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Idioma: Inglés
Editorial: Smithsonian Institution Scholarly Press, Washington D.C., 2011
- Tapa dura
- Primera edición
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 45,02
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xii, 164 pages, illustrations (some colour); 32 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Alexander Calder (1898-1976) has long been celebrated around the world for his mobiles and stabiles. Less well known is his revolutionary transformation of the art of portraiture. With his extraordinary series of wire portraits begun in the 1920s, Calder began 'drawing in space' -- bending, looping, and spiraling wire to capture the distinctive features of his subjects. Although he moved toward abstraction in the 1930s, he never abandoned portraiture; indeed, his interaction with friends and colleagues continued to inspired portraits for the rest of his life. This book presents work in this genre--drawings and oil paintings, as well as wire sculptures and mobiles--spanning the artist's entire career." - Publisher. *** CONTENTS: Introduction: constructed identities; The self as subject; The stage; Sports fans and icons; Friends and colleagues. Size: Folio. Collectible.…