Brepols 2002 (156 resultados)
Editorial: Turnhout, Brepols. 2002, 2002
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Paperback, 82 pagina's.

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82 p. Paperback, mooi exemplaar.

Editorial: Brepols, Turnhout 2002., 2002
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Paperback, 177 Seiten, 23x15 cm, 319 gr. Sprache: englisch. Neuwertiges, folienversiegeltes Exemplar.

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Condición: Good. 8vo., pp.xii,335, pictorial hardcover, b/w illustrations and maps; ex libris D.E. Luscombe, with inscription to front endpapers, corners of boards bruised, light roll to spine, else clean and very good. No dust-jacket, as issued.

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Condición: Gebraucht / Used. Paperback. Good. 457pp. 28 pages with leadpencil markings in the margin.

Editorial: , Brepols, 2002, 2002, 2002
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Paperback, 320 p., 250 x 280 mm. ISBN 9789076588148. De rijke Amarnaperiode van Achnaton, Nefertiti en Toetanchamon in beeld gebracht in een schitterend naslagwerk. 0 g.

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Librería: Antiquariat Hans Hammerstein, München, AlemaniaAntiquariat Hans Hammerstein
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origi.Pappband, kl.4°, 446 Seiten. Kanten gestaucht sonst guter Zustand.
Editorial: , Brepols - Harvey Miller, 2002, 2002
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Hardcover. VIII 104 p., 140 x 215 mm, Languages: English, Including an index. Fine copy. ISBN 9780888444776. 0 g.
Editorial: Brepols, 2002,, 2002
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Librería: Harteveld Rare Books Ltd., Marly, SuizaHarteveld Rare Books Ltd.
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gr. in-8vo, 229 p., ill. n./b., brochure originale. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, approx. 114 p., 130 x 190 mm. ISBN 9782503513027. Le mot vaudois evoque des realites religieuses tres differentes et dont les rapports dans le domaine de l'histoire et de la geographie ne sont pas evidents. Vaudois, c'est le nom que porterent les disciples de Valdes, un marchand lyonnais qui decida, au 12e siecle de v…ivre selon l'Evangile de Jesus-Christ. Vaudois, c'est aussi le nom des Pauvres de Lyon, qui, refugies au Piemont, adhererent a la Reforme prostestante et y organiserent leurs Eglises. Vaudois, c'est encore aujourd'hui en Italie, les membres des communautes de chretiens evangeliques qui, riches de ces deux experiences spirituelles du passe, s'efforcent de vivre une foi chretienne engagee face aux problemes de la societe. Disperses dans toute l'Europe du moyen age, enfermes dans leurs vallees alpines jusqu'au 19e siecle, dissemines dans une nation catholique, toujours minoritaires, victimes souvent de discriminations et de persecutions, ils furent et restent constamment inspires par e programme de vie que se fixa Valdes: precher librement le message evangelique de la grace et de la liberte. Vaudois, c'est donc le mot qui parle du long cheminement qu'a parcouru l'Eglise, de la societe chretienne du moyen age a l'oecumenisme d'aujourd'hui. Giorgio Tourn est pasteur de l'Eglise vaudoise. Professeur a la Faculte vaudoise de theologie de Rome et president du Centro Culturale Valdese de Torre Pellice, il a publie plusieurs ouvrages sur le protestantisme et l'histoire vaudoise. Language : French. 0 g.

