Cb edizioni (211 resultados)

Paperback. Condición: Very Good. English language ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Large book: NO international orders. Clean, tight and unmarked copy. Pages wavey. 302pp. Illustrations throughout. Size: 4to - over 9" - 12" Tall.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fine. Sixteen essays in Italian and six in English. Italian title, "L'arte Della Matematica Nella Prospettiva." Small pen mark on spine, otherwise fine. 446 pp.

Brossura. Condición: fine. Atti del convegno internazionale di studi, Roma-Urbino, 8 ottobre - 11 ottobre 2006. A cura di Sinisgalli R. Testo Italiano e Inglese. Foligno, 2009; br., pp. 448, ill. b/n e col., cm 17x24. This volume collects the proceedings of the International Congress of Studies (Rome, Swiss Institute, 9 October 2006; Urbino, Palazzo Ducale, 10 - 11 October 2006) promoted by the International Center of Studies Urbino e la prospettiva and intended to investigate in its multiple aspects the relationship between the mathematical sciences and the arts, with the contribution of some of the most authoritative experts in the field. The fulcrum of the reflections which emerged from the congress lies in the acknowledgment of the central role played in the history of perspective by the studies carried out in the Renaissance court of the Dukes of Urbino by personages such as Piero della Francesca, Bramante, Raphael, Federigo Commandino and Guidobaldo del Monte. From the second half of the fifteenth century to the first half of the seventeenth century, in fact, the Dukedom of Urbino was at the center of a vast artistic, technical and scientific debate, intended to define the idea of perspective as a rigorous system of representation of reality founded on mathematical bases, and to clarify its possible applications in painting and in architecture. After the empirical studies of Brunelleschi and Masaccio, in 1435 Leon Battista Alberti (many times guest in Urbino of the Duke Federico da Montefeltro) supplied in his De Pictura a first systematic analysis of the idea of perspective and of the perspective-linear method. The merit to have driven the study of perspective along the rails of the scientific codification, however, goes to Piero della Francesca. In his treatise De Prospectiva Pingendi - composed in 1475 and dedicated to Duke Federico - the geometric foundations of the science of perspective are exposed for the first time in a mathematically rigorous way. The effective separation between the study of perspective addressed towards painting and architecture and its purely mathematical formalization has to be attributed instead to Federigo Commandino from Urbino and to his brilliant student Guidobaldo del Monte. The latter published in Pesaro in 1600 his Perspectivae libri sex, an almost exhaustive treatise of the entire discipline which would have opened the road to sectors of our modern mathematics as descriptive geometry and projective geometry, as well as to a wide range of applications in mechanics, architecture, theatrical scenographies and computer graphics. Inspired by these stimuli, the interventions contained in this volume analyze with great thoroughness the history and the applications of perspective in art, architecture and science from the Renaissance to the late seventeenth century, and reflect on the role of mathematics in the study and the most recent developments of the discipline. Libro.…

Paperback. Condición: Very Good.

Condición: Very Good. New/unused condition with small scuffs and scratches to the cover. The content is in very good condition with light creasing to the top of the pages.

Brossura. Condición: fine. Foligno, 2010; br., pp. 152, ill. col., cm 16x18. Libro.

Brossura. Condición: fine. Foligno, 2010; br., pp. 160, ill. col., tavv. col., cm 16x18. Libro.

Brossura. Condición: fine. Foligno, 2010; br., pp. 160, ill. col., tavv. col., cm 16x18. As is well known, Leonardo defines painting as the "daughter of nature".His observation of nature, his fascination with every living thing that surrounded him was the main source of his drawings. His entire life was dedicated to investigating and trying to understand the laws of nature.Nature is observed, studied and depicted in all its forms. In fact, Leonardo constantly aims at reproducing every element of nature: animals, flowers, fruits, birds and also, a female smile, the throbbing of the hearth or - following a series of examples - the intricate plait of Renaissance hairdos.All these elements have in common the uninterrupted flow of the secret of life. Libro.…

