yaniv bracha (116 resultados)

hardcover. Condición: near fine. Estado de la sobrecubierta: near fine. Limited. Illustrated mostly in b/w. 176 pages with text in English and Hebrew. 4to, red cloth, pictorial d.w. Jerusalem: HaMakor Press, 1991. A near fine copy in a near fine dust wrapper. No. 54 of 500 numbered copies.

Condición: New. Brand New.

Hardcover. Condición: Very Good. 1st Edition. 178pp in english and 44pp in hebrew.illustrations.might need extra shipping costs.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: new.

Paperback. Condición: new. Paperback. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.The study of Jewish art frequently raises questions relating to Jewish survival and Jewish identity. These issues have always been of relevance throughout the Jewish diaspora, and as is evident from the articles in this volume they continue to concern Jewish artists to this day. The opening article, 'Illuminations of Kol Nidrei in Two Ashkenazi Mahzorim' by Sara Offenberg, deals with the hidden meanings expressed by groups of animals depicted in two medieval Ashkenazi prayer books for the Day of Atonement. By using allegorical animals in this way the Jews of the thirteenth and fourteenth centuries could safely express their fear of the hostile Christian society in which they lived, as well as their trust in God and belief in redemption.A surprising link between the Middle Ages and modern times is made by Rachel Singers article, 'Maurice Sendaks Where the Wild Things Are: An Exploration of the Personal and the Collective'. Published in 1963, this classic childrens book, written and illustrated by the son of a Jewish immigrant family in Brooklyn, is far removed, both chronologically and geographically, from the Ashkenazi Middle Ages. In her study, however, Singer prises out hidden sources of antisemitic perceptions rooted in medieval Christian Europe. This leads us to the volumes third article, *'The Return of the Wandering Jew(s) in Samuel Hirszenbergs Art' by Richard I. Cohen and Mirjam Rajner. The motif of the wandering Jew, a negative and frightening gure, is rooted in the late Middle Ages: it made its first appearance in Christian art, in printed books which disseminated the Christian legend all over Europe. In the nineteenth century, Jewish artists engaging with the image of the wandering Jew endowed it with new interpretations and presentations. One of these is revealed by the authors as they focus on the painting *The Wandering Jew, created in 1899 by the Polish Jewish artist Samuel Hirszenberg.As is well known, emancipation and the Jewish national awakening in late nineteenth-century Europe were accompanied by diverse artistic activities. These included the establishment of Jewish societies promoting Jewish art and artists, exhibitions, documentation, and research. Among the most impressive efforts were the activities of Jewish artists in interwar Poland, recorded in contemporary local newspapers and periodicals. As these were published in Polish and Yiddish they werent accessible to the English-speaking reader, something that is now rectied by Renata Piatkowska in A Sense of Togetherness: The Jewish Society for the Encouragement of the Fine Arts in Warsaw (19231939)'. Based on primary sources, the article introduces us to the ourishing artistic life which was cruelly destroyed in the Holocaust.Another result of Jewish national awakening, in this case in the medium of photography, is presented in 'Modernity as Anti-Nostalgia: The Photographic Books of Tim Gidal and Moshe Vorobeichic and the Eastern European Shtetl', by Rose-Carol Washton Long. This article examines how Zionist ideas led two assimilated German-trained photographers to develop variant thematic and stylistic portrayals of eastern European shtetls in their photobooks, published in 1931 and 1932. Their volumes are neither romantic nor nostalgic, but instead convey a vibrant vision of modernity.While the first five articles discuss iss Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.Contributors: Zsofia Buda, Andreina Contessa, Monika Czekanowska-Gutman, Basema Hamarneh, Moshe Idel, Sharman Kadish, Reuven Kiperwasser, Rudolf Klein, Susan Nashman Fraiman, Ido Noy, Larry Silver, Ronit Sorek, Sharon Weiser-FergusonInterested in subscribing to Ars Judaica? Institutional subscriptions are available via LUP's Journals department. To find out more or to recommend Ars Judaica to your institutional librarian, please visit: Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. Orders and enquiries from Israeli customers should be directed to:Ars JudaicaDepartment of Jewish ArtBar-Ilan UniversityRamat-Gan 52900telephone 03 5318413fax 03 6359241email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Condición: new.

