Artemide (Más de 1100 resultados)

Trade Paperback. Condición: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Nice clean copy. Text in Italian.

Paperback. Condición: Very Good+. Binding sound, text clean, very light shelf wear. 414 pages. Italian text.Heavy book: priority or international shipping may require additional charges. Book.

Paper bound. Fine condition. . 174p. Illus.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

hardcover. Condición: Very Good. D'oro e turchese. Le ceramiche Borghese di Pratica di Mare. Ediz. a colori (Arti applicate) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condición: New.

Paperback. Condición: New.

Condición: New. pp. 278.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN.

hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paper Back, Shelf Worn. Condición: New. No Jacket. 140pp. Fully illus in col. Painted porcelian in the traditional taste, from the studio of Agatina Mileto. Italian/English text.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. 230 pages with many illustrations, partly coloured.

Condición: New.

Paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Soft cover. Condición: Fine. --Paperback, 11" x 8". 111 pages, text Italian, profusely illustrated.FINE CONDITION.

Hardcover. Condición: Near Fine. Large hardback in near fine condition. 2007/2008 master catalog.

paperback. Condición: Very Good. Rome, 1995; Italian text; illustrated paper covers; corner wear; 4to,9 3/4" to 12" tall; Interior is clean and unmarked; 151 pages; Additional shipping charges may need to be requested due to size or weight of book. From the library of Thomas Willette, University of Michigan professor.…

Paperback. Condición: Very Good. First of this edition. Very good paperback. No former owner marks. Bright, tight, square, inside and out. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN.…

Condición: New.

Hardcover. Condición: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

Condición: NUOVO. Roma, Artemide Edizioni cm.12x24, pp.60, illustrazioni. brossura con copertina figurata. Collana Quaderni/Notebook, 2. Edizione italiana e inglese. «Nel 1624 Urbano VIII Barberini decise di avviare il restauro del Battistero Lateranense per ripristinare l'organicità che era andata perduta con i vari interventi cinquecenteschi, promossi a partire da Giulio II della Rovere. L'incarico di supervisionare i lavori fu affidato ad Adriano Ceva che nel 1632 fu sostituito da Angelo Giori, mentre il restauro architettonico fu eseguito da Domenico Castelli e, successivamente, da Gian Lorenzo Bernini che vi lavorò sino al 1635. Nel 1636 fu commissionata ad Andrea Sacchi la decorazione interna - terminata soltanto nel 1649 - che prevedeva la suddivisione degli spazi con due serie di storie: nel tamburo della cupola furono collocati otto dipinti con episodi della vita di San Giovanni Battista, mentre le pareti laterali furono affrescate con cinque scene della vita di Costantino. A queste lavorarono Andrea Camassei, Giacinto Gimignani, Carlo Magnoni e Carlo Maratti, che eseguirono rispettivamente la Battaglia di Ponte Milvio e il Trionfo di Costantino, la Visione della Croce, il Costantino brucia gli scritti di Ario al primo Concilio di Nicea e la Distruzione degli idoli pagani. Il bozzetto [Costantino brucia gli scritti di Ario al primo Concilio di Nicea, Spoleto, Fondazione Marignoli di Montecorona], non menzionato nei contributi più recenti dedicati a San Giovanni in Fonte, mostra delle differenze con la redazione finale dell'episodio e quindi non può essere né una copia né una memoria eseguita successivamente. Il recupero del dipinto è un'acquisizione importante per la conoscenza di Carlo Magnoni».…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New. pp. 204.