Brossura. Condición: new. Presentazione di Carlo Pedretti. Foligno, 2010; br., pp. 160, ill. col., tavv. col., cm 16x18. L'amore di Leonardo per la Natura è testimoniato dal Vasari che nelle Vite racconta che "E non avendo egli, si può dir, nulla, e poco lavorando, del continuo tenne servitori e cavalli, de' quali si dilettò molto, e particularmente di tutti gl'altri animali, i quali con grandissimo amore e pacienza governava. E mostrollo ché spesso passando dai luoghi dove si vendevano uccelli, di sua mano cavandoli di gabbia e pagatogli a chi li vendeva il prezzo che n'era chiesto, li lasciava in aria a volo, restituendoli la perduta libertà". Per Leonardo l'osservazione della Natura, intendendo per natura tutto ciò che lo circondava e lo affascinava, non era fine a se stessa: per tutta la vita cercò infatti di indagare, di capire, di comprendere la natura e le sue leggi, come ci dimostrano i suoi disegni. La natura infatti poteva essere capita soltanto in un solo modo: osservandola. La pittura, definita nel Trattato "vera figliuola della natura", è per Leonardo un importante strumento di conoscenza proprio per la sua peculiarità di essere fondata sull'operazione sensibile del vedere. La Natura è copiosamente osservata, studiata e riprodotta in tutte le sue forme. Infatti non c'è un elemento grande e piccolo che non impegni Leonardo con la stessa intensità e che venga osservato, capito e disegnato: il mistero è ovunque in un ramo ricoperto di foglie, nello studio di accrescimento dei suoi frutti, in un sorriso femminile, nel volo di un uccello, nel corpo dell'uomo, nel palpito di un cuore, nel complicato intreccio dei capelli delle dame rinascimentali, nei tramonti, nella meravigliosa varietà dei fiori, negli animali che giocano tra loro e si azzuffano, segni del fluire ininterrotto del segreto della vita. Libro.…

Brossura. Condición: new. Foligno, 2012; br., pp. 128, ill. col., cm 16x18. Libro.

Condición: As New.

Condición: Fine. NEW/UNUSED - some outer edges have minor scuffs. Cover has light scratches. Book content is in new unread condition.

Brossura. Condición: fine. Foligno, 2007; br., pp. 48, ill. col., cm 21x27. This volume is an opportunity to present the new Chapel of the Maternity Ward of the Hospital of Careggi in Florence. The space, intimate and comfortable, designed by the interiors architect Gianluca Soldi, has been intended as a multidimensional realization, with habitats that are intentionally separated and communicating at the same time. With the exception of the altar mensa, which is the only recovered element, although equipped of a new base, the entire furnishing of the chapel has been designed and realized brand new: the ambo in serene stone with insertion in pale gold leaf, the tabernacle placed on the left side of the front wall, the stained glass windows made in amber-color glass of Murano with dark-brown frames that harmonize with the dominant gold, the chairs and the benches (with structure in painted iron and seat in leather) characterized by light and harmonic lines.The chapel moreover contains works of remarkable interest. By the artist Enrico Savelli from Pistoia the diaphanous Madonna in pink marble from Portugal, a half figure placed in the niche lateral to the altar, and the stoup in marble of Carrara placed at the entrance. The furnishing of the chapel is completed with three works by the Florentine artist Filippo Rossi who is the author of the great altarpiece dedicated to the conjugal Crucifix, as well as of the Hail Holy Queen and of the Dance of the Hail. Libro.…

Condición: as New.

Condición: COME NUOVO. Foligno, CB Edizioni cm.21,5x27, pp.184, illustrazioni in bianco e nero e a colori, tavole. brossura con copertina figurata a colori.

18 cm, Softcover/Paperback. Condición: Sehr gut. 159 Seiten, Illustr.; Zustand: sehr gut. Geringfügige Gebrauchs- oder Lagerspuren. Sprache: italienisch. 550 ISBN 9788895686103 Aufgrund der EU-Verpackungsverordnung (PPWR) erfolgt der Versand nur nach Deutschland, ins Nicht-EU-Ausland und nach Österreich. Für einen Versand in alle anderen EU-Länder (außer Österreich) nutzen Sie bitte Paketweiterleitungsdienste und hinterlegen bei der Bestellung eine deutsche Versandadresse. Due to the EU Packaging Regulation (PPWR), we ship only to Germany, non-EU countries, and Austria. For shipping to all other EU countries (except Austria), please use a package forwarding service and provide a German shipping address when placing your order. Sprache: Italienisch Gewicht in Gramm: 325.…

Soft cover. Condición: Fine. Tight binding, no reading creases, sharp edges and corners, no markings.

Paperback. Condición: Brand New. 152 pages. 7.00x6.25x0.75 inches. In Stock.

Paperback. Condición: Brand New. 152 pages. 7.00x6.25x0.75 inches. In Stock.

Paperback. Condición: Brand New. 2nd edition. 151 pages. 7.00x6.25x0.50 inches. In Stock.

Paperback. Condición: Brand New. 152 pages. 7.25x6.00x0.75 inches. In Stock.