Condición: new.

Condición: new.

Paperback. Condición: New. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.The study of Jewish art frequently raises questions relating to Jewish survival and Jewish identity. These issues have always been of relevance throughout the Jewish diaspora, and as is evident from the articles in this volume they continue to concern Jewish artists to this day. The opening article, 'Illuminations of Kol Nidrei in Two Ashkenazi Mahzorim' by Sara Offenberg, deals with the hidden meanings expressed by groups of animals depicted in two medieval Ashkenazi prayer books for the Day of Atonement. By using allegorical animals in this way the Jews of the thirteenth and fourteenth centuries could safely express their fear of the hostile Christian society in which they lived, as well as their trust in God and belief in redemption.A surprising link between the Middle Ages and modern times is made by Rachel Singer's article, 'Maurice Sendak's Where the Wild Things Are: An Exploration of the Personal and the Collective'. Published in 1963, this classic children's book, written and illustrated by the son of a Jewish immigrant family in Brooklyn, is far removed, both chronologically and geographically, from the Ashkenazi Middle Ages. In her study, however, Singer prises out hidden sources of antisemitic perceptions rooted in medieval Christian Europe. This leads us to the volume's third article, *'The Return of the Wandering Jew(s) in Samuel Hirszenberg's Art' by Richard I. Cohen and Mirjam Rajner. The motif of the wandering Jew, a negative and frightening ?gure, is rooted in the late Middle Ages: it made its first appearance in Christian art, in printed books which disseminated the Christian legend all over Europe. In the nineteenth century, Jewish artists engaging with the image of the wandering Jew endowed it with new interpretations and presentations. One of these is revealed by the authors as they focus on the painting *The Wandering Jew, created in 1899 by the Polish Jewish artist Samuel Hirszenberg.As is well known, emancipation and the Jewish national awakening in late nineteenth-century Europe were accompanied by diverse artistic activities. These included the establishment of Jewish societies promoting Jewish art and artists, exhibitions, documentation, and research. Among the most impressive efforts were the activities of Jewish artists in interwar Poland, recorded in contemporary local newspapers and periodicals. As these were published in Polish and Yiddish they weren't accessible to the English-speaking reader, something that is now recti?ed by Renata Piatkowska in 'A Sense of Togetherness: The Jewish Society fo.

Paperback. Condición: new. Paperback. Bringing to light little-known artistic traditions, the latest volume of Ars Judaica focuses on the local and temporal contexts of objects and their images and explores collective and personal memories and identities in art.Rivka Ben-Sasson examines modes of symbolic perception of nature prevalent in religious thought and art by analysing images of the lulav and etrog. Iwona Brzewska and Waldemar Deluga discuss the significance of Hebrew script in paintings and prints of the fifteenth to seventeenth centuries originating from the borderland between the Catholic and Christian Orthodox domains of eastern Europe. Michelle Klein studies the typological development of the havdalah candle-holder, based on an analysis of 170 examples. Matthew Baigell suggests that American Jewish artists are characterized by concern for the betterment of humankind; his sources include Jewish postcards, photographs, and caricatures as well as the work of contemporary American Jewish artists. Astrid Schmetterling discusses how Else Lasker-Schuelers Orientalism offered a serious aesthetic-political challenge to both German and Jewish society. Mor Presiado argues that the contemporary use of sewing and embroidery by contemporary Jewish women artists to depict womens experience of the Holocaust initiates a new, feminist response to the Holocaust.The Special Item in this volume, an article by Shalom Sabar on the earliest illustrated Esther Scroll by Shalom Italia, is an illuminating insight into early modern Jewish art in the making. Also included are exhibition and book reviews.Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica, Department of Jewish Art, Bar-Ilan University, Ramat-Gan 52900, Telephone 03 5318413; Fax 036359241; Email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2016. Paperback. . . . . .