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Librería: Minster Gate Bookshop (est. 1970), YORK, Reino UnidoMinster Gate Bookshop (est. 1970)
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Condición: Very Good. 8vo.,pp. xii,248, pictorial hardcover; a very good, fresh copy.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Buch. Condición: Neu. Neuware - The Finnegans Wake Notebook Edition is a fully integrated and cross-referenced edition of all the extant workbooks compiled by Joyce after the completion of Ulysses. It will be published as a series of fascicles, one per authorial notebook, three per scribal notebook, fifty-five in all. This will…make individual not Elektronisches Buch available to scholars as they appear and allow critical feedback, laying the foundations for an electronic edition that will be prepared simultaneously. The editorial aim is to bring together all of the information relevant to each note in as concise and simple a way as possible. The Finnegans Wake Notebook Edition will provide a reference library of comprehensively quoted source material, in effect an annotated digest of Joyce's working library, which will serve as a new starting point not just for exegesis of Finnegans Wake, but also for biographical, textual, and literary criticism of Joyce. Furthermore, the Edition will allow for a reconstruction of Joyce's intellectual concerns and compositional habits during the drafting of.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 196 p., 155 x 240 mm. ISBN 9782503514093. Languages : English, French. 0 g.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 192 p., 155 x 240 mm. ISBN 9782503513607. Dans sa fondation en 1666 a sa suppression en 1793, l'Academie Royale des Sciences de Paris fut le siege d'une intense activite editoriale. Ses publications constituent une mine inepuisable d'informations, non seulement pour les historiens des sciences, mais pour quiconque s'i…nteresse a l'histoire, a la culture et a la societe de l'Age Classique. En meme temps, cette masse documentaire decourage souvent le chercheur par son abondance et ses problemes bibliographiques speciaux. Le present ouvrage se veut un outil de travail. Il comprend deux volumes. Le premier contient la description bibliographique des ouvrages publies par l'Academie Royale et le detail de leur contenu d'apres les exemplaires originaux. Le second comprend des etudes quantitatives, ainsi que les index des auteurs des publications, des personnages cites dans les titres, et des sujets traites. Languages : English. 0 g.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 272 p., 155 x 240 mm. ISBN 9782503514154. Languages : English, French. 0 g.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 256 p., 155 x 240 mm. ISBN 9782503514147. This volume illustrates the old and fruitful dialogue between historians of science and philosophers, as well as new collaborations with artists. It includes two symposia. The first one is on the history of scientific models, the seond is on science and music. It also contains… papers on the philosophy of mathematics, physics, technology and politics, but also on Aristotle, Lucretius, Bacon, Le Bon, Spengler, Reichenbach, and Kuhn. Languages : English, French. 0 g.

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Buch. Condición: Neu. Neuware - The idea to assemble an Album Amicorum Albert Dunning - a Festschrift to celebrate the 65th birthday of the distinguished musicologist - came from within the Faculty of Musicology of Pavia University. And to accomplish that aim, thirty scholars - colleagues, friends and pupils - have brought toget…her their separate skills. Dunning's long career dedicated to musicology has spanned at least four decades; and throughout, it has had a specifically international character. His studies at the University of Amsterdam were crowned in 1969 with a doctorate and a dissertation entitled Die Staatsmotette: 1480-1555. The work was duly published and immediately established itself as a Standardwerk. There followed the years of research in Vienna and Munich, then those of teaching and research at Tubingen, Syracuse (NY) and Poitiers. A brief interlude in Frankfurt was succeeded by a longer period in his home country at the Vrije Universiteit of Amsterdam, the Rijksuniversiteit of Utrecht and the Netherlands Institute of Advanced Studies of Wassenaar. Since 1988 Albert Dunning has been a professor of History of Modern and Contemporary Music at the University of Pavia's Faculty of Musicology, based in the city of Cremona. The essays collected in the present volume pay a tribute to Albert Dunning's preferred fields of research: the vocal music of the Humanist and Renaissance period and the music of the 18th century, with a special partiality for Mozart and Locatelli. Regarding Locatelli, Dunning has not only issued the fundamental monograph Pietro Antonio Locatelli: der Virtuose und seine Welt, but also directed the (recently completed) critical edition of the great violinist's Opera Omnia. The bulk of this Album Amicorum is therefore devoted to contributions on the music of the Renaissance, Baroque and Classical periods. The occasional incursions into other areas of inquiry are to be understood as a reflection of the broad interests that Dunning has constantly cultivated, especially in his teaching.

