Yuta inaba (2 resultados)

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  • Idioma: Inglés

    Editorial: Centro de Estudios Europa Hispánica, 2023

    8418760168 / 9788418760167

    • Tapa dura

    Librería: Moe's Books, Berkeley, CA, Estados Unidos de AmericaMoe's Books

    Vendedor de 5 estrellas
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    Condición: Usado - Muy bueno

    EUR 27,60

    Envío por EUR 5,81 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Hard cover. Condición: Near fine. No jacket. Title and publication information are in English, but majority of internal text is in Japanese. Cover is in excellent condition, with text and images clear and bright. Binding is tight. Inside is clean and unmarked.

  • Idioma: Inglés

    Editorial: Centro de Estudios Europa Hispanica, Madrid, 2023

    8418760168 / 9788418760167

    • Tapa dura

    Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

    Vendedor de 4 estrellas
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    Miembro de asociación: ABAAILAB

    Condición: Usado - Como Nuevo

    EUR 27,60

    Envío por EUR 11,60 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Hardcover. Condición: As new. Small quarto. Hardcover. Matte illustrated boards. No jacket as issued. 237 pages : illustrations (some color) ; 27 cm. This catalogue, which accompanies the eponymous exhibition held at the Nagasaki Prefectural Art Museum and the National Museum of Western Art in Tokyo, presents the role played by prints in creating and disseminating the image of Spain from the early 1600s to the mid-1900s. Taking as a basis nearly 250 works housed exclusively in Japanese collections, a group of international specialists headed by Kawase Yusuke (curator of the exhibition together with Inaba Yuta and editor of the catalogue) addresses various issues in two main areas. They begin by studying how prints made it possible to establish a dialogue with tradition through Don Quixote and Velázquez and how works on Spanish themes executed chiefly by French and British artists spread the image ? far removed from reality ? of an exotic and Orientalising country populated by bandits, gypsies, majos and manolas in the nineteenth century. Following an in-depth examination of Goya and the influence of his series, they analyse Catalan Noucentisme and the output of key figures like Fortuny, going on to survey the history of Spanish printmaking during the first half of the 1900s and its reception in Japan with artists as important as Picasso, Casas, Miró, Dalí and Tàpies.--éditeur.…