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Condición: New. 2011. Paperback. . . . . .

Condición: New. pp. 168 119 Illus. (85 Col.).

Condición: New. 128.

Paperback. Condición: new. Paperback. ArsJudaica is an annual publication of the Department ofJewish Art at Bar-Ilan University. It showcases the Jewish contribution to thevisual arts and architecture from antiquity to the present from a variety ofperspectives, including history, iconography, semiotics, psychology, sociology,and folklore. As such it is a valuable resource for art historians, collectors,curators, and all those interested in the visual arts.Contributors: Matthew Baigell, Rutgers University of New Jersey, Batya Brutin, Beit Berl Academic College, Zofit, Warren Zev Harvey, Department of Jewish Thought, Hebrew University of Jerusalem, Moshe Idel, Shalom Hartman Institute, Jerusalem; Department of Jewish Thought, Hebrew University of Jerusalem, Sara Offenberg, Department of Jewish Art, Bar-Ilan University, Nils Roemer, University of Texas at Dallas, Debra Higgs Strickland, School of Culture and Creative Arts, University of Glasgow, Annette Weber, Hochschule fuer Juedische Studien, HeidelbergVolumesof Ars Judaica are distributed by the Littman Library of JewishCivilization throughout the world, except Israel. Orders and enquiries fromIsraeli customers should be directed to:Ars JudaicaDepartment of Jewish ArtBar-Ilan UniversityRamat-Gan 52900telephone 03 5318413fax 03 6359241email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Paperback. Condición: new. Paperback. ArsJudaica is an annual publication of the Department ofJewish Art at Bar-Ilan University. It showcases the Jewish contribution to thevisual arts and architecture from antiquity to the present from a variety ofperspectives, including history, iconography, semiotics, psychology, sociology,and folklore. As such it is a valuable resource for art historians, collectors,curators, and all those interested in the visual arts.In this volume, Sarit Shalev-Eyni considers the Mahzor as a cosmologicalcalendar, while Katrin Kogman-Appel looks at the work of Elisha ben Abraham,known as Cresques, in fourtheenth-century Mallorca. Evelyn M. Cohen discusses a surprising modelfor Charlotte Rothschild's Haggadah of 1842 and Ronit Sternberg examinessampler embroidery past and present as an expression of merging Jewishidentity. Jechezkiel David Kirszenbaums exploration of personal displacementisthe subject of an article by Caroline Goldberg Igra, and the Great Synagogue onTlomackie Street in Warsaw one by Eleanora Bergman. The Special Item by Sergey R. Kravtsov and VladimirLevin is devoted to Perek Shirah on a wall of the Great Synagoguein Radyvyliv. The volume alsoincludes book reviews and an appreciation of the life of Alfred Moldovan byWilliam L. Gross. Contributors: Ziva Amishai-Maisels, Professor, History of Art Department, Hebrew University of Jerusalem, Eleonora Bergman, Emanuel Ringelbaum Jewish Historical Institute, Warsaw, Evelyn M. Cohen, Professor, Jewish Theological Seminary (JTS), New York, Caroline Goldberg Igra, Guest Curator, Beit Hatfusot, Tel Aviv, William L. Gross, Collector, Tel Aviv, Katrin Kogman-Appel, Professor, Ben-Gurion University of the Negev, Beersheva, Sergey R. Kravtsov, Center for Jewish Art, Hebrew University of Jerusalem, Vladimir Levin, Center for Jewish Art, Hebrew University of Jerusalem, Sarit Shalev-Eyni, History of Art Department, Hebrew University of Jerusalem, Larry Silver, History of Art Department, University of Pennsylvania, Ronit Steinberg, History and Theory Department, Bezalel Academy of Arts and design, JerusalemVolumes of ArsJudaica are distributed by the Littman Library of Jewish Civilizationthroughout the world, except Israel. Orders and enquiries from Israelicustomers should be directed to:Ars JudaicaDepartment of Jewish ArtBar-Ilan UniversityRamat-Gan 52900telephone 03 5318413fax 03 6359241email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.