ashmolean art museum oxford (15 resultados)

Softcover. Quarto. Softcover. Illustrated wraps. 204 pages : illustrations (some color) ; 28 cm. The importance of the written word in Chinese art - as inscription, decoration or calligraphy with brush and ink - is one of the most discussed topics in the history of Chinese art. Here, Xu Bing examines the systems within the written language itself, illustrating how the visual elements articulate or create a relationship between the language user and the myriad objects around him. VG+. Lightest touches of shelfwear.

Laminated Card Covers. Condición: Very Good. First published on the occasion of the exhibition Renaissance Master Bronzes from the Ashmolean Museum Oxford - The Fortnum Collection, 143pp, illustrated with colour photos, one small spot to pp4-5, otherwise clean and crisp, laminated card covers, one or two spots to these. THIS IS A LARGE BOOK SO THERE MAY BE EXTRA POST CHARGES FOR ORDERS FROM OUTSIDE THE UK Size: Quarto. Art Exhibition Book.

Softcover. White & red wraps, 193 pp., no illus. The 1979 facsimile reprint of the 1901 compilation volume containing all four issues of The Germ. "D. G. Rossetti conceived the idea of a literary journal shortly after the first exhibition by members of the Pre-Raphaelite Brotherhood in 1849. Four issues appeared in 1850 and were reprinted in facsimile in 1901 with an explanatory introduction by A. M. Rossetti, Dante Gabriel's younger brother. . 'The Germ' contains short stories, essays and literary reviews, but most particularly poetry. ." (back cover) With an additional preface here by Andrea Rose. Full contents as follows: No.1: My beautiful lady / Thomas Woolner -- Of my lady in death / Thomas Woolner -- The love of beauty / F. Madox Brown -- The subject in art (I) / John Tupper -- The seasons / Coventry Patmore -- Dream land (Ellen Alleyn) / Christina Rossetti -- Songs of one household No. 1 (my sister's sleep) / Dante Gabriel Rossetti -- Hand and soul / Dante Gabriel Rossetti -- Reviews: the "Bothie of Toper-na-fuosich" / William Michael Rossetti? [Her] first season / William Michael Rossetti -- A sketch from nature / John Tupper -- An end (Ellen Alleyn) / Christina Rossetti. -- No.2: The Child Jesus / James Collinson -- A pause of thought (Ellen Alleyn) / Christina Rossetti -- The purpose and tendency of early Italian art (John Seward) / Frederick George Stephens -- Song (Ellen Alleyn) / Christina Rossetti -- Morning sleep / William Bell Scott -- Sonnet / Major Calder Campbell -- Stars and moon / Coventry Patmore -- On the Mechanism of a historical picture, part 1 / Ford Madox Brown -- A testimony (Ellen Alleyn) / Christina Rossetti -- O when and where / Thomas Woolner -- Fancies at Leisure / William Michael Rossetti -- The sight beyond / Walter Deverell -- The blessed damozel / Dante Gabriel Rossetti -- Reviews: "The strayed reveller and other poems" / William Michael Rossetti. -- No.3: Cordelia / William Michael Rossetti -- Macbeth / Coventry Patmore -- Repining (Ellen Alleyn) / Christina Rossetti? Sweet death (Ellen Alleyn) / Christina Rossetti -- Subject in art (II) / John Tupper -- Carillon / Dante Gabriel Rossetti? Emblems / Thomas Woolner? Sonnet: Early aspirations / William Bell Scott? From the cliffs / Dante Gabriel Rossetti -- Fancies at leisure / William Michael Rossetti -- Papers of "The M.S. Society," Nos. I, II, III / John Lucas Tupper? Reviews: Some account of the life and adventures of Sir Reginald Mohun / William Michael Rossetti. -- No.4: Viola and Olivia / John Lucas Tupper? Introduction to?A Dialogue on Art? / Dante Gabriel Rossetti -- A Dialogue on art / John Orchard -- On a Whit-Sunday morn in the month of May / John Orchard -- Modern giants (Laura Savage) Frederick George Stephens -- To the castle ramparts / William Michael Rossetti -- Pax vobis / Dante Gabriel Rossetti -- A modern idyl / Walter Deverell -- "Jesus Wept" / William Michael Rossetti -- Sonnets for pictures / Dante G. Rossetti -- Papers of "The M.S. Soceity," No. IV, V / John Lucas Tupper -- Reviews: Christmas Eve and Easter Day / William Michael Rossetti -- The evil under the sun / William Michael Rossetti. VG- (Labels & few marks from previous library, otherwise clean.).

A collaboration between the Ashmolean Museum, University of Oxford, and the Hellenic Ministry of Culture and Tourism, 17th Ephorate of Prehistoric and Classical Antiquitites. [xv] 271p., many colored illus., original stiff printed wrappers, quarto format.