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Taschenbuch. Condición: Neu. Neuware - C. Heck and K. Lippincott, Symbols of Time in the History of Art: Introduction; A. Acres, Small Physical History: Trickling Past of Early Netherlandish Painting; B. Winston Blackmun, 'From Time Immemorial': Historicism in the Court art of Benin, Nigeria; S. Blumenroder, Andrea Mantegna's Gr…isaille Paintings: Colour Metamorphosis as a Metaphor for History; K. Enz Finken, An Early Christian Construction of Time: Salvation History in the Catacomb of Callistus in Rome; M. Wellington Gahtan, Notions of Past and Future in Italian Renaissance Art and Letters; P. Gerrish Nunn, Time and Tide wait for no man: a Victorian apocalypse; J. M. Greenstein, Faces in Time: Temporalities of the Sitter in Renaissance Portraits; J. Berger Hochstrasser, Goede Dingen Willen Tijt Hebben: Time as a Meditation on Painting in Dutch Still Life of the Seventeenth Century; P. Junod, Figures du Temps au siecle de l'histoire; W. Pullan, Death and Praxis in the Funerary Architecture of Mamluk Cairo; S. Sun, The Symbols of Seasonal Changes from Winter to Spring in East Asian Paintings; D. Motycka Weston, 'The Hour of the Enigma': The Phenomenal Temporality in the Metaphysical Painting of Giorgio de Chirico.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 246 p., 155 x 240 mm. ISBN 9782503513676. The theme of materials in the history of technology has never been as well researched as other more popular areas like energy, production technology or transport and communication. The present collection of papers originating from the symposium on "Materials: Science, Technolo…gy and Early Applications" in conjunction with the 20th International History of Science Congress in Liege, 1997, make a contribution to remedying this unsatisfactory situation. They concentrate on the 19th and 20th centuries and range from research on the metallurgy of zinc in the late 18th and early 19th century to the prospects of ceramic materials to ameliorate contemporary environmental problems. Languages : English, French, German. 0 g.

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Paperback, 572 p., 150 x 235 mm. ISBN 9780951200407. Languages: French. 0 g.

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Buch. Condición: Neu. Neuware - This book is the third volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was a prolific period in the history of English book production, and the range of subject-matter illustrated…is of significance of all historians, whether of art, religion, costume, natural science, and above all social custom. The manuscripts in the Bodleian Library, Oxford, are the first to be catalogued. These are listed here in alphabetical order of the Library's collections, and the present volume deals with all the imagery in collections Museao to Wood and hereby completes all material found in the Bodleian Library. The catalogue is introduced by a helpful User's Guide which explains the basis for research and the categories of subject-matter adopted by the editors. Entries are numbered consecutively for ease of reference, and every illustration is noted, from full-page narrative miniatures and historiated initials to king's heads, marginalia and nota bene signs.

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Buch. Condición: Neu. Neuware - Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured thei…r ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portait mayhave projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck.

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Buch. Condición: Neu. Neuware - The Finnegans Wake Notebook Edition is a fully integrated and cross-referenced edition of all the extant workbooks compiled by Joyce after the completion of Ulysses. It will be published as a series of fascicles, one per authorial notebook, three per scribal notebook, fifty-five in all. This will…make individual not Elektronisches Buch available to scholars as they appear and allow critical feedback, laying the foundations for an electronic edition that will be prepared simultaneously. The editorial aim is to bring together all of the information relevant to each note in as concise and simple a way as possible. The Finnegans Wake Notebook Edition will provide a reference library of comprehensively quoted source material, in effect an annotated digest of Joyce's working library, which will serve as a new starting point not just for exegesis of Finnegans Wake, but also for biographical, textual, and literary criticism of Joyce. Furthermore, the Edition will allow for a reconstruction of Joyce's intellectual concerns and compositional habits during the drafting of.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 356 p., 155 x 240 mm. ISBN 9782503512006. Addressing modern physics in its largest perspective, the present volume, which includes 34 contributions, begins with a reappraisal of classical science. However, the stress is placed on the contemporary period with sections devoted to thermodynamics and mechanics, the centen…ary of the electron, Einstein, the quantum theory and particle physics. Languages : English. 0 g.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 368 p., 155 x 240 mm. ISBN 9782503513614. This volume begins with an essential and unpublished text of the late Mirko D. Grmek (1924-2000) on rising diseases. A set of 34 papers deals with the most diverse aspects of biological and medical sciences : biology in the classical age, natural history and world exploration,… pathologies, medicine, hygiene, physiology, biochemistry and biotechnologies. Languages : English. 0 g.
Editorial: Turnhout, Brepols, 2002, 2002
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Paperback, 360 p., 155 x 240 mm. ISBN 9782503514130. Languages : English, French. 0 g.
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Paperback, 192 p., 145 x 210 mm. ISBN 9782869311039. Les textes reunis dans ce volume ont ete presentes lors des journees d'etudes organisees a l'automne 1999 au Centre d'Etudes Superieures de la Renaissance en collaboration avec la Fondazione Levi de Venise, dans le cadre du projet de recherche interdisciplinaire sur les echang…es culturels franco-italiens a la Renaissance. Language : French. 0 g.

