Wood engravings illustrator (6 resultados)

Hardcover. Condición: Good. Missing. 3rd Printing. Tan cloth covered boards with brown titles; mild wear to edges and covers; 8vo - over 7 3/4" to 9 3/4" tall; no jacket. Ex-Library with typical stamps and markings; front hinge cracked; interior is unmarked; page 257 tape repaired; 260 pages.

Condición: Very Good. 6 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. The Studio: An Illustrated Magazine of Fine and Applied Art was a pioneering British art periodical published in London from 1893 to 1964. Founded by Charles Holme, a former silk merchant with a deep interest in international aesthetics, the magazine became a vital platform for the Art Nouveau, Arts and Crafts, and later Modernist movements. Size: 18 x 24 cms. Category: The Studio Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condición: Very Good. 4 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. The Studio: An Illustrated Magazine of Fine and Applied Art was a pioneering British art periodical published in London from 1893 to 1964. Founded by Charles Holme, a former silk merchant with a deep interest in international aesthetics, the magazine became a vital platform for the Art Nouveau, Arts and Crafts, and later Modernist movements. Size: 18 x 24 cms. Category: The Studio Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Hard Cover. Estado de la sobrecubierta: Good. First Edition. HBDJ, 1965, 1st Edition, VG+/VG-, Cvr nice condition light wear, 12mo; 46 pages. DJ light rub, wear, FOX, scuffing, 8.5 x 5", Decorated paper-covered green boards, quarter-cloth spine with gilt-stamped lettering on Spine Cvr. Signed by Author.…

Hardcover. Condición: Fair. No Jacket. Date of preface is 1834. Green boards. Spine strip is completly missing. Internally very good. First page has missing 1/2" at top poss. to remove name. Very well illustrated by Branaton. Contents are: Catalogue of new Works 32 pages. 4 page preface. Contents of xl pages. 1270 page of main text.…

One page, sm. folio, airmail, one small closed tear, good condition. Text: "I was glad to get your letter of 8th August and must apologise for my delay in answering it. I was, just then, caught up into a confusion of work. | I telephoned Mr Leventhal (he doesnt live in Woodbury, but in Boston; however, we are in touch) and he was delighted at his good fortune in acquiring a copy of my FARMER'S YEAR. It is, now, very rare, | [] (By the way, there is, at the moment, a three month retrospective of my work at the Boston Public Library, with an illustrated--partially so - catalogue which is a true catalogue raisonne. If you are interested I will send you a copy.) | I have had several special editions I have illustrated, and last year, for the Bicentennial, I did a book for the Book Club of California, called GROWING NEW ROOTS. It was, alas, available only to members. | The blocks of THE FARMER'S YEAR belong to me, and I have a limited, signed edition of the prints from the book which are for sale. They are nearing their end, I fear. And as the Boston exhibition goes from there to San Francisco for three months and then to Los Angeles, I think they will be sought after. | I have often been asked if I sell the actual blocks. So far I have resisted it, though I have given some to one or two universities. But always I cancel them, with an engraved line obliquely across them. Yes, I most certainly have engravings for sale. As a result of the various exhibitions I have been having my market is good. (By the way, I am glad you think so highly of the work of George Mackley. I consider him exceptionally fine) There is very little wood engraving being done over here in America. I think it is because it is a tedious, lengthy medium so that you cant get rich quickly! | And dear David Jones! I was very fond of him when lived in England. It is so good to see he is at last being recognised. | When I hear from you I will send you my dossier and the Boston catalogue.". …