclaimed memoir, I've Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature, was published in 2007.…

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. Previously unpublished poems by a major American poet.

Paperback. Condición: Fair. Eleanor Wilner's sixth collection creates a mythology that sees a planet too small and a universe too immense to support humanity's illusions of importance. Her poems become a "choral work of the imagination" in which science is re-envisioned, gender assumptions challenged and beliefs rigorously questioned. As the old gods are reabsorbed into the modern world, Wilner discovers new insights into culture and the human psyche. "I have always treasured Wilner's poetry for its visionary amplitude and revolutionary intelligence."--Alicia Ostriker Eleanor Rand Wilner is the author of six books of poetry and the recipient of a MacArthur Fellowship. She lives in Philadelphia, teaches at Warren Wilson College, and is a lifelong activist for civil rights and peace.…

Paperback. Condición: Good. An indispensable guide for poets, readers, students, and teachers. "The Poem's Heartbeat may well be the finest general book available on prosody."--Library Journal (starred review) "A provocative, definitive manual."--Publishers Weekly Finally back in print, this slender, user-friendly guide to rhyme, rhythm, meter, and form sparks "intuitive and technical lightning-flashes" for poets and readers curious to know a poem's inner workings. Clear, good-humored, and deeply readable, Alfred Corn's book is the modern classic on prosody--the art and science of poetic meter. Each of the book's ten chapters is a progressive, step-by-step presentation rich with examples to illustrate concepts such as line, stress, scansion marks, slant rhyme, and iambic pentameter. "By the book's end," noted a rave review in The Boston Review, "Corn, magi-teacher and impeccable guide, has taught the novice to become artist and magician." The Poem's Heartbeat also includes a selected bibliography and encourages readers and students to carry their investigations further. The word "line" comes from the Latin linea, itself derived from the word for a thread of linen. We can look at the lines of poetry as slender compositional units forming a weave like that of a textile. Indeed, the word "text" has the same origin as the word "textile." It isn't difficult to compare the compositional process to weaving, where thread moves from left to right, reaches the margin of the text, then shuttles back to begin the next unit . . .…

Paperback. Condición: Good. "Skoog's first full-length collection captures and presents the truth of the truth: our under-analyzed, overlooked, often fragile existences on earth."--Dave Jarecki "Skoog's use of language is disorientating, vivid and surprising, all the things I love about great poetry."--Nathan Moore "Ed Skoog purposefully blindfolds us, spins us around and dares us to find a target. He wants us to be unbalanced in our interaction with the work; he wants our experience to be unsettling, for the writing to 'arrive like a hostage, an ear, a finger in the mail' (from 'Party at the Dump')."--Carolee Sherwood The Stranger writes, "Ed Skoog's poetry is so ambitious it takes my breath away. he knows how to braid pop culture into small personal melancholies and into large generosities." X. J. Kennedy writes, "This is the damnedest book. I love it like crazy. Skoog is a dazzling new talent who not only promises, but achieves." The phrase "Mister Skylight" is an emergency signal to alert a ship's crew, but not its passengers, of an emergency. This debut collection is alert to disasters--the flooding of New Orleans and the wildfires of California--and also to the hope of rescue. Interior dramas of the self are played out in a clash of poetic traditions, exuberant imagery, and wild metaphor. Ed Skoog, who worked for years in the basement of a museum in New Orleans, developed personal connections to objects and paintings. "Working on an exhibition about the building trades was important to this book," he writes. "Spending weeks listening to the oral histories of plasterers, steeplejacks, and carpenters connected me to my own family's stories." Marked by uncommonly intense and considered use of language, Skoog demonstrates a rich attention to form and allusive narrative as he attends to the details of contemporary politics, culture, place, and relationships. . . . Not to be the one who left is to live in an alarm. The unstraightened bed. But don't I always bring bright souvenirs from our travels, a feather, a coin, a bee? Astonishing in my palm. Minutes past your touch, what our bodies were is disappearing like a ship caught in polar ice. Ed Skoog was born in Topeka, Kansas, in 1971. He earned degrees from Kansas State University and the University of Montana. His poems have been published in many magazines, including Poetry, American Poetry Review, and The Paris Review. He lives in Seattle.…

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Paperback. Condición: Very Good. This is a new voice we will all be blessed for hearing.--Susan Griffin.

Condición: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Paperback. Condición: Good. Jericho Brown ushers the body from political and religious battlegrounds, employing the rhythms of sexuality and spirituality to protest oppression.

Condición: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Condición: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Paperback. Condición: Very Good. WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic--no, it's precision, and honesty--Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."--Craig Morgan Teicher, "'I Reject Walls': A 2019 Poetry Preview" for NPR "A relentless dismantling of identity, a difficult jewel of a poem."--Rita Dove, in her introduction to Jericho Brown's "Dark" (featured in the New York Times Magazine in January 2019) "Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men."--O, The Oprah Magazine Named a Lit Hub "Most Anticipated Book of 2019" One of Buzzfeed's "66 Books Coming in 2019 You'll Want to Keep Your Eyes On" The Rumpus poetry pick for "What to Read When 2019 is Just Around the Corner" One of BookRiot's "50 Must-Read Poetry Collections of 2019" Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.…

Paperback. Condición: Good. WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic--no, it's precision, and honesty--Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."--Craig Morgan Teicher, "'I Reject Walls': A 2019 Poetry Preview" for NPR "A relentless dismantling of identity, a difficult jewel of a poem."--Rita Dove, in her introduction to Jericho Brown's "Dark" (featured in the New York Times Magazine in January 2019) "Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men."--O, The Oprah Magazine Named a Lit Hub "Most Anticipated Book of 2019" One of Buzzfeed's "66 Books Coming in 2019 You'll Want to Keep Your Eyes On" The Rumpus poetry pick for "What to Read When 2019 is Just Around the Corner" One of BookRiot's "50 Must-Read Poetry Collections of 2019" Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.…