williams iola (18 resultados)

Hardcover. Condición: Very Good. Very good light wear - gift inscription on blank end paper in a poor used jacket that is interesting with a tipped-on color plate.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good (in mylar). 171pp. Previous owner's bookplate on fep, previous owner's inked name on ffep, flap staining on end pages, otherwise the aged textblock is clean and tight. Lightly rubbed, unclipped dust jacket with light edge and spine wear. Hard Cover.

Hardcover. Condición: Very Good-. Estado de la sobrecubierta: No Dust Jacket. Exlibrary with usual library markings. Some cover sunning. ; 244 pages.

square 12mo. paper-covered boards, paper cover label. 13 pages. No. 4, James Collings and James Stephens. With a Prefatory Letter by J.C. Squire. "Only seventy-five copies of this edition have been printed on hand-made paper of which this is No. 49." Complete collations. Spine covering chipped away. paper-covered boards, paper cover label.

hardcover. Condición: Very Good. Hardcover. No dust jacket. Minor cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

paper wrappers. Moore, George Ilustrador. square 12mo. paper wrappers. 13 pages. No. 3 George Moore. Complete collations. Covers spotted and detached.

paper wrappers. Masefield, John Ilustrador. square 12mo. paper wrappers. 12 pages. No. 2, John Mansfield. Someone has written the name "John Masefield" in ink on front cover.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. 1st Edition. First edition and printing. In very good navy cloth boards, white paper title field on spine with black titles. The covers are very firm and straight, unmarked, with sightly bumped and frayed corners and spine ends. Tanned vertical strip on the free end papers; name on front free end paper. Tanned and foxed cut edges; tail end deckled. The text block is very good, tightly bound and not tanned or foxed. Very scarce. In plastic-covered khaki dust jacket, fairly good, with worn tail edge and two open tears. Not clipped. Rare.

hardcover. Limited. With a Prefatory Letter by Squire. 13 pages, printed boards. London: Leslie Chaundry, 1922. One of 75 copies.

Half-Leather. Condición: Good. First Thus. Small thick octavo, pp 384, a little age-toned, an iscription on the front endpaper, top edge gilt, half morocco, gilt decorated spine with raised bands, three small gilt initials on the upper cover, slightly worn and faded, joints rubbed. [A Mudie bindijng, with their small gilt stamp on the front endpaper.].

8vo. parchment backed marbled boards. x, 144 pages. First edition, limited to 500 copies. Volume 7 of the 10 volume Bibliographia Series edited by Michael Sadleir. A few facsimile title pages. Covers rubbed. Foxed. parchment backed marbled boards.

8vo. parchment backed marbled boards. x, 144 pages. First edition, limited to 500 copies. Volume 7 of the 10 volume Bibliographia Series edited by Michael Sadleir. A few facsimile title pages. Minor cover rubbing. parchment backed marbled boards.

Hardcover. Condición: Fair. No Jacket. 1st Edition. The boards are a touch rubbed, marked and worn. Internally clean (a little light foxing) and tightly bound. Our orders are shipped using tracked courier delivery services.

Cloth. Condición: Very Good Indeed. Not Stated Ilustrador. First edition. A wonderful first edition volume on early English water colours, with illustrations and colour frontispiece. First edition copy of this work.Within this charming volume, there has been much attention paid to the minor artists that were using watercolour. The book is concerned with English drawings in watercolour from their first production in England up to about the time of those artists who were born in the early 1880s.The chapters are largely chronological and start with watercolours of the sixteenth and seventeenth centuries. There are two-hundred plates to the rear of the volume and a colour frontispiece by Joseph Mallord William Turner. Other artists included in this volume are William Blake and John Constable.Collated, complete.From the Ascott House library, owned by the de Rothschild family. The library was created following the conversion of the billiards room in 1936 and was predominantly filled with books collected by Anthony de Rothschild. In the publisher's original cloth binding. Externally, smart with some marks to the spine. Internally, firmly bound with bright and clean pages. Very Good Indeed. book.

Hardback. xxii, 266pp, 200 plates containing 412 black & white illustrations, 4to, Kingsmead Reprints, Bath 1970. Very good copy in very good dust jacket.

Hardback. 295pp ills. 1931. Top of spine worn, else VG.

xiv+266pp. 4to. Original boards, gilt lettering, extremities slightly bumped, in pictorial dustwrapper, some sellotape markings. Front gutters starting but hinges sound. Colour frontispiece and black and white plates. Light foxing to endpapers and upper and fore edge, otherwise a very good copy. First Edition.

First Edition. and some cognate drawings by artists born not later than 1785. Pp. xxiv+266, coloured frontispiece plus 200 black & white plates, index; med. 4to; gilt lettered cream cloth, bottom fore-corner of upper board bruised; dust wrapper with coloured pictorial onlay at centre of front panel, slightly soiled, the back panel lightly damp marked, edges lightly rubbed and split; top edges of leaves a trifle foxed; The Connoisseur, London, 1952. First edition.