yingjun wei (24 resultados)

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together.

Paperback or Softback. Condición: New. Chinese Feminisms and the Vagina Monologues. Book.

paperback. Condición: New.

Paperback. Condición: Brand New. 72 pages. 6.00x0.17x9.00 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New.

Paperback. Condición: New. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together.

Condición: New.

Hardcover. Condición: Brand New. 72 pages. 6.00x0.25x9.00 inches. In Stock.

Paperback. Condición: new. Paperback. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. In Stock. This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Paperback. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Brand New. 72 pages. 6.00x0.25x9.00 inches. In Stock. This item is printed on demand.

Hardcover. Condición: new. Hardcover. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Condición: Neu. Chinese Feminisms and The Vagina Monologues | Yingjun Wei | Taschenbuch | Englisch | 2026 | Cambridge University Press | EAN 9781009667791 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Condición: new. Hardcover. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together. This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Chinese Feminisms and The Vagina Monologues | Yingjun Wei | Buch | Englisch | 2026 | Cambridge University Press | EAN 9781009667777 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.