Brooklyn arts press (366 resultados)

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Paperback. Condición: Fair. Fiction. Humor. Muzhduk the Ugli the Fourth is a 300-pound boulder-throwing mountain man from Siberia whose tribal homeland is stolen by an American lawyer out to build a butterfly conservatory for wealthy tourists. In order to restore his people's land and honor, Muzhduk must travel to Harvard Law School to learn how to throw words instead of boulders. His anarchic adventures span continents, from Siberia to Cambridge to Africa, as he fights fellow students, Tuareg rebels, professors of law, dark magic, bureaucrats, heatstroke, postmodernists, and eventually time and space. A wild existential comedic romp, THE UGLY tells the tale of a flawed and unlikely hero struggling against the machine that shapes the people who govern our world. A picaresque novel about mountain people, Harvard lawyers, the heft of rocks, and the power of words. THE UGLY brims with intelligence and humor. -Laila Lalami, finalist for the Pulitzer Prize Even those with only a passing familiarity will nevertheless appreciate his muscular critique of conflicts both intellectual and physical. A surprising treat.--Publishers Weekly.…

Paperback. Condición: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Condición: Good. Poetry. California Interest. Part lyric, part procedural, DEAR EVERYONE troubles the lines between the public and private self while illuminating the porous borders between ourselves and others. Written out of and for an enormity of voices, this collection of poems adopts very unpoetic elements -- lists, litanies, indexes -- in a sustained effort to sensualize and critique our transient natures, our knowledges, our ways of performing power. These pieces work against forms of beauty that anesthetize or privilege the composed self of the lyric speaker -- that which can be data-mined, profiled, targeted for advertisement -- in order to encounter an unauthorized language framed by clashing experiences, from which the self grows. Playful, meditative, unexpected, & hypnotic, DEAR EVERYONE acknowledges our false intimacies and fears even as it urgently fights to discover new ways for us to connect.…

Paperback. Condición: Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

Paperback. Condición: Very Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

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Paperback. Condición: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Fair. Fiction. Humor. Muzhduk the Ugli the Fourth is a 300-pound boulder-throwing mountain man from Siberia whose tribal homeland is stolen by an American lawyer out to build a butterfly conservatory for wealthy tourists. In order to restore his people's land and honor, Muzhduk must travel to Harvard Law School to learn how to throw words instead of boulders. His anarchic adventures span continents, from Siberia to Cambridge to Africa, as he fights fellow students, Tuareg rebels, professors of law, dark magic, bureaucrats, heatstroke, postmodernists, and eventually time and space. A wild existential comedic romp, THE UGLY tells the tale of a flawed and unlikely hero struggling against the machine that shapes the people who govern our world. A picaresque novel about mountain people, Harvard lawyers, the heft of rocks, and the power of words. THE UGLY brims with intelligence and humor. -Laila Lalami, finalist for the Pulitzer Prize Even those with only a passing familiarity will nevertheless appreciate his muscular critique of conflicts both intellectual and physical. A surprising treat.--Publishers Weekly.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.