Yellow barn press (20 resultados)

broadside (12 by 9 inches). Commemorates Oak Knoll Fest X, New Castle, Delaware. Reproduces the text from a dunning letter dated June 3, 1908, from The Roycrofters, from the Jack Walsdorf Collection. With Roycrofter designs printed in red. Yellow Barn Press (ilustrador).

Hardcover. Condición: Very Good. Blue-green printed paper-covered boards, 8vo. x, (1), 34, (1) pages, three wood engravings and ornaments by John DePol. One of 1,400 copies reprinted for Blackwell North America. Warmly inscribed by Neil Shaver to Alan Dietch. A clean,very good copy with fading to the spine. Signed by the Printer.…

broadside, folded once. 8vo. broadside, folded once. NOTE: THIS IS FOR THE PROSPECTUS ONLY. A fine copy. Printed by hand by Neil Shaver on a Vandercook. The first printing of Symon's Lurcy Lecture presented at Amherst College in March of 1992 in which he attacks deconstruction and its principal practitioners and comments on standards of judgement in literature. Yellow Barn Press (ilustrador).…

Soft cover. Condición: Fine. Sewn brown printed self-wrappers, small 8vo., (11) pages, two wood engravings by John DePol. One of 320 copies printed from Californian, Deepdene, Castellar and Stephenson types by Neil Shaver at his Yellow Barn Press on Zerkall paper. Compliments slip laid in. A fine copy.…

Hardcover. Condición: Fine. Quarter brown cloth with spine label and copper marbled paper-covered boards, 12mo., (26) pages, eight one or two-toned linocuts by Bill Jackson. One of 150 numbered copies set in Monotype Poliphilus by Michael & Winifred Bixler and designed and printed by Neil Shaver at his Yellow Barn Press on dampened Rives paper. Bound by Campbell-Logan. Four-page prospectus and compliments slip with autograph presentation by the printer loosely inserted. A fine copy in archival mylar. Bill Jackson (ilustrador). Signed by the Printer.…

Hardcover. Condición: Fine. Quarter copper cloth with spine label and copper marbled paper-covered boards, 12mo., (18) pages, illustrated with four linocuts by Bill Jackson. One of 130 numbered copies set in Monotype Poliphilus by Michael & Winifred Bixler and printed by Neil Shaver at his Yellow Barn Press on dampened Rives paper. Bound by Campbell-Logan. Four-page prospectus loosely inserted. A fine copy in archival mylar. Bill Jackson (ilustrador).…

8vo. cloth-backed marbled paper-covered boards, leather spine label. xi, 55, (3) pages. Limited to 225 numbered copies. Includes 25 tributes including ones by Simon Brett, P.D. James, H.R.F. Keating, Alan Ross, George Sims and others. Printed by hand by Neil Shaver at his private press. A lovingly produced tribute. cloth-backed marbled paper-covered boards, leather spine label. Yellow Barn Press (ilustrador).…

Hardcover. Condición: Near Fine. Marbled paper-covered boards with cover label, small slender 8vo., (11) pages, two wood engravings by John DePol. One of 125 copies set in Bembo and printed by Neil Shaver at his Yellow Barn Press on Rives paper. A near fine copy with a trace of edgewear to the boards.…

Council Bluffs, Iowa: The Yellow Barn Press, (1996). xi, 55 pp., [1, colophon]. Octavo. cloth-backed marbled paper covered boards, leather spine label. Near fine condition. First edition, one of 225 numbered copies, this being no. 54. Contains 25 tributes, including contributions by Simon Brett, P. D. James, H. R. F. Keating, Alan Ross, George Sims, and others. Hand-printed by Neil Shaver at his private press. A handsomely-crafted memorial volume, additionally inscribed inside: "This copy signed with great pleasure for Susan Brynteson by the author editor Jack Walsdorf 21697.". …

Hardcover. Condición: Fine. Natural linen with leather spine label gilt, small 4to., xii, (108, (1) pages, 15 wood engravings + frontispiece by John DePol. One of 180 numbered copies printed by Neil Shaver, and signed by Saxe and DePol. Bound by Campbell-Logan. Prospectus laid in. A fine copy in archival mylar. Signed by Author and Artist.…

Hardcover. Condición: Fine. Natural linen with leather spine label gilt, small 4to., xii, (108, (1) pages, 15 wood engravings + frontispiece by John DePol. One of 180 numbered copies printed by Neil Shaver, and signed by Saxe and DePol. Bound by Campbell-Logan. Prospectus laid in. A fine copy in archival mylar. Signed by Author and Artist.…

small 8vo. deep red cloth-covered boards with small pictorial paper cover label; paper spine label, deckled fore and bottom edges. 42, (2) pages. Printed in an edition limited to 145 numbered copies. (Walsdorf A5). Collection of seventeen poems, some previously published, by the author William Wallace, here illustrated by Paul Otero. Ink inscription on second blank page. deep red cloth-covered boards with small pictorial paper cover label; paper spine label, deckled fore and bottom edges. Yellow Barn Press (ilustrador).…