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Paperback, 338 p., 155 x 240 mm. ISBN 9782503513690. The present volume is organised around two symposia of the XXth International Congress of History of Science, respectively devoted to the history of sundials and to the national inventories of scientific instruments. Separate studies on outstanding instruments, instrument-make…rs, as well as unknown museums and collections in Spain, Italy, Estonia, and Latin-America were also included. Languages : English, French. 0 g.

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Buch. Condición: Neu. Neuware - This book highlights the importance of secular and profane prints for the reconstruction and understanding of themes popular in the late Middle Ages and early Renaissance, and examines their function as patterns for the other arts, and as sources for moral teaching and entertainment. As successors… to the marginal illuminations of medieval manuscripts these prints represent the 'low' arts, and as such have licence for subversion and comedy. They are lower both in medium and subject matter than paintings, concentrating on foolish and sinful behaviour, on world-upside-down situations and on base human passions, all to be discussed as a mirror of human folly and depravity. Indeed, some images cross the barriers of decency, resulting in scatological and grotesque representations. The medieval Church was much exercised by the sin of lust, and women since the Fall were seen as temptresses incarnate, represented on prints as subjugating men, deceiving them and, generally, making fools of them. Peasants, equally lecherous but stupid are depicted carousing at Peasant Festivals, rather than working. Other popular themes are of Wild People, who live in harmony with nature, and protect the procreation of human families, and outcasts, such as beggars, cripples and quacks. Prints also illustrate the historical concerns of the period, such as the Peasants' War in Germany, and the wars in Italy, represented by images of vain soldiers and death. Overall, the picture gained from secular and profane prints is one of humanity abandoning itself to the sins of the flesh and, therefore, folly; real life is in details only, to serve in the interest of a satirical, yet convincing, illustration of the world, often with a didactic aim.

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Taschenbuch. Condición: Neu. Neuware - Rubens' book 'Palazzi di Genova' was well diffused in European countries as England, the Netherlands, France, Germany and Italy thanks to the numerous contacts the famous painter and diplomat maintained in humanistic, artistic and political circles. From 1622 on this book, containing two vo…lumes, was edited at several times during the 17th and 18th Century. But the direct influences of the numerous facades, plans, cross-sections, staircases and building details on modern architecture look rather limited, especially in his own country. In this study, several scholars in architectural history analyse how the examples of Genoese palazzi and churches as presented by Rubens were accepted in different European countries. Much attention is given to the question if these examples inspired a new architectural typology, in which the inner court of the houses was substituted by a 'salone in mezzo'. An attempt is made to situate Rubens' book among the late 16th and early 17th Century treatises and model books. The way in which Rubens presented the new Genoese architecture of villa's, palaces and churches and the introduction he wrote as a 'painter-architect' to this book were so modern at that time, that the reception of this prestigious edition in folio had more to do with changes in considering architectural theory and practice as with the propagation of a late renaissance style influenced by Antique examples.