Zahn carl (60 resultados)

Soft Cover. Condición: Like New. 62 pp. Flawless book. Carl F. Zahn (Design) (ilustrador).

Soft cover. Condición: Good. A VG or better 9" x 12" program book. 26 pages. Size: 8" x 11". Book.

Soft cover. Condición: Good. A VG or better 9" x 12" program book. 26 pages. Size: 8" x 11". Book.

Hardcover. Condición: Fine. No Jacket. 1st Edition. Gray and brown cloth, spine panel lettered in gold foil. As issued. Glassine dust wrapper no longer present. Slipcase, printed paper covered boards, shows very slight shelf wear, nearly as issued. Each of the 50 selected volumes is shown, with facing-page commentary. Limited to 3,225 copies. Size: 4to - over 9¾" - 12" tall. Book.…

Softcover. Condición: As New. No Dust Jacket. First Edition Thus. First Printing. Publisher's full paper binding, red lettering on spine and cover. Profusely illustrated with color photographs. . The volume is in perfect, pristine condition, unmarked, tight, square and clean. AS NEW. Color Photographs. 4to 11" - 13" tall. 143 pp.…

Paperback. Condición: Very Good. First Edition. First Edition, First Printing. Published by Museum of Fine Arts, 1956. Octavo. Paperback. Book is very good with fading to spine. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Broschur. Condición: gut. 37 S., 24 cm, Lichtrand, Bibliotheksexemplar, leicht geknickt. Sprache: deu.

Quarto softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

First Edition. #1009/2500 copies. First Edition. Near Fine condition.

Hardcover. Condición: Very Good-. First Edition. A Time to Dream: Reveries en Couleurs by Lorraine Monk (editor) A firm square copy with dust-rubbing to the cloth. Yellow cloth, color plate to cover. Color photography. Oversize. 11.25 x 11 inches, approx. **Oversize. Additional postage required for International destinations. Please contact us for a shipping quote.**. Lorraine Monk(Editor) Carl Zahn(Designer) (ilustrador). BOOK.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condición: Very Good. 88 pp. Solidly bound copy with moderate use. Small tear on top of front cover. Bottom right corner of front cover is creased. Carl Zahn (Design) (ilustrador).

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; unnumbered pages. Notes; 5,000 copies printed in September 19557, Boston, Mass., USA. Subjects; Musée National d'Art Moderne. Paintings. Art Catalogues. 1 Kg.…

Condición: Very Good. Very Good condition. Very Good dust jacket. With remainder mark. [9780821221433] (Landscape Photography, American West, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.…

Soft cover. Condición: Very Good-. No Dust Jacket. 98 pp.+48 pp. of b/w plates Original tan wraps, moderately soiled w/ mild edge wear. Spine and edges a bit sunned. Previous owner's name on endpapers. Contents nice.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; unnumbered pages. Notes; 5,000 copies printed in September 19557, Boston, Mass., USA. Subjects; Musée National d'Art Moderne. Paintings. Art Catalogues. 1 Kg.…

Softcover. dj. Quarto. Softcover. B&w illustrated wraps. (xxiv), 295 pp : illustrations. Photo is of a previous copy; this copy does not have plastic cover to dust-jacket. Exhibition held Nov. 17, 1971, through Jan. 16, 1972, at the Museum of Fine Arts, Boston./ Errata slip inserted./ Designed by Barbara Hawley and Carl Zahn./ Includes bibliographical references (page 282). Contents as follows: Introduction: The Dürer collection -- Print processes and impressions -- Intaglio: engraving, etching, and drypoint -- Relief: woodcuts -- Paper -- Impressions -- Dürer's education as a printmaker -- Stylistic development in Dürer's Intaglio prints -- Dürer's woodblocks -- Stylistic developments in Dürer's woodcuts -- Catalogues concerned with quality of Dürer's impressions -- Catalogue. VG. Light touches of shelfwear and light foxing around external text block edges.…

Condición: Poor. Book is Poor condition. Good for reading, not pretty to look at! The pages and cover are soiled and/or yellowed, worn throughout.

Condición: very_good.

Condición: very_good.

geheftet, ohne Einband. Condición: gut. Disputatio: 1841-12-23; 34 S., 1 Bl., 21 cm, Bleistiftmarkierung, Ecke geknickt, papierbedingt leicht gebräunt. Sprache: lat Erstausgabe.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Hardback book with dust jacket is near fine: sharp, tight, crisp and clean with no tears and no writing. Light shelfwear.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. In original shrink wrap With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condición: Very Good+. Near Very Good. First Edition. First edition, hardcover, has a slight lean to the binding, light bumps to the cover corners, faint sunning to the head, and a previous owner's name penned to the front fly leaf. Overall, this is a solid, bright, Very Good+ copy in a Near Very Good dust jacket, which has bumps with short creased tears to the corners and the head of the spine, toning to the spine, rubbing with some smudging to the covers, a thin area of soiling at the tail of the front, and light wear with short tears to the edges. The jacket is wrapped in Mylar.…

Condición: Gut. Gr-8vo. 87, (3) S. OKt. Ecken geringfügig bestoßen, Einband etwas berieben, sonst gutes Exemplar.

Hardcover. Estado de la sobrecubierta: Near Fine. 240 pages. 9 by 11-1/2 inches. Illustrated mostly in color. Near fine in a near fine dust jacket. A large, heavy book. A very nice copy. The official companion book to the Isabella Stewart Gardner Museum's hundredth anniversary celebration During her lifetime (1840-1924) Isabella Stewart Gardner was at the heart of Victorian Boston's liveliest salon. Henry and William James, Henry Adams, Oliver Wendell Holmes, John LaFarge, James McNeill Whistler, Bernard Berenson, and John Singer Sargent all gathered at Fenway Court, in the company of works by Giotto, Fra Angelico, Titian, Raphael, Rubens, and Rembrandt. One hundred years after its completion, the Isabella Stewart Gardner Museum remains as intrepid and idiosyncratic as its creator. The embodiment of one woman's vision, the Venetian palazzo turned inside out and its wildly eclectic collection of twenty-four centuries of paintings, sculpture, furnishings, and books nonetheless speak very personally to all who enter. At once grand and intimate, the garden courtyard and the terrazzo galleries invite discovery: every visitor (and there have been literally hundreds of thousands), it seems, has a secret corner of the Gardner. In celebration of its centenary, the Gardner Museum has asked artists and thinkers of our own time to go public with their private visions of the Gardner. In this book, filled with 120 color plates, their voices are joined and juxtaposed with those of Mrs. Gardner's contemporaries, allowing readers to see the Gardner's most beloved works through the eyes of such nineteenth- and twentieth-century thinkers as William James and Bill T. Jones, T. S. Eliot and Henry Louis Gates Jr., Julia Ward Howe and Sister Wendy. Robert Campbell takes as his subject the museum's architecture, while Wayne Koestenbaum offers a homoerotic reading of works in the collection. Beautifully designed and extravagantly illustrated, Eye of the Beholder offers a richly textured exploration of one of the world's great art collections.…

Condición: Good. 4to. 139pp. Black cloth-covered boards with silver title text and spine. Very good. Includes black and white plates. First edition, Second Printing. Heavy volume (possible extra shipping costs).

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.