Laminated wrappers, 8vo, 22 cm, xxiii, 192 pp, ills. From the blurb - "D. G. Rossetti conceived the idea of a literary journal shortly after the first exhibition by members of the Pre-Raphaelite Brotherhood in 1849. Four issues appeared in 1850 and were reprinted in facsimile in 1901 with an explanatory introduction by W. M. Rossetti, Dante Gabriel's younger brother who wrote: 'I am quite aware that some of the articles in 'The Germ' are far from good, and some others, though good on essentials, are to a certain extent juvenile; but juvenility is anything but uninteresting when it is that of such men as Coventry Patmore and Dante Rossetti.'. 'The Germ' contains short stories, essays and literary reviews, but most particularly poetry, such as Rossetti's The Blessed Demozel, Christina Rossetti's Dreamland, Beil Scott's Morning Sleep and Patmore's The Seasons, thus emphasising the claim that 'an attempt will be made, both intrinsically and by review, to claim for Poetry that place to which its present development in the literature of this country so emphatically entitles it'." Wrappers a trifle creased, edges slightly duststained and spotted, otherwise Good.

Hardcover. Black cloth boards with silver spine lettering, glossy black dust jacket with white lettering, color illustrated, xiii, 319 pp, profusely illustrated in color. "Manju netsuke have never been the subject of a book on netsuke. Many books ignore them completely and it is hoped that this catalogue will throw light on the differences between the manju and other better-known types of netsuke. Dr. Barnett was one of a handful of collectors of one particular type of netsuke, the manju. These were not widely appreciated until about ten years ago when interest began to increase and the exquisite workmanship and design of this group of carvers was noticed as an art in its own right and one which presents the artist with a challenge completely different from the more popular katabori netsuke, carved in the round. Dr. Barnett continued to collect until just before her death in 2000, by which time she had acquired some of the finest pieces to be sold over 30 years which will be presented in this book. Manju netsuke have played a small part in the many publications on netsuke, but there has never been a catalogue entirely devoted to the subject. The book aims to provide a description of each object and to explain the tales they illustrate and the sources of these tales, from literature and printed picture books. The range of subjects is wide and includes religious images, scenes from festivals, the theatre, historical incidents, folktales, classical literature and themes from nature."--Publisher's description. VG+/VG (ligh curling to dust jacket).

Softcover. Brown ant tan illustrated wraps, 160 pp, profusely illustrated in color and bw. Catalogue of an exhibition held at the Ashmolean Museum, Oxford, 15 Oct. - 18 Jan. 2004, P & D Colnagh, London, 30 Jan. - 2 Mar. 2004 and the Djanogly Art Gallery, Nottingham, 12 Mar. - 9 May 2004. Includes bibliographical references and index. VG (corners bumped, light shelf wear).

SOFTCOVER. Condición: As New. 1st Edition. Square Quarto size (4to) in gold and black printed stiff glossy card covers, 80pp, numerous illustrations in text, etc . [CONDITION: Tiny speck of rub to cover corner tips else AS NEW ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condición: Very Good. The Germ : the literary magazine of the Pre-Raphaelites / preface by Andrea Rose. Oxford: Ashmolean Museum / Birmingham Museums and Art Gallery, 1979. Paperback, VG. Minor shelfwear to cover edges, reading crease along spine, bookseller label to reverse. Binding strong. Small mark to half-title. xxiii, 193pp. A couple of pencilled marginal corrections, otherwise contents clean and bright. The four issues of The Germ in a facsimile of the 1901 edition, preceded by W. M. Rossetti's introduction. RightWayUp Books aims to provide accurate and detailed descriptions. All images are of the actual book for sale - no stock images are ever used. Thank you for looking at this listing.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.), ports.; 28 cm. Notes; Text by Richard Calvocoressi, Martin Harrison, and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford), 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. Subjects; Bacon, Francis 1909-1992 - Exhibitions. Moore, Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art, British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections, Catalogs, Exhibitions / General. 3 Kg.

SOFTCOVER. Condición: As New. 1st Edition. Thick landscape 4to in colour printed stiff card covers, 180pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.), ports.; 28 cm. Notes; Text by Richard Calvocoressi, Martin Harrison, and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford), 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. Subjects; Bacon, Francis 1909-1992 - Exhibitions. Moore, Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art, British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections, Catalogs, Exhibitions / General. 1.1 Kg.

Staplebound. Glossy color-illustrated wraps. 16 pages; illustrated in both color and black-and-white. VG: Previous owner's name in ink on the first page, with some bleed onto the inside front cover. No text or image affected. Majority clean body pages and solid binding.

Condición: Very Good. First edition in publisher's original stapled illustrated cream card wrap covers [soft back]. 8vo. 9'' x 7½''. Contains 44 pp with two tipped-in colour plates, map, monochrome archive photographs throughout. Ink name inside and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Chinese].

C.14 x 9cm, calligraphic writing style, good condition. "Of course it's allright about the reference for the Pilgrims. I hope it comes off. W.M. Rothenstein, Walter Bayes and Hagedon have all worked for the Trust. | All pretty well here. It looks as if Alice and Bish may get married about Easter: no details yet. Our love to you -" Note: Entries referring to the Schwabes in Jean Inglis's diaries indicate a strong friendship involving meals, films and plays.