Yurasovsky alexey (13 resultados)

Softbound. Condición: Very Good. Quarto, glossy paper covers, 144 pp., color and b/w illustrations throughout.

Trade Paperback. Condición: Very Good. First Edition. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condición: Fine. 1st. 144 pages, illustrations (chiefly colour); 28 cm. Papers based on material presented at an international conference/exhibition on Post-Modernism and National Cultures which was held at the Tretyakov Gallery, Moscow, in October 1993. Firm binding, clean inside copy. *** "This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism." - Publisher. *** CONTENTS: Moscow, October 4, 1993, 10:10 am: Modernity is Dead, by Charles Jencks; Apocalypse and Utopia through Post-Modern Eyes, by Elinor Shaffer; Post-Modernism and National Cultures, by Lisa Appignanesi; The Immovable Feast: A Story of Soviet/Post-Soviet Post-Modernism, by Nadezhda Yurasovskaya; The Flower of the Snow Queen, by Andrey Bartenev; The Garden of Architecture at the millennia, by Sergey Orlov; Fin de siecle through the Eyes of a Contemporary, by Andrey Tolstoy; Nicholas Feodorov and Venus Stockman, by Yury Leiderman; The New Dis-order summarised in St. Petersburg, by Olesia. Size: 4to. Collectible. …

Paperback. Condición: As New. This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism.…

Softcover. Condición: Fine. Color ilustrations. Due to size, ships within US only. ; Small 4to 9" - 11" tall; 144 pp.

Condición: as new. pbk 4to slight shelfwear to covers text is excellent clean tight unmarked as new.

Paperback. Condición: New. This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism.…

paperback. Condición: Like New. First Edition. Publisher: Academy Editions, London, 1994. FINE softcover in illustrated wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Softcover. 1st ed. 144 p. Ill. Good condition. Reading pages are clean and without marks. Book shows slight signs of storage and usage. Still good copy. 9781854903754 Sprache: Englisch Gewicht in Gramm: 699.

Condición: Good. 4to. Soft Cover. Very Good. 144 pp. Color Plates.

An excellent copy.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: New. This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism.…