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Publicado por Pomona College Gallery, Claremont, CA (USA), 1971
Librería: 246 Books, Seattle, WA, Estados Unidos de America
Paperback. Condición: Near fine. Edward Moses :some early work, some recent work, some work in progress with text by Helene Winer. Small catalog for his 1971 show at the Pomona College Gallery. Unpaginated, Black and white reproductioms. Paper with stiff, black cover. 6 3/4" x 6 3/4". Near fine.
Publicado por Koln: Jablonka Galerie, 1992
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover staple-bound exhibition catalog, 24 pages, in English; very good condition; except moderate rubbing wear to white covers; no internal marks.
Publicado por Artists Space New York, NY, 1979
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
13 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Essay text [no images] published in conjunction with the simultaneously held exhibitions "Sixth Anniversary Exhibition" held at Artists Space, New York, and "Ten Artists: Artists Space 1973-75," held at Neuberger Museum, Purchase, NY, both of which were on view September [22] - October [27], 1979. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Essay by Helene Winer. Features Helene Winer's thirteen page text staple bound in corner. Very Good. Light edge wear including bumping and handling wear and light yellowing of page edges. Contents clean and unmarked.
Publicado por Baltic, 2016
ISBN 10: 1903655374ISBN 13: 9781903655375
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Hardcover without dustjacket as issued; 160 pages, new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
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Nuevo desde EUR 72,36
Usado desde EUR 62,77
Encuentre también Tapa dura Ejemplar firmado
Publicado por Neuberger Museum, 1979
ISBN 10: 0934032017ISBN 13: 9780934032018
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover staple-bound, 32 pages, very good condition, light wear to covers with multiple creases around spine edge and small price sticker on rear cover; no internal marks.
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Usado desde EUR 62,77
Publicado por Inner-Tube Video New York, NY, 2002
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[unpaginated]; 19 x 13.5 cm.; slipcase; edition size unknown; unsigned and unnumbered DVD documentary about the work of Cindy Sherman and exhibitions of her work held at Metro Pictures in 1981 and 2000. Directed by Paul Tschinkel, featuring interviews with Helene Winer and Peter Schjeldahl and a rare interview with Sherman from 1981. Very Good / Fine. "Institutional Copy" stamped in black ink on verso of slipcase, otherwise Fine.
Publicado por Studio International London, United Kingdom, 1971
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
116 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J.G. Ballard and Frank Whitford; "Clement Greenberg and the idea of the avant garde," by Andrew Higgens; "Belgian commentary," by K.J. Geirlandt; "The Belgian contribution to Surrealism," Roland Penrose and Gisele Ollinger-Zinque; "Ben Nicholson's new reliefs," by David Piper; "Melbourne commentary," by Ross Lansell; "Inn70" "APG." Very Good. Light rubbing and bumping of cover edges and corners. 4.8 cm. of pencil writing on verso edge. Contents clean and unmarked.
Publicado por Artists Space New York, NY, 1984
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''alternative'' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."?from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.
Publicado por Baltic, Gateshead, 2016
Librería: Derringer Books, Member ABAA, Avon, CT, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: Near Fine. First edition. Hardbound quarto. Issued without dustwrapper. 160 pp. Text by Helene Winer. A retrospective on the artist published on the occasion of a 2015 exhibition in the U.K. Very slight handling wear. A handsome near fine copy. This copy has been INSCRIBED by the artist and is quite uncommon thus.
Publicado por Pomona College Art Gallery, Pomona, CA, 1971
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Miembro de asociación: ESA
Original o primera edición
Stapled Pictorial Wrappers. Condición: Very Good. First Edition. 32pp, 38 b&w illustrations. With a chronology and exhibition history. This is the catalogue published in conjunction with William Wegman's 1971 one-person exhibition of photographs and video works at the Pomona College Art Gallery curated by Helene Winer. It is the very first monographic publication on the artist. An internally handsome example of this exceedingly scarce, charming little item showing some very light foxing to the wrappers along with a discreet ownership note on the inside front cover. Artist Monograph.
Publicado por Pomona College Gallery, Montgomery Art Center Claremont, CA, 1972
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Good. Moderate wear, creasing and light discoloration to covers and mild staining to verso cover. Contents clean and unmarked.
Publicado por Pomona College Art, Pomona, 1972
Librería: A&M Bookstore / artecontemporanea, Milano, MI, Italia
Libro Original o primera edición
brossura. Condición: ottimo. prima edizione. Text: Winer Helene. cm 17x17; pp. 12; BW ills.; staple binding.
Publicado por Pomona College Gallery, Montgomery Art Center Claremont, CA, 1972
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Very Good. Mild wear and light discoloration to covers. Contents clean and unmarked.
Publicado por Pomona College Gallery, Montgomery Art Center, Pomona, CA, 1972
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Miembro de asociación: ESA
Original o primera edición
Stapled Printed Wrappers. Condición: Fine. First Edition. np (16pp), 6 b&w illustrations. In a protective clear acetate dustwrapper. This is slender sixteen page catalogue published in conjunction with a 1972 Pomona College Gallery exhibition curated by director Helene Winer that featured the three then-local conceptual practitioners (and close friends) Bas Jan Ader, William Leavitt, and Ger Van Elk. It features photographic documentation by Phillip Cleveland, and a brief textual contribution by Leavitt. A bright white, most handsome example of this exceedingly uncommon early California conceptualism item. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Exhibition Catalog.