Hardcover. Condición: Fine. Quarter black Oasis goat skin with leather tips and John DePol's wood-engraved pattern paper covered boards, leather spine label gilt, black cloth-covered drop-back box with paper label, large 4to., xvii, (ii), 122, (1) pages + 22 color plates. Illustrated throughout with 58 wood engravings, mainly by John DePol, mounted color and monochrome photographs and a fabric specimen. One of 175 numbered copies printed from Perpetua type on Zerkall mould made paper. Set by Michael and Winifred Bixler, calligraphy by Jerry Kelly and bound by Campbell-Logan. Loosely inserted are the prospectus, a spare label, a business card and a ANS signed by Shaver. A fine copy in a fine drop-back box. Signed by the Printer.…

12mo, [26]pp., one of 150 numbered copies, illustrated, original cloth-backed marbled boards, printed spine label, uncut, a fine copy.

Hardcover. Condición: Fine. Quarter natural linen with DePol wood engraved patterned paper-covered boards, cover and spine labels, slender 8vo., (20) pages, five wood engravings in sepia by DePol. One of 125 numbered copies designed and printed by Neil Shaver from Italian Old Style type on Frankurt Cream paper. Spare label tipped-in and single sheet prospectus laid in. A fine copy in archival mylar.…

No Binding. Condición: Fine. Unbound, folded sheets consisting of four pages of text and 21 color plates, laid into a stiff tan folder with cover label, from the book "John Anderson and the Pickering Press". Broadside prospectus with order form laid in. A fine copy.

Hard Cover. Condición: Near Fine binding. Octavo. [6], 27, [3] pp., frontis, illus. Limited edition, number 176 of 200 copies. Backed in red cloth with pastepaper over boards. A fresh copy with very faint rubbed spots to the fore-edge of the front board; clean throughout. A beautiful production with a frontispiece and three in-text engravings by DePol.…

cloth, paper spine label. 8vo. cloth, paper spine label. (iv), 24 pages. Privately printed by Neil Shaver in 12 pt Baskerville printed on Rives paper at the University of Nebraska. Edges are lightly rubbed, very light wear to the covers, else a near fine copy. PRINTERS COMMENTS: "I printed this first book in Harry Duncan's class at the University of Nebraska at Omaha. In 1978 Harry offered his first night class since coming to the University in 1972. I jumped at the chance to take the class. It was what I had been waiting for. I had purchased my Washington hand press in 1964. .At this time I knew nothing about what it took to produce a book. The Washington press used for this book was one of two in the University's shop. .I remember printing the last signature on the last day of class before Christmas vacation in 1978. The book was bound by Zonne Book Binders in Chicago. .Clark Olmstead, the author, is an interesting individual. .By day he was a routeman for the Frito-Lay Company. I had to have a project for the class at the University and in conversation one day with Clark, it was agreed that I would use a collection of his verse." .(YBP Bibliography excerpt, laid-in front hinge). Portrait drawn by Sue Pospeschil Olson. Yellow Barn Press (ilustrador).…

Hardcover. Condición: Fine. Quarter burgundy cloth with leather spine label gilt and Claire Maziarczyk paste paper-covered boards, slipcase, small 4to., xxxii, (1), 85, (1) pages, well illustrated including a tipped-in Antonio Frasconi woodcut. With recollections by Ken Botnick and Steve Miller. One of 170 numbered copies designed and printed by Neil Shaver on dampened Rives Heavy white mould made paper. Title page calligraphy by Jerry Kelly. Bound by Campbell-Logan. Prospectus, errata and prospectus for Om Krishna III, with TLS from Arnold Elkind and review, are laid in. A fine copy in archival mylar in a fine cloth and paper-covered board slipcase with minor scuffs to one panel.…

Neil Shaver (1924 - 2019) started the Yellow Barn Press in Council Bluffs, Iowa in the 1960s, though he did not begin printing seriously until 1979. He began at the University of Nebraska that year, where he studied printing under Harry Duncan and produced the first Yellow Barn Press book. He went on to print many expertly designed and crafted books about books: The Old Printing Office (1985), Elbert Hubbard: William MorrisÕs Greatest Imitator (1999), American Iron Hand Presses (1991), and John DePol: A Celebration (1994). Quarto. 140 pp. With twenty-two color plates and fifty-eight illustrations, many of them John DePolÕs wood engravings. Printed on Zerkall paper in Eric GillÕs Perpetua Quarter black Oasis goatskin over DePol patterned paper boards. Leather spine label titled in gilt. A fine copy with the prospectus in a black cloth clamshell case. One of 175 copies. Starting with The Old Printing Office, John DePol (1913 Ð 2004) illustrated eighteen books for the Yellow Barn Press with his wood engravings. Jack Walsdorf writes that Òthe nineteen eighties and nineties were the time of John DePolÕs most significant work and nowhere was it more in evidence than in the work he did for the Yellow Barn Press.Ó.…