cb edizioni (208 resultados)

Paperback. Condición: Very Good. English language ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. In very good, clean, unmarked, crisp condition with very minor shelfwear. Trace da Vinci's career from his first works with Verrocchio, to those influenced by the fertile background of Florence at the end of the fifteenth century, to the greater masterpieces. Size: 6 1/2 x 7.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Large book: NO international orders. Clean, tight and unmarked copy. Pages wavey. 302pp. Illustrations throughout. Size: 4to - over 9" - 12" Tall.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condición: Fine. Sixteen essays in Italian and six in English. Italian title, "L'arte Della Matematica Nella Prospettiva." Small pen mark on spine, otherwise fine. 446 pp.

Brossura. Condición: fine. Atti del convegno internazionale di studi, Roma-Urbino, 8 ottobre - 11 ottobre 2006.A cura di Sinisgalli R.Testo Italiano e Inglese.Foligno, 2009; br., pp. 448, ill. b/n e col., cm 17x24. This volume collects the proceedings of the International Congress of Studies (Rome, Swiss Institute, 9 October 2006; Urbino, Palazzo Ducale, 10 - 11 October 2006) promoted by the International Center of Studies Urbino e la prospettiva and intended to investigate in its multiple aspects the relationship between the mathematical sciences and the arts, with the contribution of some of the most authoritative experts in the field. The fulcrum of the reflections which emerged from the congress lies in the acknowledgment of the central role played in the history of perspective by the studies carried out in the Renaissance court of the Dukes of Urbino by personages such as Piero della Francesca, Bramante, Raphael, Federigo Commandino and Guidobaldo del Monte. From the second half of the fifteenth century to the first half of the seventeenth century, in fact, the Dukedom of Urbino was at the center of a vast artistic, technical and scientific debate, intended to define the idea of perspective as a rigorous system of representation of reality founded on mathematical bases, and to clarify its possible applications in painting and in architecture. After the empirical studies of Brunelleschi and Masaccio, in 1435 Leon Battista Alberti (many times guest in Urbino of the Duke Federico da Montefeltro) supplied in his De Pictura a first systematic analysis of the idea of perspective and of the perspective-linear method. The merit to have driven the study of perspective along the rails of the scientific codification, however, goes to Piero della Francesca. In his treatise De Prospectiva Pingendi - composed in 1475 and dedicated to Duke Federico - the geometric foundations of the science of perspective are exposed for the first time in a mathematically rigorous way. The effective separation between the study of perspective addressed towards painting and architecture and its purely mathematical formalization has to be attributed instead to Federigo Commandino from Urbino and to his brilliant student Guidobaldo del Monte. The latter published in Pesaro in 1600 his Perspectivae libri sex, an almost exhaustive treatise of the entire discipline which would have opened the road to sectors of our modern mathematics as descriptive geometry and projective geometry, as well as to a wide range of applications in mechanics, architecture, theatrical scenographies and computer graphics. Inspired by these stimuli, the interventions contained in this volume analyze with great thoroughness the history and the applications of perspective in art, architecture and science from the Renaissance to the late seventeenth century, and reflect on the role of mathematics in the study and the most recent developments of the discipline. Libro.

Paperback. Condición: Very Good.

Condición: Very Good. New/unused condition with small scuffs and scratches to the cover. The content is in very good condition with light creasing to the top of the pages.

Paperback. Condición: Very Good. One of the most exciting challenges faced by Leonardo was to create robots made to resemble human or animal, or rather automatic self-operating devices. The technological excellence achieved during the 15th century, and the impetus in Mechanics and Engineering, developed in Leonardo a growing interest in humanoid automata and in self-operating machines. Leonardos automata are the subjects of the research of this book that collects the results presented by scholars that have studied Leonardo from different perspectives. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Brossura. Condición: fine. Foligno, 2010; br., pp. 152, ill. col., cm 16x18. Libro.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condición: Brand New. 152 pages. 7.00x6.25x0.75 inches. In Stock.

Condición: As New.

Brossura. Condición: fine. Foligno, 2010; br., pp. 160, ill. col., tavv. col., cm 16x18. As is well known, Leonardo defines painting as the "daughter of nature".His observation of nature, his fascination with every living thing that surrounded him was the main source of his drawings. His entire life was dedicated to investigating and trying to understand the laws of nature.Nature is observed, studied and depicted in all its forms. In fact, Leonardo constantly aims at reproducing every element of nature: animals, flowers, fruits, birds and also, a female smile, the throbbing of the hearth or - following a series of examples - the intricate plait of Renaissance hairdos.All these elements have in common the uninterrupted flow of the secret of life. Libro.

Brossura. Condición: fine. Foligno, 2010; br., pp. 160, ill. col., tavv. col., cm 16x18. Libro.

Condición: Fine. NEW/UNUSED - some outer edges have minor scuffs. Cover has light scratches. Book content is in new unread condition.

Paperback. Condición: Brand New. 128 pages. 7.00x6.00x0.30 inches. In Stock.

Brossura. Condición: new. Foligno, 2010; br., pp. 152, ill. col., tavv. col., cm 16x18. Leonardo's anatomical studies actually set themselves as an ideal meeting point between artistic and scientific interests because the study of the functioning of the body was essential for artistic practice in order to achieve the correct representation of the human figure. For Leonardo, the artistic practice was determined by an inexhaustible desire for knowledge that led him to study the human body through the Vitruvian proportions and through dissection, carried out by the artist with special care over the middle years of the first decade of the sixteenth century.Drawing becomes essential to understand and reproduce the structure of the male and female body, a "wonderful machine" perfectly thought out.The organs are devices and the body is a machine: Man then becomes a further testing ground for mechanical science.TECNICHAL CHARACTERISTICS: Libro.